Adlerschwinge

A Colorful, Winner Western with Audie Murphy in His Element and a Solid Back-Up Cast including Walter Brennan in an atypical Super Serious Role as Murph's Dad.

Some Recognizable Bad-Guys including the always Grinning Lyle Bettger, Bob Steele, and Hugh O'Brian as a Psycho Gunslinger. Jay Silverheels and that always Recognizable Voice has a Small but Important Role as an Indian Chief.

It is quite Striking just how much Plot was Woven into these 80 Minute Westerns, it's just a Treat to Watch it Unfold at a Blistering Pace. The Action Never Lets Up and the Story Layers are Simple and Significant.

The Movie features that Glorious Technicolor that Drips from the Screen, a Look that has been Lost in Time. Overall, this Cowboys and Indians Movie is the Stuff that made Saturday Matinees the Favorite Spot for Kids of the Fifties.

Downtown at the Movie Palace there were Western and Sci-/Horror Entertainment along with Color Cartoons, and Short Subjects and the Kids were there because that was where it was at, through the 1950's.

Drums Across the River concerns freighters Walter Brennan and his son Audie Murphy trying very hard to prevent a full scale Indian war which Lyle Bettger and sidekicks seem bound and determined to start.

There's some rich mineral deposits on Ute land which is separated by a river boundary. Lyle Bettger plays on the greed of the white folks to invade the Ute treaty land so the government will send in troops to move them.

Brennan sees the game for what it is, but it takes Murphy a while to come around. When he does he's the heroic Audie we know in most of his B westerns.

Lots of action and a really nice performance by Jay Silverheels as the young Ute chief. Silverheels was on hiatus from the Lone Ranger and he ought to be remembered for more than just playing Tonto.

There's also a nice performance by Mara Corday who is Bettger's squeeze and does quite a bit more for him than the usual moll.

Despite that the film probably suffered from some poor editing and a script in which the character's motivations in doing certain things are a bit vague.

Nevertheless Drums Across the River has enough action to satisfy any western lover.

An Audie Murphy western from 1954. A father/son transpo enterprise are hired to bring a shipment of gold to an embattled location where the Ute Indians hold a tenuous truce w/the passersby. Murphy & Western vet Walter Brennan play the business owners & what they don't know is there are outside forces at play hoping that a war will ignite between the white man & the native peoples so that the Ute's land can be properly exploited. Brennan is hurt in an early skirmish so its up to Murphy to smoke the peace pipe, as it were, w/the Indian elder but he carries a deep seated grudge against them since the chief's son caused the death of his mother. Being a film on the cusp of being truly great & memorable, it's a shame some of the individual elements are glossed over (something a more insightful director may've focused on) so that finish line could be crossed at the 90 minute mark. Look for Jay Silverheels (TV's Tonto from the Lone Ranger series of the 50's) in a pivotal role as the chief's son.

This unheralded western is a solid yarn about a familiar plot of greedy whites scheming to mine rich gold deposits on Indian land. Audie Murphy's role as an Indian-hating cowboy is a bit out of character for him but he's okay in spite of his clean-cut, easygoing manner. Walter Brennan, a surprise member of the cast, is great in the role of Murphy's father and friend of the Indians. There are nice battles between the cowboys and Indians and the scenery is terrific. Lyle Bettger is the heavy and gives his usual fine performance. Jay Silverheels figures prominently in the picture and is stern but dignified as an Indian chief. Morris Ankrum and Mara Corday are also good in limited roles.

Good Nathan Juran's western, one more starring Audie Murphy for Universal Studios, after GUNSMOKE and TUMBLEWEED. Yes, good stuff, not too long, rather action packed, and offering acceptable performances, despite a weak plot, not that surprising story. Full of charm little western from the fifties. And it is always a pleasure to have Lyle Bettger as a villain, as John Doucette or Robert Wilke...I repeat, no surprise but so much effective for a tremendous time spender - not waster. Universal Studios had the secret of cute and original westerns, a special touch that the other companies had not. Not better, but just different.