IMDb-BEWERTUNG
7,2/10
3249
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuJohn Steinbeck introduces a quintet of five of O. Henry's most celebrated stories from his New York Period (1902-1910) in this anthology film.John Steinbeck introduces a quintet of five of O. Henry's most celebrated stories from his New York Period (1902-1910) in this anthology film.John Steinbeck introduces a quintet of five of O. Henry's most celebrated stories from his New York Period (1902-1910) in this anthology film.
Joyce Mackenzie
- Hazel Woods (segment "The Clarion Call")
- (Gelöschte Szenen)
- (as Joyce MacKenzie)
Empfohlene Bewertungen
One of the only times you'll get to see Steinbeck on film. The stories are all Unique and each comes with its set of twists and lessons learned. Of course I have my favorite and also my least favorite.
I love that these stories are so full of detail, even the scenery and costuming.
It's a true classic with an all star cast. Don't pass it up if it comes on. It's not perfect but what is?
I first saw this movie on TV as a child in the 1960s, and never watched it again until now (2005), but it's strange how many characters and even specific shots lingered in my mind all those years. This is a gem that has something for everyone: sentimentality, humor, pathos, and loads of good performances. "The Cop and the Anthem" is probably the most tightly written of them all, with subtle touches of humor throughout (besides the most obvious gags). If I had to single out one performer who delighted me the most it would be David Wayne, doing a twitchy down-and-outer playing off of Laughton's haughty tramp (especially just having seen him play a totally different character in ADAM'S RIB just a week ago).
As an old thespian friend of mine would say, "The Last Leaf" could bring a tear to a glass eye. And in "Red Chief," Fred Allen and Oscar Levant make a strange but fun team.
Not having seen Richard Widmark in the other movie mentioned in reviewer's comments, I could only think how much he reminded me of Frank Gorshin in various roles he played in the 60s. Watch this segment again and think "Frank."
Your whole family will like this movie. Why doesn't someone bring it out nice and crispy clean on DVD?
As an old thespian friend of mine would say, "The Last Leaf" could bring a tear to a glass eye. And in "Red Chief," Fred Allen and Oscar Levant make a strange but fun team.
Not having seen Richard Widmark in the other movie mentioned in reviewer's comments, I could only think how much he reminded me of Frank Gorshin in various roles he played in the 60s. Watch this segment again and think "Frank."
Your whole family will like this movie. Why doesn't someone bring it out nice and crispy clean on DVD?
Saw this with a childhood friend of mine in the 50's on TV when we were 'sneaking' staying up very late. When it was done, we looked at each other, both having been touched deeply, though we couldn't have described how. Ever after, it has been one of our 'special' memories -- one of us says "remember that movie?" and the other understands perfectly! That's what movies should do! Did anyone else have that experience on first watching it? I remember being very affected by Hitchcock's Saboteur, also, after watching it late one night as a kid. It stirred the same response that later made me a 'movie fan' -- that magical sense of someone (the director) saying something to you in a way that seemed to make life 'bigger' than it had been before.
This is one of my favorite old movies. You can't go wrong with this one--if you ever have a chance to see it! I don't recall enough details to improve upon what's been said by other reviewers, but each part was engrossing (though I agree that "The Ransom of Red Chief" was the weakest dramatization of a great short story of the bunch), especially "The Gift of the Magi" and "The Last Leaf." Lingers in the memory long after you see it.
One cannot really make a pastiche movie like this hang together as a coherent whole, but this oddity is interesting for the contributions of the high-powered cast: standing out are Charles Laughton, a disturbingly nasty Richard Widmark, Anne Baxter, and the drily comic Fred Allen, of whom we don't have enough of a film record. However, Oscar Levant's acting skills are really nonexistent; he should have stuck to his career as a musician and professional neurotic. Look for Marilyn Monroe in a cameo in "The Cop & the Anthem".
Wusstest du schon
- WissenswertesJohn Steinbeck opens an O. Henry volume at the start of each segment, and the viewers are shown the first one or two paragraphs of the upcoming story's first page. However, only the introductions to "The Ransom of Red Chief" and "The Gift of the Magi" show exactly what O. Henry wrote at the start of that tale. What is shown prior to the other three yarns is similar to, but not exactly, O. Henry's actual opening words.
- PatzerIn the first segment, as the man who had the umbrella runs off, a shadow of the camera can be seen on Horace's back.
- Zitate
Soapy (segment "The Cop and the Anthem"): It may interest to you to know, my good man, that I and the minutest coin of the realm are total strangers.
Waiter (segment "The Cop and the Anthem"): How's that?
Soapy (segment "The Cop and the Anthem"): I said I was broke!
- Alternative VersionenThe "Ransom of Red Chief" segment was deleted after the film's initial engagements, then restored in the television prints.
- VerbindungenFeatured in Die Welt der Marilyn Monroe (1963)
- SoundtracksBringing in the Sheaves
(1880) (uncredited)
Music by George A. Minor
Lyrics by Knowles Shaw
Played and sung by The Bowery Mission Band
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Lágrimas y risas
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 57 Min.(117 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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