Fünf Perlen

An homage to O. Henry, featuring five of his short stories, an interesting collection of actors and directors, and narrated by John Steinbeck. It starts strong, with the first story featuring Charles Laughton in the role of an erudite tramp and a brief appearance from Marilyn Monroe, the second with a fantastic performance from Richard Widmark, and some nice visuals in the third, which was directed by Jean Negulesco. O. Henry's stories have bits of irony, humor, and little twists at the end, and are entertaining in a gentle, quaint kind of way. There is an unevenness to how well they translated to the screen, especially in the fourth story, directed by Howard Hawks, but I was entertained, and touched by O. Henry's humanism. I also loved seeing Steinbeck in his only film appearance.

Twentieth Century Fox anthology film based around five O.Henry short stories, with each story introduced by John Steinbeck. The stories are:

"The Cop and the Anthem", directed by Henry Koster, stars Charles Laughton as a homeless man trying to get arrested so he may have shelter for awhile. He tries numerous tactics but nothing seems to work. Marilyn Monroe figures into one of these attempts. It's a humorous but brief appearance by her. This is an amusing beginning, with Laughton giving a good performance.

"The Clarion Call", directed by Henry Hathaway, stars Dale Robertson and Richard Widmark. Robertson is a cop who follows a murder clue to an old friend (Widmark). But he owes Widmark $1000 from an old debt and his honor won't allow him to arrest him. This story started off well but its contrived premise doesn't hold up and the ending I saw coming too early. Widmark is fantastic though.

"The Last Leaf", directed by Jean Negulesco, stars Anne Baxter and Jean Peters as sisters. Depressed Baxter becomes deathly ill and Peters can do nothing to help her. This is a simple story. A little corny, I suppose, but it made me smile just the same.

"The Ransom of Red Chief", directed by Howard Hawks, stars Oscar Levant and Fred Allen as two con artists who kidnap a boy, only to discover he's more than they bargained for. Hilarious story, even though we've seen whole movies built around "problem children" in the years since.

"The Gift of the Magi", directed by Henry King, stars Farley Granger and Jeanne Crain as a poor young married couple who make sacrifices for each other at Christmas. Probably O. Henry's most famous story and justifiably so. It's a beautiful, heartwarming Christmas story. They saved the best for last. This is a good anthology film. There's not a bad story in the bunch. The second story is the weakest but it's still watchable thanks to Richard Widmark. Definitely a film you should check out.

This is one of my favorite old movies. You can't go wrong with this one--if you ever have a chance to see it! I don't recall enough details to improve upon what's been said by other reviewers, but each part was engrossing (though I agree that "The Ransom of Red Chief" was the weakest dramatization of a great short story of the bunch), especially "The Gift of the Magi" and "The Last Leaf." Lingers in the memory long after you see it.

Saw this with a childhood friend of mine in the 50's on TV when we were 'sneaking' staying up very late. When it was done, we looked at each other, both having been touched deeply, though we couldn't have described how. Ever after, it has been one of our 'special' memories -- one of us says "remember that movie?" and the other understands perfectly! That's what movies should do! Did anyone else have that experience on first watching it? I remember being very affected by Hitchcock's Saboteur, also, after watching it late one night as a kid. It stirred the same response that later made me a 'movie fan' -- that magical sense of someone (the director) saying something to you in a way that seemed to make life 'bigger' than it had been before.

One cannot really make a pastiche movie like this hang together as a coherent whole, but this oddity is interesting for the contributions of the high-powered cast: standing out are Charles Laughton, a disturbingly nasty Richard Widmark, Anne Baxter, and the drily comic Fred Allen, of whom we don't have enough of a film record. However, Oscar Levant's acting skills are really nonexistent; he should have stuck to his career as a musician and professional neurotic. Look for Marilyn Monroe in a cameo in "The Cop & the Anthem".