Die Spielhölle von Las Vegas

A fizzled romance rekindles when the lady (Russell), now married (Price), returns to her old stomping grounds in Las Vegas, Nevada where the struggling husband hopes to beat the casino odds, she crossing paths with that former flame (Mature), now a Clark County Deputy Sheriff, before murder and aerial mayhem ensue.

A fabulous figure framed first in The Outlaw (43), it was Jane's pair of pretty, wide-set eyes that always had ME captivated. In her crime drama catalog (noirgesse), it's those gorgeous glims, long limbs and teamings with pal Bob Mitchum that typically starts the conversation (His Kind of Woman, Macao), but a couple can get along TOO well, for drama's sake, anyway, and Victor Mature is no downgrade, quite the contrary. I prefer their passionate, sometimes prickly pairing in this dicey drama and rate Vegas, Jane's best, while praising Price in a role better suited to his non-horror persona (vs Cardigan).

Directed by Robert Stevenson (Jane Eyre), a regular at Disney studio (Mary Poppins), noteworthy too is screenwriter Paul Jarrico (The Search) (Felton Essex / Dratler) whose blacklisted name was removed from premiere credits by producer Howard Hughes, even as the recluse retained his writing product. In support are ivory-tickler and narrator Hoagy "Happy" Carmichael, the jaunty Jay Flippen, blue eyed bad boy Brad Dexter, old timer Will Wright, familiar face Robert Wilke and real life Flamingo dancer Colleen Miller who'd quickly step up to leading roles at RKO and Universal (3/4).

Shady business man and compulsive gambler Vincent Price and luscious wife Jane Russell get off the trans-continental train they're on on their way to LA to do some gambling in Las Vegas. They stay at the Fabulous Hotel where Price convinces the management to extend him $100,000 in credit so he can have money to gamble with. The movie has a somewhat interesting back story about Price and a ruined business partner in Boston. As well there is another back story about Russell and Las Vegas detective Victor Mature, who seem to have met a while ago when she was a singer at a casino where Hoagy Carmichael is the long time pianist and band leader. He (Carmichael) does a great number about a little over half-way through the film that must be seen. As well, Russell is wearing a super expensive diamond bracelet that is the object of an aggressive insurance investigator. For my money, Price, Carmichael, and the vintage Vegas scenes are the only really compelling reasons to watch, except for a decent chase between a helicopter and a Mercury woody across the desert which leads to an interesting fight in an abandoned military base.

Tepid love story except for the exciting chase climax. Seems Mature and Russell had a marriage-bound romance in Las Vegas before they were separated by the war. Now Russell's visiting Vegas with her wheeler-dealer husband Price. Meanwhile, Mature has become a lieutenant on the Vegas police force. So what's going to happen when the former lovers meet as they must, especially when a valuable necklace disappears and a casino murder complicate things.

The movie promotes Vegas's strip at a time when the town was emerging as a gambling-vacation center. The following year, 1953, Sinatra would reinvent his career by connecting the Nevada town with glamorous Hollywood entertainers. And the rest, as they say, is history. Anyway, I expect this flick was one of the first to bring the strip to small town America.

And who better to draw in movie audiences than two of Hollywood's most physical specimens, the broad-shouldered Mature and the buxom Russell, though her attributes are downplayed here. At the time, Mature was an established star, while Russell's career was beginning to take off, especially with the following year's Gentlemen Prefer Blondes (1953).

I doubt, however, that this rather bland narrative advanced either career. Coming from Howard Hughes' RKO and his well-known fascination with Vegas, I imagine contract player Russell had little choice. Anyway, the wryly entertaining Hoagy Carmichael injects some atmosphere, along with a slicked up Robert Wilke in a departure from his usual thuggish roles. Too bad, however, that we don't see more of the great Vincent Price who injects both spirit and style into the proceedings. Nonetheless, catch that swooping copter chase that I'm sure thrilled audiences of the time and still does.

All in all, it looks like the movie was built around Hughes's sharp eye for Vegas's emerging glitz. At the same time, the two leads furnish audience come-ons. Too bad the story itself comes across more like a pedestrian after-thought.

This is a pretty good movie. Vincent Price and Jane Russell are great together, real screen magic. There is also a great character performance by Hoagy Carmicheal as the piano player Happy. This movie can be a little long and tedious at some parts, but the "chase" scene at the end is great! Therefore, I give this movie an 8/10.

This is a 1952 film, and you can tell we haven't quite left the '40s. Jane Russell plays a former Las Vegas club singer who travels to Vegas with her wealthy. somewhat slimy husband (Vincent Price) - but she has a past with a local police officer (Victor Mature). And you just know what's going to happen.

Russell sings as well, she looks sexy, and does a great job with the snappy dialogue. Hoagy Carmichael is terrific, and the two of them make the movie. There's a huge chase on foot scene at the end that is quite elaborate.

This is a Howard Hughes production; because he interfered so much with the filming, it lost money.