Torchy Runs for Mayor

Near the end of the series, Glenda Farrell is "Torchy", a reporter for the local paper, hot on the trail of ciminals doing bad things in town. In this one, she's after Dr. Nolan, ( John Miljan) , who seems to be running things. Co-stars Barton MacLane and Tom Kennedy, as usual. Charles Richman is Mayor Saunders, on the take. Torchy never seems to get caught getting evidence on the sly, but it always works out for her. Directed by Ray McCarey, brother of famed Leo McCarey. Appears to have committed suicide at 44, according to Wikipedia. org

Final Glenda Farrell Torchy Blane comedy newspaper crime drama. Torchy, a hotshot newspaper reporter, illegally gathers evidence proving corruption on the part of the city Mayor and the real power behind the city administration -- Dr. Jeff Dolan. Dirty city politics and the fear of honest citizens of power reflect the times.

Glenda Farrell as Torchy is both annoying and an interesting feminine hero. She is a fast-talking, hard-boiled, strong woman lead -- which is what is needed to carry off the theme of the outsider who helps the police. Torchy's long-suffering fiancé, Detective Lieutenant Steve McBride (Barton MacLane), alternates between depending upon and rescuing Torchy. Actually Farrell and MacLane are a good team. Sidekick police officer Gahagan (Tom Kennedy) is in the mold of many other detective sidekicks of the era. As in most stores of this type, the police cannot succeed without the intervention of the amateur detective. John Miljan plays the part of Dolan most believably.

In the end, Torchy is tricked into running for Mayor, wins the election, but at the sight of a baby at a press conference, opts for marriage and a home rather than a career. That ending played much better in 1939 than it would today.

The eighth film in the Torchy Blane series and the final one starring Glenda Farrell and Barton MacLane. This time Torchy is trying to take down a corrupt politician. The title of the movie eventually does happen, although not until late into the picture. It's an exciting, fast-paced B movie. Arguably the best in the series. There's less comedy and more grit in this one. Stars Farrell and MacLane are both in fine form here, as is Tom Kennedy as the lovable Gahagan. Great support from John Miljan, Frank Shannon, Joe Downing, and Irving Bacon.

The first four Torchy Blane movies were fun little B's with a snappy pace and a nice balance of comedy and murder mystery. Then Farrell and MacLane sat out the fifth film. When they returned, things were a little different. The focus was less on Torchy or the Torchy/Steve relationship and more on the movie's villains and comic relief sidekick Gahagan. He's a fun character but I'm glad his part is scaled back in this one. It allows Farrell to shine in her final Torchy movie. The series would continue on with one more movie starring Jane Wyman.

Torchy Runs for Mayor (1939)

** 1/2 (out of 4)

The eighth film in the Warner series turned out to be Glenda Farrell's last as she would walk away from the series after appearing in seven of the films. This time out she's trying to bring down a group of racketeers and dirty politicians but to do so she must put herself in danger by trying to run against them for the Mayor office. TORCHY RUNS FOR MAYOR isn't going to win any awards but there's enough going in it to make it worth watching for fans of the series. The story itself is pretty much your typical "B" plot that you could find in dozens of Warner pictures. We've got the dirty gangster who is using money to get into politics. You've got the cops and newspaper editors who are too scared to stand up against them. You then have the hero who will stop at nothing to bring them down. I do wonder why the gangsters would kill anyone who got in their way yet they seem to let Torchy do pretty much anything instead of just knocking her off. Farrell is in pretty good form here as she once again has no problem slipping into the role. The screenplay actually doesn't give her too much to do and there's a good portion of the film where she doesn't appear at all. Both Barton MacLane and Tom Kennedy are good in their parts but they too really aren't given anything special to do. Director Ray McCarey at least keeps the 60-minute running time moving at a fast pace and there's certainly nothing harmful here.

This might've been pretty serviceable and even feminist for the time it came out, I'm not too familiar with the time, but that's the only way I can see how some of the positive reviews here make sense to me. But as much as it's great to know there was a female-led franchise back then, it is so confusing what they want to say through it. On one hand, our main lead is a journalist who'd go to any length for the right things, but even while doing the best she can, they make sure there's always a handicap because she's trying too much for a woman. Her love interest, the cop, is a despicable character who is still treated by the film as a good guy who is just trying to be sensible. There's so much that the woman accomplishes, but even after all that, at the end, it wants to establish that she's still a woman who would ultimately be just a homemaker. The problem with the film is that it doesn't really commit to one idea or the other; the actions that result in justice are all from the woman, but it still ends up saying that's not the right thing.