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Glenda Farrell filed her last story and in a sense made her own new in this film. Just the title Torchy Runs For Mayor should tell you all you need to know.

Our showgirl turned reporter is after a crooked city administration this time. The mayor, Charles Richman, is a grafter, but he's just a puppet in the hands of the real political boss of the city, John Miljan. Miljan also happens to be a medical doctor which comes in quite handy in his criminal pursuits.

When the original reform candidate Irving Bacon is murdered and another guy framed, Torchy through a bit of a joke by boyfriend Barton MacLane finds herself the reform candidate.

Glenda Farrell is pretty resourceful in getting her news, including an illegal bug in the mayor's office. But Miljan is one clever guy and she gets in more harm's way here than in any other film in the series.

In fact that gives MacLane more of an opportunity. Usually he's just there both being shown up by her as a detective and also getting the accolades for the crimes that she helps solve. But when Farrell does get in harm's way she has need of MacLane.

There was only one more Torchy Blane film, Jane Wyman was given the role with Allen Jenkins as her detective boyfriend. That team set no box office records and Torchy filed her last story with Jane.

This last one with Farrell and MacLane though is pretty good and downright excellent for a B film out of Warner Brothers.

Reporter Torchy Blane denounces City Hall corruption in a series of scathing newspaper stories that are raising some serious hackles. Her fiancé, Lieutenant Steve McBride, even goes to her editor and begs him to have somebody else write the stories—he's worried about Torchy's safety.

And Steve doesn't even know about Torchy's eavesdropping operation in the City Hall basement, from which she listens in on the mayor's office, where local crime boss Dr. Dolan gives the puppet mayor his orders.

Glenda Farrell is back once again as the intrepid reporter who loves to investigate. Barton McLane as Steve is plenty solid this time around—he's still generally a step behind Torchy but isn't as much of a dunce as in a couple of earlier series entries. ("Listen, Steve," Torchy tells him at one point, "I know more about this case than you." "Well," he replies, unimpressed, "if you do I'll find it out.")

John Miljan is appropriately sinister as the wicked Dr. Dolan. In true Warner Brothers style, he talks so fast when he's excited that you can hardly understand him.

Tom Kennedy returns as Gahagan, the poetry-loving police chauffeur who loves to blow the police car siren. Even Gahagan is fairly serious and competent this time around, though he does offer a few choice bits of comic relief (like when he commends Torchy for having such "international fortitude").

An exciting climax helps distinguish this as one of the better Torchy Blane pictures. The plot is a little ridiculous (see the title) but that's kind of beside the point—it's witty, acted with enthusiasm, and moves at a terrific pace.

The eighth film in the Torchy Blane series and the final one starring Glenda Farrell and Barton MacLane. This time Torchy is trying to take down a corrupt politician. The title of the movie eventually does happen, although not until late into the picture. It's an exciting, fast-paced B movie. Arguably the best in the series. There's less comedy and more grit in this one. Stars Farrell and MacLane are both in fine form here, as is Tom Kennedy as the lovable Gahagan. Great support from John Miljan, Frank Shannon, Joe Downing, and Irving Bacon.

The first four Torchy Blane movies were fun little B's with a snappy pace and a nice balance of comedy and murder mystery. Then Farrell and MacLane sat out the fifth film. When they returned, things were a little different. The focus was less on Torchy or the Torchy/Steve relationship and more on the movie's villains and comic relief sidekick Gahagan. He's a fun character but I'm glad his part is scaled back in this one. It allows Farrell to shine in her final Torchy movie. The series would continue on with one more movie starring Jane Wyman.

In her last appearance as Torchy Blane, Glenda Farrell writes a series of stories about the corrupt mayor. When the reform candidate is murdered, she becomes a candidate for the office.

Miss Farrell largely disappears from the last third of the movie when she disappears, and Barton MacLane investigates what he thinks is her kidnapping. I suspect Miss Farrell's contract was ending, and so her role was reduced. Even so, there are plenty amusing bits to this movie, with the usual gang appearing.

Torchy Runs for Mayor (1939)

** 1/2 (out of 4)

The eighth film in the Warner series turned out to be Glenda Farrell's last as she would walk away from the series after appearing in seven of the films. This time out she's trying to bring down a group of racketeers and dirty politicians but to do so she must put herself in danger by trying to run against them for the Mayor office. TORCHY RUNS FOR MAYOR isn't going to win any awards but there's enough going in it to make it worth watching for fans of the series. The story itself is pretty much your typical "B" plot that you could find in dozens of Warner pictures. We've got the dirty gangster who is using money to get into politics. You've got the cops and newspaper editors who are too scared to stand up against them. You then have the hero who will stop at nothing to bring them down. I do wonder why the gangsters would kill anyone who got in their way yet they seem to let Torchy do pretty much anything instead of just knocking her off. Farrell is in pretty good form here as she once again has no problem slipping into the role. The screenplay actually doesn't give her too much to do and there's a good portion of the film where she doesn't appear at all. Both Barton MacLane and Tom Kennedy are good in their parts but they too really aren't given anything special to do. Director Ray McCarey at least keeps the 60-minute running time moving at a fast pace and there's certainly nothing harmful here.

Near the end of the series, Glenda Farrell is "Torchy", a reporter for the local paper, hot on the trail of ciminals doing bad things in town. In this one, she's after Dr. Nolan, ( John Miljan) , who seems to be running things. Co-stars Barton MacLane and Tom Kennedy, as usual. Charles Richman is Mayor Saunders, on the take. Torchy never seems to get caught getting evidence on the sly, but it always works out for her. Directed by Ray McCarey, brother of famed Leo McCarey. Appears to have committed suicide at 44, according to Wikipedia. org

Final Glenda Farrell Torchy Blane comedy newspaper crime drama. Torchy, a hotshot newspaper reporter, illegally gathers evidence proving corruption on the part of the city Mayor and the real power behind the city administration -- Dr. Jeff Dolan. Dirty city politics and the fear of honest citizens of power reflect the times.

Glenda Farrell as Torchy is both annoying and an interesting feminine hero. She is a fast-talking, hard-boiled, strong woman lead -- which is what is needed to carry off the theme of the outsider who helps the police. Torchy's long-suffering fiancé, Detective Lieutenant Steve McBride (Barton MacLane), alternates between depending upon and rescuing Torchy. Actually Farrell and MacLane are a good team. Sidekick police officer Gahagan (Tom Kennedy) is in the mold of many other detective sidekicks of the era. As in most stores of this type, the police cannot succeed without the intervention of the amateur detective. John Miljan plays the part of Dolan most believably.

In the end, Torchy is tricked into running for Mayor, wins the election, but at the sight of a baby at a press conference, opts for marriage and a home rather than a career. That ending played much better in 1939 than it would today.

I watched TRFM on TCM this Saturday morning. It's the last Torchy film with Glenda Farrell and Barton McLane. Warner Brothers made one more, with Jane Wyman and Allen Jenkins in the leading roles.

TRFM has a pretty wild plot, with an unscrupulous criminal boss/medical doctor named Dolan suddenly taking over the city. He controls the mayor and other key city officials, including the police commissioner. Torchy wages a one woman war against him. She commits a few felonies to get the goods on him, including illegally bugging the mayor's office, breaking into Dolan's house, and stealing a red notebook with key evidence inside it. When the newspapers refuse to print her sensational stories, she quits her reporter job and tries to convince someone to run against the crooked mayor. Steve secretly submits her name as a candidate. So, as the title says, Torchy runs for mayor. Dolan has Torchy drugged and kidnapped. Steve gets frustrated and resigns from the police force so that he won't be constrained by any rules in his search for Torchy. Gahagan goes along with him. But can they find Torchy in time?

If you can get past the implausible plot situations, this is an enjoyable last offering for Glenda and Barton. It's fast paced, with good action. But Gahagan's character is really in the background and his comic relief lessened. The ending seems to indicate that the series is ending or that it's taking a new turn. But the final Torchy movie with Jane Wyman continues on the original storyline as though the ending in TRFM never happened. Only in Hollywood.

The city where Torchy works apparently is run by a corrupt mayor. So naturally, she does exactly what any good reporter would do in this situation--she has the Mayor's office bugged AND breaks into his office and steals an incriminating red notebook! No, wait a moment,...this would involve committing multiple felonies and possibly result in 57023 years in prison, so I guess this isn't such a brilliant plan. But, considering it's Torchy doing it and she's the hero of this series, it's safe to assume the film will NOT end with her being sent to prison! Oh, and is there ANY criminal stupid enough to leave a little red (or black or blue) book sitting around with a list of payoffs and other illegal activities?!

Apparently the editors of the major papers DON'T want to base an exposée by Torchy on illegally obtained information (go figure), so she finds a tiny little paper and convinces the sap the runs it to risk his life and livelihood to run these articles. But, when her one-woman campaign against corruption begins, it spells trouble for the newspaper man and the other guy running for mayor in the recall election. So it's up to Torchy to run for mayor herself! And during all this campaigning, she promises to convict the Mayor and his cohorts! Apparently, in addition to writing articles and running for mayor, Torchy also wants to be the district attorney and judge!! Wow, talk about an amazingly contrived plot!

It's obvious from the start that the folks at Warner Brothers were running out of ideas when they come up with such ridiculous plot devices. It's not too surprising, then, that this was the last film of the series to star Glenda Farrell and Barton MacLane in the leads. Perhaps the studio had Jane Wyman and Allen Jenkins star in the next film because it was an attempt to put some energy into the series or Farrell and MacLane were just sick of the films and saw no future in them. Regardless, this film is sort of like the beginning of the end for the franchise.

Despite this totally insane plot, the film (like the rest of the series) is quite enjoyable. My advice is to just turn off your brain and enjoy. But be careful! If you think too much about what's going on, your brain might just explode! I know this is true because I read about it on the internet!

This might've been pretty serviceable and even feminist for the time it came out, I'm not too familiar with the time, but that's the only way I can see how some of the positive reviews here make sense to me. But as much as it's great to know there was a female-led franchise back then, it is so confusing what they want to say through it. On one hand, our main lead is a journalist who'd go to any length for the right things, but even while doing the best she can, they make sure there's always a handicap because she's trying too much for a woman. Her love interest, the cop, is a despicable character who is still treated by the film as a good guy who is just trying to be sensible. There's so much that the woman accomplishes, but even after all that, at the end, it wants to establish that she's still a woman who would ultimately be just a homemaker. The problem with the film is that it doesn't really commit to one idea or the other; the actions that result in justice are all from the woman, but it still ends up saying that's not the right thing.