Ninotschka

Ninotchka is a great film classic with great acting by Melvyn Douglas, who really supports Greta Garbo. Garbo is an actress with class and great abilities not found in movie stars today, she was ahead of her times, deep and spiritual. Her supporting actors, Sig Ruman used every expression he could to portray a fumbling Russian and Bela Lugosi showed the movie industry that he had great acting abilities he was never given a chance show to his many fans.

This film shows aspiring actors just how to perform to the highest level of their art.

My all-time favorite comedy! All right, I am a Garbo fan regardless of the role, and I happen to think that Melvyn Douglas was perfectly cast here. In fact, the entire cast excels, without exception, in one of Lubitsch's finest and most elegant films. Those who think that lines like "The show trials were a great success...there are now fewer, but better, Russians" are dated, or that making fun of totalitarianism is tasteless and politically incorrect need to lighten up. Garbo is not only very funny in this classic, she is inexpressibly lovely (as always). A must-see for any lover of beautifully crafted and entertaining film comedies.

While it's a given that Greta Garbo was the most enigmatic of film stars during Hollywood's golden age, it's also fair to state that she may be the least relevant today for her austere beauty and cool, sometimes unapproachable demeanor. Yet, all that is erased with this 1939 comedy masterwork which brilliantly teams her with the master of innuendo-filled scintillation, Ernst Lubitsch. With a laser-sharp, witty script by Walter Reisch, Charles Brackett and Billy Wilder (before he became a master director himself), this classic is one part political comedy, one part screwball farce and one part romantic whimsy, all blended impeccably with the famous Lubitsch touch.

The plot involves Nina Ivanovna Yakushova, a Soviet envoy sent to Paris to ensure that the government receives the proceeds from the sale of jewels once owned and still coveted by the Grand Duchess Swana, now an expatriate. The cold, emotionless envoy goes about superseding the three lesser envoys who have been assimilating themselves into the frivolous, capitalistic world of Paris thanks to Count Leon, a tuxedoed dandy and the duchess's constant escort. It is Leon who dubs the envoy Ninotchka, and after initial resistance, the two find themselves falling in love but not at the expense of her convictions about the omnipotence of Communist values. The jewels become a negotiation ploy that complicates their affair as does the Grand Duchess herself. The plot develops in unexpected ways and through such clever observational humor that the ending comes all too soon.

While she is deified by many for the operatic tragedy of "Camille" and the mannered mystique of "Mata Hari", Garbo seems at first to be a parody of her sullen screen image with witty one-liners delivered in hilarious deadpan, but she, like her character, blossoms into a warm, comically romantic presence as the film progresses. It's a wondrous transformation and the one performance that assures Garbo her lasting stature more than any other. As Leon, Melvyn Douglas specialized in William Powell-knockoff roles like this one and while he does get a bit excessive in his 1930's-style romantic gestures, he is sophisticated and genial enough to have us believe Ninotchka may give up Mother Russia for him.

At first, stage legend Ina Claire seems like she will play the Grand Duchess Swana as a dotty ninny, but when her talons show, she is an excellent match for Garbo in their scenes together. As the trio of envoys ensconced in the good life, Sig Ruman, Felix Bressart and Alexander Granach make a merry chorus to the proceedings. I particularly like the scenes back in Russia when they share an omelet dinner with Ninotchka in her Soviet-sanctioned, multiple-occupant room. The print transfer on the 2005 DVD is pristine and brings out William Daniels' sparkling, black-and-white cinematography, though the only extra is the film's original trailer. This is truly a must-see.

I see that Billy Wilder collaborated on this. Was it a studio decision that Garbo wasn't cast as a comedienne? From the evidence in this film, she should have been. Her timing is excellent, her delivery very special. This is a gem I'd never seen that deserves its National Registry status. In 1939 the Soviet Union had sympathizers in the US, and during the coming World War it was an ally. This gentle spoof of Soviet seriousness and self-conscious worker ethics foreshadows the arguments that were later trotted out after the War to begin the Cold War, but here the humor and satire are soft, more Noel Coward than propaganda.

My lament is not seeing more comedy from Garbo. She made such serious and tragic films, when she could have been making us laugh. The film is dated, yes, but Garbo herself shines through along with her three Russian accomplices. I think that Billy Wilder and Garbo would have been a great team

Three comrades seek to sell expensive jewels, they'd been taken by the state, when it changed rules, now they're peddlers in Paris, pestered by a wealthy heiress, who's determined to get back, family heirloom. Ninotchka's sent to sort out all the mess, a stern and rigid woman in grey dress, but her fascia slowly falls, with the crumbling of her walls, as Leon opens doors, and gains access.

An absolutely delightful 1930s movie, sees Greta Garbo playing the hardnosed Ninotchka sent to resolve the mess created by three comical communist comrades, all brilliantly performed, while falling for the charms of Count Leon, a Paris playboy and a bit of a chancer.