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I Take This Woman

  • 1940
  • Approved
  • 1 Std. 38 Min.
IMDb-BEWERTUNG
6,3/10
754
IHRE BEWERTUNG
Spencer Tracy and Hedy Lamarr in I Take This Woman (1940)
A doctor (Spencer Tracy) marries a suicidal woman (Hedy Lamarr) but begins to doubt her fidelity.
trailer wiedergeben2:02
1 Video
42 Fotos
DramaMysteriumRomanze

Füge eine Handlung in deiner Sprache hinzuA doctor (Spencer Tracy) marries a suicidal woman (Hedy Lamarr) but begins to doubt her fidelity.A doctor (Spencer Tracy) marries a suicidal woman (Hedy Lamarr) but begins to doubt her fidelity.A doctor (Spencer Tracy) marries a suicidal woman (Hedy Lamarr) but begins to doubt her fidelity.

  • Regie
    • W.S. Van Dyke
    • Frank Borzage
    • Josef von Sternberg
  • Drehbuch
    • Charles MacArthur
    • James Kevin McGuinness
    • Ben Hecht
  • Hauptbesetzung
    • Spencer Tracy
    • Hedy Lamarr
    • Verree Teasdale
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,3/10
    754
    IHRE BEWERTUNG
    • Regie
      • W.S. Van Dyke
      • Frank Borzage
      • Josef von Sternberg
    • Drehbuch
      • Charles MacArthur
      • James Kevin McGuinness
      • Ben Hecht
    • Hauptbesetzung
      • Spencer Tracy
      • Hedy Lamarr
      • Verree Teasdale
    • 26Benutzerrezensionen
    • 6Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Official Trailer
    Trailer 2:02
    Official Trailer

    Fotos42

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    Topbesetzung99+

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    Spencer Tracy
    Spencer Tracy
    • Karl Decker
    Hedy Lamarr
    Hedy Lamarr
    • Georgi Gragore
    Verree Teasdale
    Verree Teasdale
    • Madame Marcesca
    Kent Taylor
    Kent Taylor
    • Phil Mayberry
    Laraine Day
    Laraine Day
    • Linda Rodgers
    Mona Barrie
    Mona Barrie
    • Sandra Mayberry
    Jack Carson
    Jack Carson
    • Joe
    Paul Cavanagh
    Paul Cavanagh
    • Bill Rodgers
    Louis Calhern
    Louis Calhern
    • Dr. Duveen
    Frances Drake
    Frances Drake
    • Lola Estermont
    Marjorie Main
    Marjorie Main
    • Gertie
    George E. Stone
    George E. Stone
    • Sid
    Willie Best
    Willie Best
    • Sambo
    Don Castle
    Don Castle
    • Ted Fenton
    Dalies Frantz
    Dalies Frantz
    • Joe Barnes
    Reed Hadley
    Reed Hadley
    • Bob Hampton
    Ernie Alexander
    • Man in Clinic
    • (Gelöschte Szenen)
    Adrienne Ames
    Adrienne Ames
    • Lola Estermonte
    • (Gelöschte Szenen)
    • Regie
      • W.S. Van Dyke
      • Frank Borzage
      • Josef von Sternberg
    • Drehbuch
      • Charles MacArthur
      • James Kevin McGuinness
      • Ben Hecht
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen26

    6,3754
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    Empfohlene Bewertungen

    4sumrrain

    a train wreck

    I adore Hedy Lamarr. I think she was vastly underrated as an actress during the 40s. She was the Nastassja Kinski of that era, and critics didn't take her seriously. Having said all that...this film is a BORE. When I watched it for the first time, I was shocked at the lack of continuity, not only in story, but in makeup and costumes. Hedy's makeup changes from shot to shot. So does hair length and style. Reason: This thing had so many writers and underwent so many stops and starts it's amazing they ever released it at all. Her "Lady of the Tropics" began filming AFTER this one began, yet it was released before "I Take This Woman." In fact, at the time, it was known in Hollywood as "I Re-Take This Woman." That should tell you something. I'm a Spencer Tracy fan as well, but he is AWFUL here. I've read in various film histories that he absolutely despised Hedy Lamarr, and that looks perfectly obvious on film. NO chemisty whatsoever. The story wanders around for reel after reel and finally just rolls to an end very strangely. I can't recommend this one at all.
    8SHAWFAN

    One of only four collaborations between these two stars

    Actually the most brilliant performance in this movie was that of Verree Teasdale as Madame 'Cesca' Marcesca, the jewel saleslady who acted the part of the raisonneuse. Her sarcastic comments and assessments of the psychological foibles of high society were priceless. The writing of this movie which supplied so many great one-liners was truly high level with the great Charles MacArthur starting things off. At first I swore Teasdale must have been Hedda Hopper because her character mimicked that lady's commentaries and attitudes. Whatever became of such a talented actress? Actually, in contradistinction to your other commentators I thought Spencer Tracy and Hedy Lamarr were quite good in their acting. While at first I thought this must have been their only collaboration IMDb shows us that they made four movies together. I had never even heard of their movies and this one was the first one I'd ever seen. It was worthwhile and interesting seeing this movie despite its frequent moments of over-sentimentality.
    7cheeseplease

    watch it for hedy

    I liked this movie; it's one of those sentimental movies I like to watch late at night. The reason this film works is Hedy Lamarr. She is a jewel. Naive and vulnerable, she makes bland look exotic. The plot is classic Hollywood melodrama. Spencer Tracy plays the fatherly role he often plays. Their chemistry together is questionable. But I think the key to the romance of this movie is the portrayal of each character's individual experience of love and infatuation, and how obsessive love is not about the relationship but how each person feels. For this reason Tracy and Lamarr's purported disconnect off the set may work to the film's advantage.
    7blanche-2

    Hedy has to choose between two men

    Hedy Lamarr is married to Spencer Tracy, but does her heart really belong to another? This is the big question in "I Take This Woman" which boasts a great cast that includes Verree Teasdale, Laraine Day, Louis Calhern, Paul Cavanaugh, and Kent Taylor. Hedy is from the upper class and when her affair with a married man (Taylor) goes sour, she tries to commit suicide on board ship and Tracy, a doctor returning from research in the Yucatan, saves her. Not surprisingly, he also falls madly in love with her. Not too long afterward, they're married, though Tracy realizes that she's still in love with her married, uptown boyfriend. She works with him in his downtown clinic and they're very happy - until the "uptown" life beckons both of them.

    What can be said about Hedy - she's exquisitely beautiful, charming, and a natural actress who is excellent in the film. Though one of the comments was that Tracy came off as overly naive and a fool, I thought he was wonderful as a warm and good man. If he acts exuberantly in love, the character is just that. He's an unmarried, lonely man devoted to his work as a doctor and researcher. He meets a dream woman whom he describes as "something you'd see in a jeweler's window on black velvet - you just look and walk by" - and she agrees to marry him. How should he have acted? I loved the remark by one of the patients: "Is that your wife? What did you do, dope her?" The two make a charming couple though it's hard to watch anyone but Hedy when she's on screen.

    Laraine Day plays the troubled daughter of Paul Cavanaugh - it's a small role but pivotal to the plot. The best supporting role and performance comes from Verree Teasdale, who plays Lamarr's best friend - she's a delight, popping off Charles Macarthur's witticisms with no problem.

    A very enjoyable and heartwarming film. Cynics need not apply.
    bruno-32

    Hedy was a jewel

    The film is pleasant enough, with Tracy and Laraine Day. But Hedy, was a jewel. That opening scene where she is in her satin gown, with that perfect figure, contemplating suicide, was really a sight. I squirmed when Tracy had to sock that gorgeous puss, in order to prevent her suicide, as if anyone would want to disfigure that face. Being Italian, when she had to speak it to a distraught Italian women, the words were very authentic. I thought she was really Italian, until later I found out she mastered 6 languages. No wonder she had the brains to invent that product for guiding torpedo's during the war, and now put to use in cell phones. Some reviewers here made comments that Tracy and Lamarr didn't get along...that is not true. In fact, they made 2 other movies together after this. If there was a problem, Tracy had enough clout to tell MGM, he would not make another movie with Lamarr. The word got around that Hedy was new to American movie making, and also, new to the English language. Read Chas. Boyer bio where it is said that there were problems with her English in "Algiers", so they limited her dialogue. But as we all know, Hedy mastered the language as well as 5 others... .but the problem with Tracy was that she couldn't grasp Tracy's mumbling and fast talking as he has shown in so many of his movies. Imagine if she had to appear with Brando, the king of mumblers. There is a candid photo of them together during recess of making "Tortilla Flat"...a very intimate scene...on Ebay. See this movie for the jeweled Hedy.

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    Handlung

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    • Wissenswertes
      Production of the film started in October 1938 and had a troubled history. Director Josef von Sternberg quit because of artistic differences. Director Frank Borzage took over, but the production was shelved in early January 1939 for more than 10 months, when W.S. Van Dyke took over and practically re-shot the whole film, with many different cast members. One contemporary reviewer quipped the film should have been called "I Re-Take This Woman".
    • Patzer
      When Georgi declines an apple from a street vendor, she says, "No, thank you very much", but her lips keep moving after the line - an obvious dub.
    • Zitate

      Dr. Karl Decker: She's like something you see in a jeweler's window. A single, flawless gem on a piece of black velvet. You take one long look and then you pass on.

    • Verbindungen
      Featured in Kisses (1991)
    • Soundtracks
      Green Lantern Cafe
      (uncredited)

      Written by Leo Arnaud

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 2. Februar 1940 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Italienisch
    • Auch bekannt als
      • Esta mujer es mía
    • Drehorte
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Kalifornien, USA(Studio)
    • Produktionsfirma
      • Metro-Goldwyn-Mayer (MGM)
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    Box Office

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    • Budget
      • 1.271.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 38 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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