Füge eine Handlung in deiner Sprache hinzuA bellboy at a swanky New York hotel starts to ignore his girlfriend after meeting a beautiful European princess.A bellboy at a swanky New York hotel starts to ignore his girlfriend after meeting a beautiful European princess.A bellboy at a swanky New York hotel starts to ignore his girlfriend after meeting a beautiful European princess.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 4 wins total
Ed Agresti
- Attache
- (Nicht genannt)
Sylvia Andrew
- Tired Woman
- (Nicht genannt)
Jessie Arnold
- Bit Role
- (Nicht genannt)
Empfohlene Bewertungen
Hedy Lamarr plays a foreign princess who travels with her entourage to New York City in the hopes of meeting up again with a former flame who writes a daily newspaper column (and detests royalty!); while staying in a swank hotel, the princess is befriended by a boyish, charming bellhop who develops a crush on her, despite the fact he's also playing big brother/boyfriend to a bed-ridden girl who lives in his walk-up. Very odd romantic comedy seems to lay the character eccentricities on a bit heavily...but once the mechanisms of the plot take hold, the players seem more at home within this scenario, which is jaunty and friendly more than funny. As the bellboy, Robert Walker doesn't seem to know whether to play his role like a grown-up or a klutzy kid--so he does both; he's very ingratiating with his double-takes and exasperated looks (he gives the hotel receptionist a beaut!), and a lengthy scene early on--with Walker reading a fairy tale out loud to his girl, and indeed the neighborhood--is very tricky yet easily pulled off by the actor. Lamarr is less successful; her royal visitor doesn't require a lot of joy or spontaneity, and she isn't reluctant to show her emotions, but still she's an awfully grim beauty, harboring love's disappointments. June Allyson has the strangest role, that of an invalid girl who can walk but chooses not to (?), but she beams like Judy Garland and her smile is a welcome relief after too much of Lamarr's scowling. There's a nice musical dream sequence that seems a little padded, yet the hotel staff, Agnes Moorehead's Countess, and Walker's cohorts are all a very likable bunch. Not a completely successful fantasy, but a well-produced, well-paced one with lots of happiness to go around. *** from ****
WARNING: This review may reveal portions of the film plot.
If you are a fan of old films simply for the sake of their age, then this might be a film you would enjoy. Most others would not be impressed with this film.
Unfortunately, the storyline is obvious, although I'll admit at the end of the film you aren't sure if the two people in love will figure it out in time. The movie seems to run a bit long as well, dragging out the inevitable ending.
If all that sounds like this is a bad film, it isn't. It is a typical love story of the 40s film genre, however there really aren't any "bad guys" in this film, which might account for some of where the film seems to run long. You want to cheer for the hero, but there is no villain for the hero to fight against.
All in all, the film is sweet, definitely what would be referred to as a "chick flick." If you catch it, that's fine, but you don't need to worry if you miss it.
If you are a fan of old films simply for the sake of their age, then this might be a film you would enjoy. Most others would not be impressed with this film.
Unfortunately, the storyline is obvious, although I'll admit at the end of the film you aren't sure if the two people in love will figure it out in time. The movie seems to run a bit long as well, dragging out the inevitable ending.
If all that sounds like this is a bad film, it isn't. It is a typical love story of the 40s film genre, however there really aren't any "bad guys" in this film, which might account for some of where the film seems to run long. You want to cheer for the hero, but there is no villain for the hero to fight against.
All in all, the film is sweet, definitely what would be referred to as a "chick flick." If you catch it, that's fine, but you don't need to worry if you miss it.
Never realized that Robert Walker, "Strangers On A Train", ever played the role as a bellhop named Jimmy Dobson who gets involved with a Princess Veronica played by Hedy Lamarr who was so very beautiful and charming in 1945. Jimmy Dobson escorts Princess Veronica around the hotel and through out New York City and introduces her to Frankfurter's in Central Park. However, the Princess is really looking for a man in New York City after being divorced from another man. June Allyson,(Leslie Odell) is a young sweet charming girl who is bed ridden and is very much in love with Jimmy Dobson and there is a conflict between these two woman. This is a very cute film and the entire cast did a great job in their acting and comedy acts. Enjoy.
Robert Walker plays Jimmy, the nice-guy bellboy from the film's title. He works at a hotel and spends most of his free time hanging out with Leslie, a disabled lady who has some weird disease. According to the Doc, she didn't get enough love as a child and as a result she apparently can't walk!! Sounds like she could use a good psychotherapist! Regardless, through the course of the film Leslie's heart is broken as Jimmy begins to spend less and less time with her and more with a beautiful Princess staying at the hotel (Hedy Lamarr). The Princess likes Jimmy and has asked the manager that he be assigned as her personal aid. However, through the course of the film, Jimmy overhears a conversation and thinks the Princess is in love with him! She IS in love with a commoner...but it sure ain't Jimmy! What's to happen with poor Leslie...and poor Jimmy...and the poor Princess...when she gets arrested?!
Most of this film is very nice, though occasionally the film drops the ball. First, there's the bizarre illness which can only happen in a Hollywood flick! Second, there's a very long and irrelevant dream sequence which just would have been better left out of the movie. Despite these complaints, the film is generally very nice-- sort of like a modern fairy tale and with some nice performances. Well worth seeing even with its flaws.
Most of this film is very nice, though occasionally the film drops the ball. First, there's the bizarre illness which can only happen in a Hollywood flick! Second, there's a very long and irrelevant dream sequence which just would have been better left out of the movie. Despite these complaints, the film is generally very nice-- sort of like a modern fairy tale and with some nice performances. Well worth seeing even with its flaws.
I turned this on almost reluctantly. Nothing else was on. I stuck with it and I'm glad I did. It's light, charming and totally predictable, but its stars make it much more than expected. Hedy Lamarr is, as everyone else says, gorgeous. She's what a European princess SHOULD look like, although few ever have. James Walker is a complete surprise to me. He's exuberant and very likable. But for me, it was June Allyson who stole the show. I've always thought she was cute and sweet, but in this movie, she's really lovely. There's no one in the movies today who's remotely like her, although I suppose comparisons might be made to an early Meg Ryan. She completely unaffected and natural. I would imagine that when this movie was released, every boy wanted a girlfriend like her.
Wusstest du schon
- WissenswertesDespite his portrayal of the cheerful and optimistic Jimmy Dobson in this film, Robert Walker was enduring severe bouts of stress and depression. During production he was embroiled in divorce proceedings with his estranged wife, Jennifer Jones, who had left Walker and their children for producer David O. Selznick. The situation left a lasting impression on Walker, who never quite recovered, and battled depression and alcoholism for the rest of his short life. The cast and crew of this film marveled at Walker's ability to portray the chipper Jimmy while he was experiencing such sadness and hardships in real life.
- PatzerWhen Countess Zoe is questioning Princess Veronica if she thinks that a commoner loves her, the spoon in the teacup she is holding travels quickly from the cup to her outstretched right hand from shot to shot.
- Zitate
Princess Veronica: I'm sure he means every other word he says!
- VerbindungenReferenced in The Great Morgan (1946)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Su alteza y el botones
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.157.000 $ (geschätzt)
- Laufzeit1 Stunde 52 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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By what name was Her Highness and the Bellboy (1945) officially released in India in English?
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