Füge eine Handlung in deiner Sprache hinzuA ruthless but clever gangster who knows every loophole in the law has the tables turned by a dedicated District Attorney and his assistant.A ruthless but clever gangster who knows every loophole in the law has the tables turned by a dedicated District Attorney and his assistant.A ruthless but clever gangster who knows every loophole in the law has the tables turned by a dedicated District Attorney and his assistant.
Benny Bartlett
- Billy Jones
- (as Bennie Bartlett)
Frank Hall Crane
- Mr. William Jones
- (Nicht genannt)
Kernan Cripps
- Police Stenographer
- (Nicht genannt)
Edward Hearn
- Detective Craig
- (Nicht genannt)
Isabel La Mal
- Mrs. Jones
- (Nicht genannt)
William Lally
- Court Clerk
- (Nicht genannt)
Frank LaRue
- Grand Jury Foreman
- (Nicht genannt)
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After watching this recently, it really dawned on me the big gap between crime stories on film of the 1930s to ones made from 1940 on. The '30s look and sound so more dated than ones just a half dozen years later. Part of that is good because the 1930s expressions are fun to hear and the films are shorter and faster-paced, and a bit edgier.
The cops that appear are really different. Even though there is a lot of moralizing - which is fine with me, such as prefaces right before the feature warning of the dangers of crimes and having criminals glorified, the films themselves actually make the cops look like thugs as well as the criminals!
The police are shown treating suspects as if they are already convicted felons, roughing them up, denying them a lawyer, detaining them illegally, etc. - and they are supposed to be the good guys?! I am no Liberal by a longshot but no wonder laws were put in to protect average citizens from the police, if that's the way things were. In fact, I was shocked to hear the term "police brutality" in this movie. I always thought that expression came from the 1960s, but here it is in a 1938 film. However, in an interesting twist, in this film two crooks fake "police brutality" to get out of testifying before a grand jury against their vicious gangland boss. Interesting things happen after that, and this film gets better and better as it goes on. The main crook, played by Morgan Wallace, is really fascinating in his brutal attitude. At least they still made the bad guys worse people than those 'brutal' cops.
These '30 gangster movies. may be hokey, corny, extremely dated and inadvertently not favorable to the police here and there, but they don't mess around by being too talky. They get to the point and they are simply fun to watch.
Note: The IMDb board here hasn't listed this as available on DVD but that's how I watched it yesterday. It's part of a 4-film DVD pack entitled "Mobster Movies."
The cops that appear are really different. Even though there is a lot of moralizing - which is fine with me, such as prefaces right before the feature warning of the dangers of crimes and having criminals glorified, the films themselves actually make the cops look like thugs as well as the criminals!
The police are shown treating suspects as if they are already convicted felons, roughing them up, denying them a lawyer, detaining them illegally, etc. - and they are supposed to be the good guys?! I am no Liberal by a longshot but no wonder laws were put in to protect average citizens from the police, if that's the way things were. In fact, I was shocked to hear the term "police brutality" in this movie. I always thought that expression came from the 1960s, but here it is in a 1938 film. However, in an interesting twist, in this film two crooks fake "police brutality" to get out of testifying before a grand jury against their vicious gangland boss. Interesting things happen after that, and this film gets better and better as it goes on. The main crook, played by Morgan Wallace, is really fascinating in his brutal attitude. At least they still made the bad guys worse people than those 'brutal' cops.
These '30 gangster movies. may be hokey, corny, extremely dated and inadvertently not favorable to the police here and there, but they don't mess around by being too talky. They get to the point and they are simply fun to watch.
Note: The IMDb board here hasn't listed this as available on DVD but that's how I watched it yesterday. It's part of a 4-film DVD pack entitled "Mobster Movies."
GANG BULLETS is a low rent mobster story from cheapie studio Monogram Pictures, notorious for making endless B-movies on a shoestring. This film's about the efforts of an entire city's law and justice departments to bring a notorious criminal to book. Morgan Wallace plays said criminal, 'Big Bill' Anderson, with relish and certainly dominates the film with his larger-than-life persona. I loved the sly joke when he tells the cops that his tax records are up to date so they can't bring him to book.
With a running time clocking in at just over an hour, GANG BULLETS is never boring for a moment and the plot constantly twists and turns as first the cops and then the criminals get the upper hand. The usual clichés of the gangster genre are played out here, including protection rackets, stings, and shoot-outs, and they're all handled with surprising aplomb given the paucity of the budget. The film lacks any big-name actors for recognition but works anyway despite this.
With a running time clocking in at just over an hour, GANG BULLETS is never boring for a moment and the plot constantly twists and turns as first the cops and then the criminals get the upper hand. The usual clichés of the gangster genre are played out here, including protection rackets, stings, and shoot-outs, and they're all handled with surprising aplomb given the paucity of the budget. The film lacks any big-name actors for recognition but works anyway despite this.
This movie came bundled with 7 other old gangster films, and was purchased by a friend of mine at a bargain price.. Gang Bullets is the second one I have watched from it. The quality of the prints is not great, but I don't find that too distracting. Unfortunately, I had to rate the film on the low end. The storyline concerns a Mob Boss and his attempt at controling an unnamed city and the efforts of law enforcement to find evidence in which to arrest him. So yeah, it certainly held some promise.
Yet, it'l ends up being mostly dull, and contains some really stiff performances. Morgan Wallace is somewhat interesting in the role of Big Bill, the crime boss, and Ann Nagel is attractive and provides some emotion. But the rest of the acting seems sedate, when you would have expected more intensity. So essentially I enjoyed the plot, but found mysel bored at times .
Yet, it'l ends up being mostly dull, and contains some really stiff performances. Morgan Wallace is somewhat interesting in the role of Big Bill, the crime boss, and Ann Nagel is attractive and provides some emotion. But the rest of the acting seems sedate, when you would have expected more intensity. So essentially I enjoyed the plot, but found mysel bored at times .
Noble district attorney Charles Trowbridge (as Dexter Wayne) and young assistant Robert Kent (as John Carter) are put to task when racketeer Morgan Wallace (as "Big Bill" Anderson) moves his base of criminal operations to their law-abiding Bridgetown. With sharp lawyers and knowledge about his rights, Mr. Wallace proves to be a tough mobster to convict, and the town becomes riddled with scandal. Pretty Anne Nagel (as Patricia "Pat" Wayne), the fiancée of Mr. Kent and daughter of Mr. Trowbridge, is startled when Wallace's corruption gets too close for comfort...
This is a cheap, slow-moving crime drama from the "Monogram" company. The first interesting scene involves some rough interrogations - watch cameras keep rolling as Donald Kerr (as Joe Armstrong) gets his hat tossed onto the floor by a policeman. No retakes there. The highlight may be seeing young Bennie Bartlett (as Billy Jones), future "Bowery Boys" member, play a twelve-year-old who gets hit harder than most films of the era might allow. Top-billed Ms. Nagel isn't given very much to do. Trowbridge does what he can with the story's most interesting role.
**** Gang Bullets (11/10/38) Lambert Hillyer ~ Robert Kent, Anne Nagel, Charles Trowbridge, Morgan Wallace
This is a cheap, slow-moving crime drama from the "Monogram" company. The first interesting scene involves some rough interrogations - watch cameras keep rolling as Donald Kerr (as Joe Armstrong) gets his hat tossed onto the floor by a policeman. No retakes there. The highlight may be seeing young Bennie Bartlett (as Billy Jones), future "Bowery Boys" member, play a twelve-year-old who gets hit harder than most films of the era might allow. Top-billed Ms. Nagel isn't given very much to do. Trowbridge does what he can with the story's most interesting role.
**** Gang Bullets (11/10/38) Lambert Hillyer ~ Robert Kent, Anne Nagel, Charles Trowbridge, Morgan Wallace
Gangster Morgan Wallace gets kicked out of town, so it's on to the next. Chief of Police J. Farrell MacDonald has him dragged into DA Charles Trowbridge's office. Morgan's not worried. He quotes the bill of rights to them and walks out the door. As the months go by, his gang's depredations become worse and the local paper bears down on the DA, with letters from a pseudonymous "Junius" making claims that will force the administration out, leaving the town prostrate.
It's a decently written, shot and acted B movie, but it's at its worst when it's most serious. For the first twenty minutes of this one-hour Monogram picture, there's discussion of the Bill of Rights, claiming it's outdated and useless in the face of the modern gangster, a claim that sets my teeth on edge. Others may not find this so upsetting.
There are a few serious plot threads left hanging at the end of the movie. Presumably they will all be sorted out satisfactorily later.
It's a decently written, shot and acted B movie, but it's at its worst when it's most serious. For the first twenty minutes of this one-hour Monogram picture, there's discussion of the Bill of Rights, claiming it's outdated and useless in the face of the modern gangster, a claim that sets my teeth on edge. Others may not find this so upsetting.
There are a few serious plot threads left hanging at the end of the movie. Presumably they will all be sorted out satisfactorily later.
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- WissenswertesThis film's earliest documented telecasts took place in New York City Sunday 26 September 1948 on WATV (Channel 13) and in Los Angeles Monday 17 July 1950 on KECA (Channel 7).
- Zitate
Big Bill Anderson: ...politician has one weak spot. Load your gun with votes and shoot him through the ballot box. You leave things to me. When I get through with this half-baked hamlet, it'll be a live city.
- VerbindungenEdited into Mobster Theater: Gang Bullets (2022)
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- Laufzeit1 Stunde 3 Minuten
- Farbe
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