The Girl Who Dared

The other reviews raise pretty obviously legitimate criticisms of this film, but I love it to death. Plot-wise, it's not particularly ambitious, and the racist representation of the servant is cringe- worthy. But I strangely find the movie enchanting and can watch it over and over. It's gorgeously atmospheric--the kind of cinematography I just eat up. The love story is modestly feasible, with two likable actors inhabiting those roles. I try to watch as many "old dark house" films as I can, because I love the look of them, I love murder mysteries, and it's a nice way to understand some of the conventions, fashions, trends, and language of the 30s and 40s. Unfortunately this film is not available on DVD, as far as I can tell. It streams on amazon, but you never know when those things are going to disappear. Again, this film is not technically a *10*, but I find it beautiful and absorbing, with the quintessential "old dark house" elements pure and strong.

Girl Who Dared, The (1944)

** 1/2 (out of 4)

Decent "B" flick from Republic has a group of people invited to a party at a creepy house where legend has it a ghost appears once a year. It turns out this group doesn't know who invited them and sure enough it doesn't take long before one by one they start dropping dead. The "old dark house" genre was more than fifteen-years-old by the time this one here was released to theaters so needless to say there's really nothing new or original here. The more of these films I watch the more I realize that they were all for the most part cheaply made and I'm really not sure what the point of so many of them were unless they simply made a lot of money on small budgets. This one here certainly isn't a masterpiece but at just 52-minutes the thing is short enough to be fairly entertaining. I think the best thing the film has going for it is the nice cast, which includes Peter Cookson as a mysterious mechanic, Lorna Gray as the main female, Willie Best as the nervous servant and Grant Withers as one of the many possible murderers. Each person turns in a fine performance with Best once again doing that scary-cat act like no other. The story itself isn't all that bad and I actually enjoyed the backstory dealing with a pirate ship that crashed a hundred years earlier and this is where the ghost comes from. We also have a subplot dealing with radiation and the impact it might have on the person who comes in contact with it. There's some fairly good atmosphere but there's no question that they weren't meaning for this to be anything other than cheap entertainment. Fans of the genre who must see everything will certainly want to check it out but others will probably be squirming in their seats. This certainly isn't the type of movie for everyone but fans of the genre should find it entertaining.

"You can't convict a man of murder if you can't find the body"--from the film...and certainly NOT true!

In the 1930s and 40s, Hollywood made a ton of scary old house movies. They always involved some folks getting stuck in some home as a maniac slowly begins picking them off...one by one. "The Girl Who Dared" is one of these films...but it's also a bit better.

In this film, a group of people are invited to a mansion...but when they arrive the homeowner says he didn't invite them. Soon, a body turns up...and then another. And, naturally, the phones have been cut and their cars vandalized so they cannot escape!

The reason I liked this one is the ending...it was a clever way to catch the killer and their motivation was interesting. A decent time-passer.

An assortment of relatives come to visit John Hamilton at his isolated house on an island, connected to the mainland by a causeway. The local legend is that a hundred years earlier a pirate ship had sunk there -- the remains can still be seen offshore -- and one night a year, this night, the ghost of the pirate captain can be seen from the shore. Then one of the houseguests is killed and the movie shifts gears.

It starts off as a lighthearted old-dark-house/mystery/comedy from Republic under the direction of Howard Bretherton, the studio's reliable jack-of-all-genres, and the B-list acting talent available for the studio's non-western programmers are up making the most of their roles and the spooky camerawork of Bud Thackery. It maintains its interest right to the end, although the mystery aspect of the movie is lazily handled; still, that fits right in with its multi-genre script, and more in keeping with its sense of being a mood piece, rather than a serious effort.

While this film has no big names (in fact no names I have heard at all), it still manages to be a fun "old dark house" film with a clever plot and interesting characters. The story and plot revolve around radiation, which I found to be very appropriate and a bit novel for the 1940s.

I also have to call out the black servant, Woodrow, played by Willie Best. Best may not be a household name, but he had an incredible career (including such films as "High Sierra" and "Cabin in the Sky"). Maybe it is wrong of me to find humor in these "black servant" roles. Maybe they are racist. But Best does them well, making the characters he plays endearing and fun. I look forward to seeing his work.

I recommend this film. It is short, so you are not investing much time. And it is well-written and of above average quality. Definitely worth a peek.