Das Ei und ich

I stumbled upon 'The Egg and I' while trying to find some of the old 'Ma & Pa Kettle' movies. It was great to find out that 'The Egg and I' was the first movie that used Ma and Pa Kettle as characters. Of coarse the Kettles were excellent in this movie. They were such a hit with audiences viewing 'The Egg and I' that it hatched the Ma and Pa Kettle film series. Although the Kettles are an integral part of the movie, don't be misled and watch this with the intentions of watching a Ma and Pa Kettle movie. This is a romantic comedy with Claudette Colbert and Fred MacMurray playing a young couple from the city that buy a run down farm. The entire movie revolves around this couple and their experiences. Most likely the 'Green Acres' TV series predecessor. Around this couple come a very interesting cast of characters of which the Kettles are a part. This movie is a simple, good old fashioned, clean cut, comedy. Sit back and enjoy the great acting and cast of characters. You'll be glad you did.

This movie won't change your life and it isn't the most memorable film I have ever seen. However, it is a lot of fun and a welcome change of pace. It's also a pretty good movie for the entire family.

Fred MacMurray is married to Claudette Colbert (this pairing is a bit hard to believe, but I can live with that). Out of the blue, Fred announces that he's bored with his executive life and has sold everything to buy a chicken farm in the middle of nowhere. But, he and Claudette know nothing about farming and the "dream farm" turns out to be a real dump. Despite all this, Claudette is a real trooper and goes along with it instead of killing Fred in his sleep (which is what my wife kept suggesting as the film began). Along the way, they meet a lot of odd but nice characters, such as Ma and Pa Kettle (later, of the MA AND PA KETTLE series). They also meet a divorced woman who seems to have her sights set on Fred, though he refuses to believe this.

There's a lot more to the film than the last paragraph would indicate, but I don't want to spoil the film. As for the film overall, it evokes a nice light mood and is pretty funny, but also shies away from broad humor--striking a nice balance. The acting and writing are very good as well. In particular, I loved how the film began and ended with Claudette turning to the camera and talking with the audience--this was a cute touch.

Interestingly enough, when you think about it, this movie must have been the basis for the later TV series GREEN ACRES. There are way too many parallels to have this be due to chance. Apart from the city people moving to the country to farm, the home is a dump, the neighbors are VERY quirky and there's even a traveling salesman much like Mr. Haney!

This charming, lively and atmospheric sojourn into the country is one of the most famous and influential of all "rustic" films. Like "Mr. Blandings Builds His dream House" and "George Washington Slept Here", Betty MacDonald's "The Egg and I" tells the cautionary tale of a city dweller and his wife trying to establish a new life form themselves far from the city's amenities. Usually one partner is more enthusiastic about the relocation than is the other--in this case, a young wife played by Claudette Colbert--while the mate is hell-bent on leaving the city's inconveniences behind--in this case Fred MacMurray. The film has a deceptively simple plot-line. In pursuit of the goal of running an egg-producing farm, MacMurray drags his new wife into the country; the remainder of the film comprises three plot lines: 1. The way they are rooked, helped, charmed and appalled by their bucolic neighbors, especially Ma and pa kettle played for the first time on the screen my Marjorie Main and Percy Kilbride; 2. Involvements with a gorgeous neighbor (Louise Allbritton) whom Colbert thinks is a rival for her husband's affections; and 3. Difficulties with a very old and run-down physical property owing to long-term prior neglect, bad weather, etc. This bare summary of events I suggest captures the essence of the storyline rather succinctly; but it also omits the hysteria of Colbert's reactions, her distaste at first for the entire project, and the genial atmosphere of "what next" that permeates all the couple's dealings with nature, their neighbors and their own negotiations about their new marriage and the terms on which it is to be lived. Unlike many incompetent later so-called comedies, this is a true comedy--something that cannot end badly for the participants if they physically persevere; and it is quite realistic, if broadly mounted. How many other films can you the viewer recall which introduces Ma and Pa Kettle, a slinky blond egg-ranch owner, a 300 pound ladies man, a run-down chicken ranch, a college-trained hillbilly engineer and a succession of incompetent workmen? Frank Skinner provided suitable comedic music; the film was directed by veteran Chester Erskine, from a story and screenplay he adopted from the Macdonald novel along with Fred F. Finkelhoffe. The two produced also along with Leonard Goldstein, and they produced an instant classic and a box-office smash. Milton Krasner supplied a consistent cinematography, helped along by a very fine production design by Bernard Herzbrun and inventive set decorations by Oliver Emert and Russell A. Gausman. The fine cast is headed by Fred MacMurray as a believable Bob Macdonald, and Claudette Colbert, very powerful as always and only a bit too old for the part. As the rival egg rancher, Louise Allbritton is cultured, and brilliant as usual. Billy House as the amorous Mr. Reed, Elisabeth Risdon as Betty's mother, Marjorie Main, Percy Kilbride and Richard Long as the Kettles are all very much up to their parts, which in lesser hands might have turned into caricatures. others in the well-chosen cast include Samuel S. Hinds as the Sheriff, Ida Moore, Fuzzy Knight, Isabel O'Madigan, Esther Dale, Donald MacBride and John Berkes. It is hard to say enough nice things about the consistent style of this B/W treasure. What makes it work apart from the straightforward direction and the sincere professional actors I suggest is the categorical theme--Betty (Colbert) finally wanting her marriage to work, rather than her husband's equally legitimate desire to make a go of the egg ranch project he has always wanted to head, even if it means making his wife uncomfortable for a while. This is a film many admire, myself among them, and many more like even better that they admire it. It is a fine autumn film any night you want some genuinely-earned laughter.

This movie was based on a book of the same title. The woman who wrote the book, Betty MacDonald, wrote it with her experiences as a young wife living on a chicken farm in the Pacific Northwest. It is worth noting that in the film, Claudette Colbert's character's name is Betty and Fred MacMurray's character's name is Bob (her husband's name). As for the film, we are not told exactly where the characters are supposed to be living although it is safe to say they are far away in the country. What we do know is that Fred MacMurray plays a recent war veteran who tells Claudette Colbert, his wife, that he has just purchased a chicken farm and that he intends for them to live out there so they can raise chickens. This is the beginning of what is a riot because they are both city people trying to get used to life on the farm. Bob (Fred MacMurray's character) is overly enthusiastic about the whole move but one can tell right away that much as Betty (Claudette Colbert's character) tries to be supportive, she is not as taken by it. First of all, the farm house is decrepit, they have to deal with the Kettle clan (especially Pa Kettle who is always asking for things but never returning favors) as well as a seductive woman who has a mechanical farm next door and has eyes for Bob.

The movie is a riot as we see the couple dealing with everything I have mentioned. I have watched the movie a number of times and even have the video tape of it. I sometimes try to imagine what it would be like if someone said to me one day, "You're moving on a farm tomorrow. Now go to work!" Well, I guess it would probably not be much different from this film!

Claudette Colbert & Fred MacMurray star in this screwball comedy; a film that had to be a precursor to "Green Acres"...there's even a Mr. Haney. Although adequate, who steals the show are Ma & Pa Kettle. Marjorie Main is a natural, and because of this, their debut film, The Kettles became a household name.