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Carnegie Hall

  • 1947
  • Approved
  • 2 Std. 24 Min.
IMDb-BEWERTUNG
6,4/10
437
IHRE BEWERTUNG
Carnegie Hall (1947)
DramaMusik

Füge eine Handlung in deiner Sprache hinzuAn Irish immigrant joins her mother working as a cleaner at Carnegie Hall, where encounters with residents influence her path. Features performances by renowned musicians Walter, Stokowski, ... Alles lesenAn Irish immigrant joins her mother working as a cleaner at Carnegie Hall, where encounters with residents influence her path. Features performances by renowned musicians Walter, Stokowski, Rubinstein, Haifetz, Pons, Peerce, and Monroe.An Irish immigrant joins her mother working as a cleaner at Carnegie Hall, where encounters with residents influence her path. Features performances by renowned musicians Walter, Stokowski, Rubinstein, Haifetz, Pons, Peerce, and Monroe.

  • Regie
    • Edgar G. Ulmer
  • Drehbuch
    • Karl Kamb
    • Seena Owen
  • Hauptbesetzung
    • Marsha Hunt
    • William Prince
    • Frank McHugh
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,4/10
    437
    IHRE BEWERTUNG
    • Regie
      • Edgar G. Ulmer
    • Drehbuch
      • Karl Kamb
      • Seena Owen
    • Hauptbesetzung
      • Marsha Hunt
      • William Prince
      • Frank McHugh
    • 26Benutzerrezensionen
    • 3Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos17

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    Topbesetzung37

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    Marsha Hunt
    Marsha Hunt
    • Nora Ryan
    William Prince
    William Prince
    • Tony Salerno Jr.
    Frank McHugh
    Frank McHugh
    • John Donovan
    Martha O'Driscoll
    Martha O'Driscoll
    • Ruth Haines
    Hans Jaray
    Hans Jaray
    • Tony Salerno Sr.
    • (as Hans Yaray)
    Olin Downes
    Olin Downes
    • Olin Downes
    Joseph Buloff
    Joseph Buloff
    • Anton Tribik
    Walter Damrosch
    Walter Damrosch
    • Walter Damrosch
    Bruno Walter
    Bruno Walter
    • Bruno Walter
    Lily Pons
    Lily Pons
    • Lily Pons
    Gregor Piatigorsky
    Gregor Piatigorsky
    • Self
    Risë Stevens
    Risë Stevens
    • Risë Stevens
    Artur Rodzinski
    Artur Rodzinski
    • Artur Rodzinski
    Artur Rubinstein
    Artur Rubinstein
    • Artur Rubinstein
    Jan Peerce
    Jan Peerce
    • Jan Peerce
    Ezio Pinza
    Ezio Pinza
    • Ezio Pinza
    Vaughn Monroe and His Orchestra
    • Vaughn Monroe Orchestra
    Jascha Heifetz
    Jascha Heifetz
    • Jascha Heifetz
    • Regie
      • Edgar G. Ulmer
    • Drehbuch
      • Karl Kamb
      • Seena Owen
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen26

    6,4437
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    8LeonardKniffel

    When Hollywood Cared about Classical Music

    The film is a classical music field day. Some of the geat performers of the time are seen in concert-Leopold Stokowski conducting Tchaikovsky's "Symphony in E Minor," Artur Rubenstein doing Chopin's "Polonaise" and "The Ritual Fire Dance" at the piano keyboard, Jascha Heifetz on the violin for Tchaikovsky's "Concerto for Violin," all performed brilliantly and making for a memorable soundtrack. It is interesting to see how this film tried to manipulate public taste with a mawkish love affair plot that carries the performances along. Opera great Lily Pons, Rise Stevens, Enzio Pinza, and Jan Peerce are featured in great arias. The performing scenes were filmed at the then newly refurbished Carnegie Hall.
    7pacificgroove-315-494931

    Surprisingly well written and acted

    I disagree with those here who said the story that frames this showcase for classical musicians is mediocre or worse. Though it's a variation on "the Jazz Singer", I thought the script especially well written, and believably and very likably acted by Marsha Hunt. The scene where her character's adult son finally asserts his independence was so passionately acted by William Prince that I was startled. I didn't suspect that the son was, in real life, older than his "mother"; Marsha Hunt did a fine job playing an older woman.

    For me, many of the classical music performances were boring, despite the talented and famous cast of musicians. Mostly this was because the un-enhanced 1947 audio did such a poor job of reproducing the music (TCM 2013 showing). I did enjoy seeing Stowkowski conduct in his graceful flamboyant manner (and I suspect that some of the footage may have been rotoscoped for one of the classic Bugs Bunny cartoons, where "Leopold" is the revered symphony conductor). As a musical theater buff, it was interesting seeing Enzio Pinza, near the time when he starred in "South Pacific". He was more charismatic and energetic than in some early 1950's TV footage that was my only visual impression of him.
    10morrisonhimself

    Slight story in no way spoils beauty and brilliance

    "Carnegie Hall" really deserves a 20 out of 10 stars simply because it is such a brilliant record of some of the greatest musical performers from about 1890 to about 1950.

    Most people reading this comment will not have had any other opportunity to see or hear in live performance such giants as Jan Peerce or Jascha Heifetz or, especially, the likes of Walter ("Good morning, my dear children") Damrosch.

    It would be easy to fill several paragraphs just listing and raving about those giants, those icons of great music, including Harry James and Vaughn Monroe, but I urge you to look at each name, follow the IMDb link and then Google each to learn about them.

    I must, though, mention the marvelous Marsha Hunt. For some function I don't remember, I was in her home when she was the Honorary Mayor of Sherman Oaks, around 1980, and have been an idolatrous fan ever since.

    She is recognized as a fine actress, but she deserved even more. She was also a beautiful woman, and probably never looked lovelier than in "Carnegie Hall." As her character ages, she goes gray, and her step slows and she dodders just a bit, just enough.

    It is, in short, a spell-binding characterization, a magnificent performance.

    I try not to be envious of people with more ability (which is most people) or more luck (which is nearly everyone) but I do envy Marsha Hunt for her opportunity, in this role, to interact with such musical heroes as Ezio Pinza and Artur Rodzinski.

    By the way, look for a very young Leonard Rose, who went on to well-deserved fame as one of the world's greatest cellists.

    One final note: The story was by the magnificent Seena Owen, probably best known for her role in "Intolerance." Maybe I shouldn't admit it, but I will: I applauded and cheered and, yes, cried at the beauty of this film, at the glory of it.

    I urge, strenuously urge you not to miss this "Carnegie Hall."

    Added 19 June 2015: "Carnegie Hall" is available at YouTube.com: https://www.youtube.com/watch?v=ruvljAjzscg
    7whpratt1

    Marsha Hunt Gave an Outstanding Performance

    Enjoyed this film from the very beginning to the end with great artists performing in Carnegie Hall and a great story revolving around a woman named Nora Ryan, (Marsha Hunt) and her son named Tony Salerno, Jr., (William Prince) who wants her son to become a great concert pianist. Nora works in Carnegie Hall as a cleaning lady polishing brass rails and works hard to support her son who she loves very much. Tony grows up in Carnegie Hall and gets to meet all the famous conductors, singers and famous musicians. However, Tony wants to cut the apron strings of his mother and branches off to the modern dance bands and meets up with a very attractive gal which sort of breaks his mother's heart. If you like Classical Music and enjoy the great talents of super star talents from the past, this is the film for you. By the way, Marsha Hunt is approaching the age of 90 years and contributed a great deal of her acting ability to the Hollywood Silver Screen. Great film, don't miss it. Enjoy.
    8gazebo350

    When classical music was still part of our heritage

    I saw this film when it first came out in 1947. at that time i was still learning to appreciate the great classical tradition. so this movie was an eye opener for me. i couldn't afford to go to concerts so here was an opportunity to see as well as hear some of the great icons of the classic world ie stokowski, walter, rodzinski, Rubinstein, heifetz, piatigorsky et al. yes it was a big thrill for me at the time. no less thrilling was to see Tchaikovsky himself in the opening scene, (as played by an actor of course.) the story line was purely secondary and was not to be taken seriously. this was the era ie the thirties and forties when you would occasionally hear some classical music in the movies. nelson eddy and Jeannette MacDonald for example would give some tid bits etc. it was also the time when the lives of composers such as Brahms, Schumann and Chopin were also being portrayed. a time when classical music was part of the everyday vocabulary albeit in somewhat truncated and simplified form. that now has all changed for some time and classical music is relegated to the limbos of the hoary past and is no longer part of our everyday. so this is a movie for classical music lovers or aspiring lovers of this seemingly defunct art.

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Film debut of Cloris Leachman.
    • Patzer
      Johns arrives on stage for rehearsal and is introduced to Ruth who is standing opposite of him with the piano in between. Close up of Ruth's face shows her looking to her left as she speaks to John who is center to her.
    • Zitate

      Tony Salerno Sr.: Life, Miss Ryan, is a conspiracy.

      Nora Ryan: A... lot of people blame things about themselves on life.

      Tony Salerno Sr.: What's wrong with that?

    • Verbindungen
      Edited into Moments in Music (1950)
    • Soundtracks
      Beware, My Heart
      Words and Music by Sam Coslow

      Sung by Vaughn Monroe (uncredited)

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 28. Februar 1947 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Carnegie Hall, amor y gloria
    • Drehorte
      • Carnegie Hall - 57th Street & 7th Avenue, Manhattan, New York City, New York, USA
    • Produktionsfirma
      • Federal Films (II)
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    Technische Daten

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    • Laufzeit
      2 Stunden 24 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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