Füge eine Handlung in deiner Sprache hinzuA violinist at Brissac Academy receives anonymous funding through Tony to attend concerts with Julius. Complications arise when Tony substitutes for Julius, causing misunderstandings, while ... Alles lesenA violinist at Brissac Academy receives anonymous funding through Tony to attend concerts with Julius. Complications arise when Tony substitutes for Julius, causing misunderstandings, while Amelia considers switching to swing music.A violinist at Brissac Academy receives anonymous funding through Tony to attend concerts with Julius. Complications arise when Tony substitutes for Julius, causing misunderstandings, while Amelia considers switching to swing music.
- Auszeichnungen
- 2 wins total
- Paul Malette
- (as William Orr)
- Geza Peyer
- (as S. Z. Sakall)
- Agent
- (as William Davidson)
- Butler
- (as Sidney Bracy)
- Woman Mistaken for Amelia by Tony
- (Nicht genannt)
- Lookout Boy
- (Nicht genannt)
- Valerie's Escort
- (Nicht genannt)
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Wealthy patron Charles Winninger means well when he instructs his company's vice president (Jeffrey Lynn) to start sending de Havilland $100 scholarship checks to help her make ends meet; unfortunately his patronage looks fishy and starts a round of misunderstandings and modest deceptions that keep the plot moving but are really not too worrisome.
Along the way, de Havilland and Lynn meet and fall for each other, not surprisingly. Jeffrey Lynn never made it too big in Hollywood but he did have several featured roles right around this period, and he's actually quite good—handsome, energetic, snappy.
De Havilland's roommate Jane Wyman (also a violinist) and her boyfriend Eddie Albert (piano) are hilarious as fellow musicians hoping to form a swing band—really, the scenes featuring Wyman and Albert are the movie's funniest.
S.Z. Sakall is fun as always as the academy's orchestra conductor; Spring Byington has a fine bit as Winninger's smart wife; and William Orr and Ann Gillis are both good as suspicious siblings.
I guess it's all pretty silly .Olivia de Havilland certainly had more challenging starring roles. Still, as a light comedy the picture is completely enjoyable. Also: de Havilland delivers a great last line!
The film concerns a phenomenon of the time, swing bands playing swing versions of the classics. DeHavilland is a violin prodigy at a prestigious music school and is ready to be tossed out on her classic when millionaire and music buff Charles Winninger takes an interest in her case. He provides some laundered scholarship money, but when it's discovered he's doing so everyone misinterprets Winninger's motives. Not the least of which are Winninger's children Ann Gillis and William T. Orr and Jeffrey Lynn his Vice President at his music publishing business. Only wife Spring Byington keeps a cool head about her and talk about unusual casting.
Wyman and Eddie Albert are fellow music students who want to start a swing band using the classics. Right around this time Larry Clinton and Freddy Martin were doing just that and populating the Hit Parade with just such material. And of course Tommy Dorsey did an unforgettable swing version of Song Of India. The film in that sense was most topical.
Add Grant Mitchell as the director of the school and S.Z. Sakall as, what else, the old music master from the old country and you've got a really outstanding cast that lifts the material in My Love Come Back quite a bit beyond what it is. It's a good comedy, but not where a couple of actresses named DeHavilland and Wyman wanted to be at this point in their careers.
This is a very sitcom kind of rom-com. It is a few white lies turning into some romantic chaos. The main thing is that Winninger is able to keep his motive pure. I would maybe keep Tony with Valerie. She has a cuter chemistry and better first scene. There is no need for Amelia to pair up with anybody. All in all, this is charming and cute little misunderstanding that isn't very threatening. It makes for fine light entertainment.
This isn't a musical in the sense of revues or plays set to music. Rather, it resembles musical biography when the subject or main character is a musician - singer, song writer, composer, instrumentalist. The star here is Amelia Cornell, a gifted and outstanding violinist in the Brissac Academy of Music. Olivia de Havilland plays the role superbly in a fictional story that mixes some fine classical and swing music into something of a wacky story. It's a good one, but it involves a few subplots and genres that are centered around the musical world.
Thus, it mixes in business, family, friendship, livelihoods, and study with jealousies, suspicion, misconceptions, innuendo, romance and comedy. The humor is in the situations, and it holds this whole plot together, which otherwise would not be very good as drama. What brings this all to life and makes it such an enjoyable film is a cast of superb supporting actors and emerging stars of the day. The second female lead is Jo O'Keefe, played by Jane Wyman. She and de Havilland would go on to win Academy Awards, and they would be in one more comedy together - "Princess O'Rourke" in 1943.
The male lead isn't so well defined, although Jeffrey Lynn has first billing as Tony Baldwin. His role is okay, but Lynn never seemed to put much life or oomph into his roles. But Charles Winninger as Julius Malette and Eddie Albert as Dusty Rhodes add to the zest that Amelia and Joy provide. S.Z. Sakall is very good as Gez Payer, the academy music conductor. Spring Byington is good as Mrs. Malette in a somewhat subdued role from her normal persona. Grant Mitchell is the best known of the rest of the cast, as Dr. Kobbe. William Orr and Ann Gillis play Malette grown children, Paul and Valerie.
This is a humorous, warm and entertaining film that fans of any of its cast, especially, should enjoy.
Wusstest du schon
- WissenswertesAlthough Jane Wyman had no trouble faking the fingering of a dummy violin, Olivia de Havilland had to have someone do it for her. De Havilland was forced to do this picture under threat of suspension from the studio and had no patience in learning the technique. In all her close-ups, the arm doing the fingering belonged to a professional hidden from view, or the fingers were hidden from view. She controlled only the bow.
- PatzerWhen Amelia throws the book through the glass door, it breaks out only the top part of the glass. But, when she leaves the office, only the center part is broken out, before she slams the door and breaks the rest.
- Zitate
Tony Baldwin: Amelia, you said if I came to you on my knees.
Tony Baldwin: [kneels] I want to kiss you. Won't you let me get up off my knees?
Amelia Cornell: I guess you'll have to because I'll be darned if get down on mine.
- Crazy CreditsFranz Liszt was credited orally by Jane Wyman during the film.
- VerbindungenRemake of Episode (1935)
- SoundtracksOverture
(uncredited)
from "Orpheus in the Underworld"
Composed by Jacques Offenbach
[Played by the student orchestra at the beginning]
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Details
- Laufzeit
- 1 Std. 25 Min.(85 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1