Tarzan und das Leopardenweib

MY favorite of the Johnny Weisemuller Tarzan movies, contains great B-movie over-the-top performances and classic lines.

The Tarzan family's shopping trip to Zambezi is cut short by the arrival of a bloodied,dying man, the only survivor of a caravan apparently attacked by leopards. But the Jungle Man knows something is not quite right. "Man not killed by Leopard" he declares, pointing out that leopards use not just their claws but their teeth to kill. Challenged by skeptics to give an alternative explanation, he responds with the classic line "Something Leopard that isn't Leopard".

That something is this freakish cult of Leopard people,who enjoy dressing up in animal skins, attacking people, and ripping out their hearts to sacrifice to their god. They are led by Lea (Aquanetta) (based loosely on the character of the high priestess "La" in the Tarzan novels) and her lover, Lazar, a proto-environmentalist?- who is obsessed with stamping out civilization - a great "over-the-top performance by Edgar Barrier.("Away with them! Down with them!")

But the character to watch is "Kimba" Lea's brother, deliciously portrayed by Tommy Cook - as a conniving, sadistic little creep, who despises Lazar and harbors a not-so-secret lust for his sister and for Jane, the "lady with golden hair".

Taunted by his friends for his pretentiousness,Kimba boasts "When I come back,I will show you a heart". Kimba ingratiates himself into the Tarzan family, then turns on the unsuspecting Jane and Boy declaring "Now I take back TWO hearts". It stretches credulity when the bumbling Boy temporarily overpowers the clever and calculating Kimba.

Tarzan knows more about the ways of the jungle and its inhabitants than anyone, so of course NO ONE in the movie takes his warnings seriously until another caravan is attacked, and the "Zambezi maidens" (student teachers who have been hired to civilize the natives)are captured, along with the entire Tarzan family, and all are bound and prepared for sacrifice to the leopard god. Following classic adventure movie logic, the leopard folks bind Tarzan to the main support beam of their temple, providing him (with the aid of the ever-helpful Cheetah)not only with the opportunity to escape but to literally bring down the house. In a final moment of dramatic retribution, the dying Kimba finally gets his coveted heart - Lazar's heart.

As a kid, I just loved this movie, and I wish it were available on video or DVD. Does anyone know if it is going to be released?

Tarzan and the Leopard Woman (Kurt Neumann, 1946) - This is a touch better than Amazons, with plenty of action (quite well done) and a lively performance by Weissmuller, who'd looked a bit out of sorts in the previous entry. The plot, by now following a path through the jungle wilds so well-trodden it resembles a motorway, sees the Ape Man battling a weird cult with silly leopard costumes that's really into robbery and human sacrifice. Considering the movies were aimed at kids, their marketing is curiously sexualised, with the poster art invariably flagging up the boobs of whichever minor character was most well-endowed. Here it's Acquanetta, who gets shared billing. Her leopard bikini is at least a bit better thought-out than those ridiculous capes the other cult members are wearing.

I rather enjoyed the film, particularly its adherence to near wall-to-wall action, but it provides quite a bit of unintentional hilarity. That comes partly from its incredibly low opinion of natives (who are all duplicitous, hateful savages) and partly from the barely-choreographed dance the leopard men do around the fire. They look like drunk clubbers wearing their wives' coats. One interesting element of the film is "half-native" Edgar Barrier, a Western-educated cultist who denounces the decadence of the imperialists and leads the fight against them. All the RKO series regulars return here: Brenda Joyce is still somewhat one-note as Jane, Boy is entering puberty (giving him an all-new voice and face) and Cheeta hogs the limelight once more. I'm going to be an old cynic and suggest that it's not really him playing that music on the trumpet, though.

Local authorities are positive that leopards are responsible for a series of fatal attacks on caravans travelling the jungle route from Zambesi, but Tarzan remains unconvinced. The ape man is right, of course: the real culprits are fanatical members of a leopard cult, led by beautiful high priestess Lea (the gorgeous Acquanetta) and native doctor Ameer Lazar (Edgar Barrier), who are angry at civilisation for exploiting their resources and encroaching on their domain.

Meanwhile, Lea's younger brother Kimba (Tommy Cook), who is desperate to earn warrior status by presenting his tribe with a human heart, tricks his way into the Tarzan household and sets his murderous sights on Jane (Brenda Joyce)...

After a few not particularly impressive movies, its great to see the Weissmuller Tarzan series back on form at last with possibly the ape man's most satisfying adventure since Tarzan and His Mate: not only do we get an enjoyably silly premise, impossibly wicked villains, and an exciting finale, but we also see leopard men performing daft dance routines, Cheetah playing a flute and charming a rubber snake, Tarzan grappling with hairy wrestler Tongolo the Terrible (played by professional wrestler 'King Kong' Kashey), four pretty teachers almost eaten by crocodiles, and an exciting chase scene in which Tarzan prepares deadly booby traps for his pursuers.

A hugely entertaining slice of escapist jungle fun, I rate Tarzan and the Leopard Woman 7.5 out of 10, rounded up to 8 for IMDb.

TARZAN AND THE LEOPARD WOMAN (RKO Radio, 1946), directed by Kurt Neumann, brings forth Tarzan, the jungle lord, in another Saturday afternoon matinée adventure story.

The story opens with Tarzan (Johnny Weissmuller), Jane (Brenda Joyce) and Boy (Johnny Sheffield), along with Cheetah, strolling through the village doing some afternoon shopping. Tarzan is seen having fun by wrestling with a strong man named Tall Bull the Terrible (Tor Johnson), while Cheetah watches a snake charmer and nearly getting bitten by one of the snakes. Then comes a wounded man riding on an elephant who soon succumbs from wound scars acquired by a leopard. Tarzan examines the dead man and tells the authorities that the man's death was not caused by a leopard, but by people dressed in leopard skins and iron claws. Aside from solving the mystery, Tarzan and his family find themselves in danger after taking in Kimba, a native boy (Tommy Cook), who not only happens to be the brother of the evil high priestess (Acquanetta) of the leopard tribe, but trouble to all those around him.

The supporting cast includes Edgar Barrier as Lazar; Dennis Hoey as The Commissioner; Anthony Caruso as Mongo; and Doris Lloyd as the Superintendress. Acquanetta, best known for her role as Paula, the Ape Woman in Universal's CAPTIVE WILD WOMAN (1943) and JUNGLE WOMAN (1944), makes a fine tribe leader this time around.

With the Tarzan movies being distributed in theaters on an annual basis, the writers attempt to come up with new and fresh ideas surrounding the old, familiar characters, headed by Weissmuller. Brenda Joyce returns as Jane for the second time, while the teenage Johnny Sheffield, outgrowing his part, appears to be a bit too old now to be called Boy. One scene in the shopping village finds young native girls giving Boy the eye, but Boy becomes bashful and passes up on them. The native tribes from the MGM movie days seem to have moved to another part of town, thus, being substituted by a jungle shopping mall. Another noticeable change finds Tarzan acquiring neighbors with each passing film, this time a Leopard tribe who don't seem to be the sorts to be calling on Tarzan and Jane at their treehouse for a cup of sugar this time around. For the first time since TARZAN'S SECRET TREASURE (MGM, 1941), Boy is able to bond with another lad close to his own age, but with friends like Kimba, who needs enemies? One highlight finds Boy in a fight to the finish with Kimba attempting to endanger Jane with a knife, with Boy subduing Kimba, having his hands tied behind his back and placing the little demon in a cage like a wild animal. As for Tarzan, he's captured by the leopard tribe and held captive by the priestess.

Not bad entry in the long running series, but by this time, the yarns are becoming routine and still quite watchable by fans of the series. Aside from commercial television revivals during the 1960s to 1980s, this and the other Tarzan adventures did enjoy frequent reruns on American Movie Classics (1997-2000) before moving to Turner Classic Movies (TCM premiere: June 11, 2011). TARZAN AND THE LEOPARD WOMAN has been distributed to video cassette but did become part of the Tarzan/RKO package on DVD around 2009. Next in line: TARZAN AND THE HUNTRESS (1947). (**1/2)

The Johnny Weissmuller Tarzan series continues at RKO with the fourth film (tenth overall, counting the MGM films). This one's pretty different from those that came before it. There's a different vibe to it, particularly in the early scenes where Tarzan acts as a sort of jungle detective. He's asked by a commissioner (of what I don't know) to look into a series of leopard attacks on travelers. Tarzan doesn't believe leopards are the cause of the attacks and, as you might have guessed by the title of this picture, he's right. So it's Tarzan versus leopard skin-wearing cultists, led by Queen Lea (Acquanetta).

I'm used to seeing Acquanetta in Universal films from around this time. They tried to make her a star in their horror stable but it didn't really work out. She's very attractive but not the strongest actress. This is arguably the best acting job of her short career, for what that's worth. Dennis Hoey is amusing as the commissioner. He's best known for playing Inspector Lastrade in Universal's Sherlock Holmes series. Tommy Cook is very creepy as Kimba, the Leopard Boy. What a little psycho. Brenda Joyce appears as Jane for the second time and does a fine job, although she's nowhere near the presence Maureen O'Sullivan was in the role. Johnny Weissmuller and Johnny Sheffield are both good, as usual. Weissmuller's first scene has him wrestling hirsute Tongolo the Terrible, whose voice I strongly suspect was dubbed. Speaking of voices, Johnny Sheffield's voice continues to change. Puberty's rough on us all, Boy. Cheeta is still lots of fun, which I'm sure surprises no one.

It's one of the better Tarzan RKO films. Personally I like them all but you have some fans who think of the RKO films as nothing but kiddie stuff. Then you have the people who don't like any Tarzan movies, RKO or otherwise. I try my best to avoid people like that. If you can't enjoy the adventures of Tarzan and his family, you're probably not much fun to be around.