Tarzan wird gejagt

After the hugely enjoyable Tarzan and the Leopard Woman, the Weissmuller Tarzan series slides back into mediocrity with a rather stale tale of unscrupulous trappers—led by 'huntress' Tanya Rawlins (Patricia Morison)—collecting specimens to restock the world's zoos, much to Tarzan's disgust, of course. A woefully underdeveloped sub-plot about the assassination of a jungle king by his power hungry nephew adds little to the film's overall entertainment value.

As usual, Cheetah is on hand to provide the laughs, annoying the other jungle critters and taking Boy's model aeroplane for a short flight, Jane (Brenda Joyce) gives the film some sex appeal (surprisingly, the titular 'huntress' provides little in the way of titillation), Boy (Johnny Sheffield) learns an important lesson about life (trading lion cubs for a torch is wrong!), the family indulges in a spot of synchronised swimming, and Tarzan saves the day (and the captured animals) in the final reel with that old chestnut, the stampeding herd of elephants; but whilst all of this makes for adequate 'rainy Sunday afternoon' family viewing, it offers avid Tarzan fans nothing much to get excited about.

5.5 out of 10, rounded up to 6 for IMDb.

In 1942, America's biggest film studio MGM scrapped its legendary Tarzan series, with the option being snapped up by the smaller RKO. There, Johnny Weissmuller was to strap on the surprisingly-revealing Hays Code-approved loincloth a further six times. The first couple saw him scrapping with Nazis, with the second - Tarzan's Desert Mystery (1943) - being as good a piece of nonsensical fluff as you're ever likely to find. I was a bit down on films three and four, as they're tired and largely gloomy affairs, but the penultimate entry - Huntress - is a partial return to form. Its major strength is an understanding of the series' in-built mythology and a welcome sense of fun. Like Superman Returns, then, only not as good. As with the first two MGM entries - the patchy Tarzan, The Ape Man and the superb Tarzan and His Mate - Tarzan's jungle paradise is invaded by hunters, a more sensible plot line than we've come to expect from these Sol Lesser yarns. The villainous gang includes former Warner heavy Barton MacLane and the eponymous huntress - Patricia Morison. Though the film is a touch confused about the morality of stealing animals from the jungle (presumably that was how the bulk of its supporting players came to Hollywood), Tarz does ultimately get pretty narked about the whole thing, leading to a series of lively showdowns. He's accompanied once more by Brenda Joyce and Johnny Sheffield, whose Boy is now a man, with a deep, booming voice. Where the film really scores is in its embracing of the Tarzan legend as our hero lets rip not once, but twice, with his famous yell. The first - so unexpected after four films without it - is a euphoric moment that seems to strip away 15 years of typecasting and weight gain from its wonderful star - if only for a few seconds. For all the film's deficiencies, like a messy, jumbled narrative and comedy scenes shoehorned in at apparently indiscriminate junctures, those two scenes are jolts of pure joy.

Already in agreement with the other comments about the place of this film in the tradition of Tarzan movies, I would like to concentrate on one sub-plot, the animosity between Tarzan (played by Johnny Weissmuller) and Monak (played by ex-prize fighter Mickey Simpson), loyal servant to the scheming, evil Ozira (yes, my namesake; I am a major Tarzan fan).

Ozira stands to receive generous bounties for helping a safari catch African animals to re-stock the zoos after the Second World War. Since his uncle, King Farad, won't cooperate, Ozira stages the shooting of Farad (by Monak) to look like an accident and Farad's teenage son Suli is also believed killed, pushed into a pool of crocodiles, again by Monak.

As Monak leads the gun bearers and safari hands to help the hunters get their animals, he has a number of brushes with Tarzan. Tarzan liberates captured animals, knocks out several of Monak's guards and, when other bearers are sent back to the city for help, one safari hand is killed by a lion. Monak seethes to get revenge and tangle with Tarzan.

In one scene, after Tarzan and Boy steal the guns and rifles, Cheetah the Chimp tries to steal the compact of the female hunter (the Huntress of the movie, Tanya, Patricia Morrison's character). Monak hurls his knife, almost getting Cheetah. We are also treated to a closeup of Monak, a big man, proud, powerful, commanding, a large, smooth chest, fine belly, wide, deep jungle navel. Certainly, he would never miss with a knife again.

The guns retrieved, the safari continues to collect animals and Tarzan and Boy find Prince Suli very much alive. The city of Toronga must know the truth about this and Ozira's treachery unmasked.

As Tarzan attempts to lead Suli to safety, Monak, rifle in hand, bandoleer across his powerful, commanding chest, knife stuck in his sarong-like wraparound, spies him and, along with two gun bearers, bandoleers crisscrossing their majestic chests also, Monak goes after them, pausing to take a few unsuccessful shots. Tarzan takes to the trees and the three separate to get at him and to finish off Suli.

Weissmuller sharpens a vine to use as a spear and hurls it into the bare belly of one of the gun bearers who topples to the jungle ground. Tarzan then flings his knife into the back of a second gun bearer, who falls onto the ground, the bullets framing his brave chest, his life lost for Monak and Ozira.

Monak has climbed a tree to direct the battle. Tarzan is in that same tree and so is Suli. Monak, smiling with confidence, slyly pulls his knife out and it flies through the air but inexplicably misses Suli. Monak then sees Tarzan approach and the battle is on. Monak pulls off his bandoleer and tries to hit Tarzan with it. The two actors are now side by side and it is clear what a formidable man Simpson was. Then thirty-four, he was at least fifteen to twenty years younger than Weissmuller, depending upon the uncertain birth date of the former Olympic swimmer. Monak almost takes Tarzan, but Tarzan jumps down to a lower branch. Monak tries to push Tarzan off the tree with his foot. Tarzan catches hold of Monak's foot and twists it. Monak grimaces in pain as he realizes the tide of battle has turned. Losing his balance, he falls, attempts to grab onto a branch but, not able to hold on, tumbles down many feet, past a smiling Suli, and rolls over onto his back as he hits the jungle ground. His arms spreadeagled, his broad, expansive, brave, adventurous, daring, bold, jungle leader chest is splayed on the jungle floor.

Monak has given his life for Ozira. (Ozira and some of the hunters will soon die in one of the most exciting elephant stampedes ever brought to the screen). Monak's death is the turning point of the story for now, following the stampede, Prince Suli will be restored to his people. Ozira will die by being driven over a cliff in the ensuing confusion of the elephant stampede and hitting his head on a rock. Ozira will never know that only a short distance away, the fine body of his "most trusted servant" lies still, having risked everything to serve his greedy, malevolent master.

A group of trappers seek to invade Tarzan's jungle and capture all the animals they want for their zoo, but Tarzan and the King object. When the King allows for only two of each type of animal to be taken, he is murdered and his nephew becomes the new leader, so the trappers are free to do as they please. It's then up to Tarzan to stand his ground. In this installment, the rapidly growing Johnny Sheffield plays Boy for the last time. We continue to see other recognizable Universal actors in each film, and this time it's Patricia Morison (CALLING DR. DEATH, DRESSED TO KILL) as the head zoologist.

**1/2 out of ****

Those unfamiliar with 1940s American slang will miss the clever undertone of the title. Back then, a "huntress" was what women called other women who tried to steal their men. Perhaps to feed a certain misimpression of what the movie was about, a poster of the time shows Patricia Morison's character looking on enviously as Tarzan and Jane enjoy a tender moment. A famous publicity still showed the beautiful Morison clutching her coiled whip. Of course, the promise of hanky-panky and jungle homewrecking was totally false. Morison plays a real huntress, who's after animals. And to tell the truth, except for the visuals, this is one of the duller Tarzan films, short on suspense and exciting action. Morison may look naughty, but she's not a very menacing villain.