[go: up one dir, main page]

    Kalender veröffentlichenDie Top 250 FilmeDie beliebtesten FilmeFilme nach Genre durchsuchenBeste KinokasseSpielzeiten und TicketsNachrichten aus dem FilmFilm im Rampenlicht Indiens
    Was läuft im Fernsehen und was kann ich streamen?Die Top 250 TV-SerienBeliebteste TV-SerienSerien nach Genre durchsuchenNachrichten im Fernsehen
    Was gibt es zu sehenAktuelle TrailerIMDb OriginalsIMDb-AuswahlIMDb SpotlightLeitfaden für FamilienunterhaltungIMDb-Podcasts
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestival CentralAlle Ereignisse
    Heute geborenDie beliebtesten PromisPromi-News
    HilfecenterBereich für BeitragendeUmfragen
Für Branchenprofis
  • Sprache
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Anmelden
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
App verwenden
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
  • Wissenswertes
  • FAQ
IMDbPro

Humoreske

Originaltitel: Humoresque
  • 1946
  • 12
  • 1 Std. 55 Min.
IMDb-BEWERTUNG
7,3/10
5152
IHRE BEWERTUNG
Humoreske (1946)
Trailer for this classic based on the novel
trailer wiedergeben2:39
1 Video
60 Fotos
Film NoirDramaMusicMysteryRomance

Füge eine Handlung in deiner Sprache hinzuA classical musician from the slums is sidetracked by his love for a wealthy, neurotic socialite.A classical musician from the slums is sidetracked by his love for a wealthy, neurotic socialite.A classical musician from the slums is sidetracked by his love for a wealthy, neurotic socialite.

  • Regie
    • Jean Negulesco
  • Drehbuch
    • Clifford Odets
    • Zachary Gold
    • Fannie Hurst
  • Hauptbesetzung
    • Joan Crawford
    • John Garfield
    • Oscar Levant
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,3/10
    5152
    IHRE BEWERTUNG
    • Regie
      • Jean Negulesco
    • Drehbuch
      • Clifford Odets
      • Zachary Gold
      • Fannie Hurst
    • Hauptbesetzung
      • Joan Crawford
      • John Garfield
      • Oscar Levant
    • 84Benutzerrezensionen
    • 30Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Oscar nominiert
      • 4 Gewinne & 1 Nominierung insgesamt

    Videos1

    Humoresque
    Trailer 2:39
    Humoresque

    Fotos60

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 53
    Poster ansehen

    Topbesetzung58

    Ändern
    Joan Crawford
    Joan Crawford
    • Helen Wright
    John Garfield
    John Garfield
    • Paul Boray
    Oscar Levant
    Oscar Levant
    • Sid Jeffers
    J. Carrol Naish
    J. Carrol Naish
    • Rudy Boray
    Joan Chandler
    Joan Chandler
    • Gina
    Tom D'Andrea
    Tom D'Andrea
    • Phil Boray
    Peggy Knudsen
    Peggy Knudsen
    • Florence Boray
    Ruth Nelson
    Ruth Nelson
    • Esther Boray
    Craig Stevens
    Craig Stevens
    • Monte Loeffler
    Paul Cavanagh
    Paul Cavanagh
    • Victor Wright
    Richard Gaines
    Richard Gaines
    • Bauer
    John Abbott
    John Abbott
    • Rozner
    Robert Blake
    Robert Blake
    • Paul Boray (as a Child)
    • (as Bobby Blake)
    Tommy Cook
    Tommy Cook
    • Phil Boray (as a Child)
    Don McGuire
    Don McGuire
    • Eddie
    Fritz Leiber
    Fritz Leiber
    • Hagerstrom
    Peg La Centra
    Peg La Centra
    • Night Club Singer
    • (as Peg LaCentra)
    Nestor Paiva
    Nestor Paiva
    • Orchestra Leader
    • Regie
      • Jean Negulesco
    • Drehbuch
      • Clifford Odets
      • Zachary Gold
      • Fannie Hurst
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen84

    7,35.1K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Empfohlene Bewertungen

    nickandrew

    Perhaps Joan's Finest Hour

    The film is over 2 hours long, but Crawford only has about 1 hour of film time in it, and it is surely one of her finest performances and finest films in her lengthy career. She plays a married socialite who takes particular interest in a rising concert violinst (played by Garfield). This is one of my favorite movies of all time and yes the ending is one of the greatest of all times. ***1/2 out of ****.
    7NewEnglandPat

    Playing second fiddle to Beethoven

    That sentiment sums up the frustration and disappointment of Joan Crawford about her love for and obsession with violin virtuoso John Garfield in an excellent film blessed with great acting and beautiful music. Crawford and Garfield are well-matched in this movie, as Crawford becomes Garfield's patron and gives his career a financial boost but becomes hopelessly drawn to her protégé as his concert career takes off. The two principals circle each other warily, sizing up the other and lashing out verbally with accusations of ingratitude and selfishness with Garfield holding fast to his dedication to his music while Crawford begins a slow but steady decline into drinking and depression. Garfield's tunnel vision concerning his instrument does not allow him to appreciate the love a young woman has for him, nor can he grasp his mother's sage counsel and warning about his involvement with a married woman. The film has generous servings of music by Sarasate, Dvorak, Lalo and a brief but excellent recital of Franz Waxman's adaptation of "Carmen".
    7richard-1787

    An uneven but, at its best, a very remarkable movie

    This movie is remarkably good in certain respects, disappointing in others, which may explain the wide range of scores and comments posted by previous reviewers on here.

    To the positive:

    1. The cinematography and lighting are often astounding. All those great closeups of Crawford, reminding you of silent movie camerawork. Perhaps the most interesting is at the start of Lalo's Rhapsodie espagnole, where it looks as if Paul Boray's playing is causing her to have an orgasm. Crawford and Garfield outlined against a setting sun is also wonderful. The list of the beautifully shot scenes is endless.

    2. Crawford and Garfield's very fine, if very different, acting. She delivers her lines with breathless emotion, beautifully enunciated. He sticks to speaking like someone who grew up in a working-class New York neighborhood. (Some above found him unconvincing as a concert violinist because of his appearances as a tough guy in his previous movies. I found him very convincing. You shouldn't imagine that all classical musicians are fragile flowers. They aren't.) Both do a great deal with their faces in the endless closeups. Garfield really makes you believe not only that he is actually playing the violin in all those violin sequences. He makes you believe he is feeling every note and phrase. They are both a pleasure to watch.

    3. The amount of well-performed classical music. We get large chunks, and sometimes even complete performances, of a lot of works. (For those who don't care for classical music, they can always watch the faces.)

    4. The staging of the final beach scene. It's really remarkably put together. Though there are a few moments I could live without, such as the view of the seaweed under the ocean surface after a certain character walks into the sea.

    To the negative:

    1. The movie is too long for the story it tells. I still sit through the whole thing on a repeat viewing, but I wish it were shorter.

    2. Oscar Levant's wisecracks, which delighted some previous viewers, get annoying after a while to me. They aren't all funny. Some of them could have been cut.

    3. Both of the leads are, alternately, sympathetic and annoying. Crawford's Helen Wright can't understand why a professional musician wouldn't leave a rehearsal to see her. Garfield's Boray can't feel grateful to Helen for her help with his career. Etc. They are constantly getting on each other's nerves, sometimes for no good reason. Helen is an alcoholic, so that's probably realistic. Boray doesn't want to be beholden to anyone. But why?

    This is not a movie I would watch frequently. But it is certainly a fine work of art, where the positives outweigh the negatives. If you haven't seen it and can focus on the cinematography and/or music, you will definitely enjoy it, despite its flaws.
    8viswanat-1

    Absorbing story with flawless acting by Garfield

    I was astounded by the virtuoso performance on the violin by John Garfield. I truly believed he was a multi talented man. I looked up IMDb and found out that they were using two doubles to actually play the violin. I am even more amazed that the two actual violinists by his side each played the bow and the strings separately. The effect was perfect to the viewers. The pieces selected were also of the type that could easily appeal to those whose knowledge and experience with western classical music is limited. Bravo Isaac Stern for this music. I am reminded of Fiddler on the Roof which also had this great violinist give us the pleasure of his performance. Oscar Levant is of course a pianist also and it is he who turned out to be multi talented.
    8imauter

    "I didn't make the world, I barely live in it."

    Jean Negulescu, a director of Rumanian origin based in Hollywood since 1930s was responsible for several good films and "Humoresque" is one of them.

    It's a good drama starring Joan Crawford who gives here one of her finest performances as Helen Wright, a cynical and selfish society woman who set her sight at a young talented violinist Paul Boray (John Garfield), offers help in making his carrier and later becomes concerned with his love, almost an obsession with his work - music, that comes to the point of neglecting (as she thinks) their relationship and herself personally - "I'm tired of playing the second fiddle!"

    Significant part of the film has to do with New York, that is "all full with all kinds of animals, and not all of them are born here" as says the most cynical character in the film Sid Jeffers played by Oscar Levant. It's there that we witness several tribulations in Helen - Paul's relationship resulting in a tragic ending.

    Wittiness of the script is probably the most important ingredient of "Humoresque" (besides Joan Crawford's performance) which turns it into a good classic film that stands repeated viewing. 8/10

    Mehr wie diese

    Hemmungslose Liebe
    7,1
    Hemmungslose Liebe
    Im Solde des Satans
    7,1
    Im Solde des Satans
    Die Straße der Erfolgreichen
    7,0
    Die Straße der Erfolgreichen
    Das Haus am Strand
    6,4
    Das Haus am Strand
    Daisy Kenyon
    6,8
    Daisy Kenyon
    Herbststürme
    6,8
    Herbststürme
    Maskierte Herzen
    7,5
    Maskierte Herzen
    Die Lügnerin
    7,3
    Die Lügnerin
    Danger Patrol
    5,5
    Danger Patrol
    My Love Came Back
    6,3
    My Love Came Back
    Erpressung
    7,2
    Erpressung
    Carnegie Hall
    6,4
    Carnegie Hall

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      John Garfield, a method actor, tried to obtain an emotional bond with the character Joan Crawford played by looking deeply into her eyes which very much unnerved Crawford, who told the director: "Tell him to stop looking at me!"
    • Patzer
      In the scene where Paul Boray is practicing on stage in his shirt sleeves, you can see the top of the head of a man crouched down behind him. This has to be one of the violinists who did the playing for John Garfield by reaching around him.
    • Zitate

      Sid Jeffers: It isn't what you are, it's what you don't become that hurts. Idealism is a luxury for the very young.

    • Crazy Credits
      The opening credits are presented on the turning pages of the sheet music for the composition "Humoresque".
    • Verbindungen
      Edited into Tote tragen keine Karos (1982)
    • Soundtracks
      Humoresque Op. 101 No. 7
      (uncredited)

      Written by Antonín Dvorák

    Top-Auswahl

    Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
    Anmelden

    FAQ21

    • How long is Humoresque?Powered by Alexa
    • CHICAGO OPENING HAPPENED WHEN?

    Details

    Ändern
    • Erscheinungsdatum
      • 22. Dezember 1949 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • De amor también se muere
    • Drehorte
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Kalifornien, USA(Studio)
    • Produktionsfirma
      • Warner Bros.
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 2.164.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 24 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 55 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

    Zu dieser Seite beitragen

    Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
    Humoreske (1946)
    Oberste Lücke
    By what name was Humoreske (1946) officially released in India in English?
    Antwort
    • Weitere Lücken anzeigen
    • Erfahre mehr über das Beitragen
    Seite bearbeiten

    Mehr entdecken

    Zuletzt angesehen

    Bitte aktiviere Browser-Cookies, um diese Funktion nutzen zu können. Weitere Informationen
    Hol dir die IMDb-App
    Melde dich an für Zugriff auf mehr InhalteMelde dich an für Zugriff auf mehr Inhalte
    Folge IMDb in den sozialen Netzwerken
    Hol dir die IMDb-App
    Für Android und iOS
    Hol dir die IMDb-App
    • Hilfe
    • Inhaltsverzeichnis
    • IMDbPro
    • Box Office Mojo
    • IMDb-Daten lizenzieren
    • Pressezimmer
    • Werbung
    • Jobs
    • Allgemeine Geschäftsbedingungen
    • Datenschutzrichtlinie
    • Your Ads Privacy Choices
    IMDb, ein Amazon-Unternehmen

    © 1990-2025 by IMDb.com, Inc.