Füge eine Handlung in deiner Sprache hinzuA private detective's assistant is given a camera hidden in a hat box to take a picture of a woman. A gun is switched for the camera and the woman is killed. Susan is charged with murder, bu... Alles lesenA private detective's assistant is given a camera hidden in a hat box to take a picture of a woman. A gun is switched for the camera and the woman is killed. Susan is charged with murder, but the PI and his half-wit aide are on the case.A private detective's assistant is given a camera hidden in a hat box to take a picture of a woman. A gun is switched for the camera and the woman is killed. Susan is charged with murder, but the PI and his half-wit aide are on the case.
Steve Clark
- Telephone Re-Connect Man
- (Nicht genannt)
William Ruhl
- Blackmailer
- (Nicht genannt)
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With her boss away on much needed business Susan Blake agrees to take a photo of a cheating wife for an new client using a camera in a hat box. Unfortunately for Susan the camera is really a gun and she is being used to kill woman "in the photo".
Short and breezy this movie would be completely forgettable were it not for the means of the murder. Its not that its bad as such, its more that the plotting is so tight that it really has nowhere to go. I'd really like to explain a couple of the non twists but that would reveal pretty much everything there is about the meager story. While it makes for an enjoyable 43 minutes, you do wish that there was more meat on this hamburger of a movie. The cast which includes Tom Neal and Allen Jenkins is game and sells it for more than its worth. The script, though unremarkable plotted, does have some funny lines such as when the first "client" in a long spell finally walks through the door.
Recommended as part of a night of multiple features and not a stand alone movie.
Short and breezy this movie would be completely forgettable were it not for the means of the murder. Its not that its bad as such, its more that the plotting is so tight that it really has nowhere to go. I'd really like to explain a couple of the non twists but that would reveal pretty much everything there is about the meager story. While it makes for an enjoyable 43 minutes, you do wish that there was more meat on this hamburger of a movie. The cast which includes Tom Neal and Allen Jenkins is game and sells it for more than its worth. The script, though unremarkable plotted, does have some funny lines such as when the first "client" in a long spell finally walks through the door.
Recommended as part of a night of multiple features and not a stand alone movie.
Pamela Blake is "Susan", the assistant to PI Tom Neal ("Russ") whose business has rather hit the skids. Whilst he is away, she takes on a case trying to prove infidelity and using a hat box that, ostensibly, conceals a harmless camera she follows her target. Unfortunately, her snaps have a fatal consequence and she is charged with murder. It falls to "Russ" and his hapless helper "Harvard" (Allen Jenkins) to get to the bottom of it before "Susan" is toast. It's all just a routine B-drama with little jeopardy or menace, but it does have quite a few quite engaging scenes between "Harvard" and waitress "Veronica" (Virginia Sale) who offers him her body but he'd rather have a goose-burger.... It's short and sweet, and though pretty unremarkable, it does pass 45 minutes easily enough.
Obviously this was a programmer made to fill out a double bill in theatres. Robert Lippert, the producer, made a career of it. The film itself features the capable Tom Neal and Allen Jenkins in an otherwise no-name cast. It's a flat-footed mystery with Neal in charge of his low-rent yet financially strapped detective agency (is there EVER a movie featuring a detective agency that actually makes money?) He gets a job investigating a caper that involves killing someone with, yes you guessed it, a hat box (tricked-out with a gun inside). It's such a short film at 44 minutes that it barely qualifies as a feature and, if made a few years later, would have been an episode of a TV mystery show most likely. Aside from an opening gag involving an out-of-work phone that is funny, the only thing of note is the prologue wherein the actors introduce themselves and the characters they are about to play. An odd thing and possibly the only time it's been done on film (there has been end-of-film bits where the actors bow or are presented by a voice over, but I don't know of another where actors come out at the start to announce themselves).
We think of television as beginning in the '50s, but that's simply not true.
This probably played in theaters as filler, but it is almost certainly a pilot for early television. There is no way else to explain the opening wherein the male lead introduces his supporting cast.
There are a number of pilots for unsold TV series still available, including a Sherlock Holmes pilot from the same era. There was even a brief series shot on film along similar lines (I think it was Boston Blackie). In any event, the interesting thing here is that some studios thought they could produce television shows the way they had produced theatrical B-movies. Of course, the broadcast network owners knew better (they knew that TV audiences had a lower "lowest common denominator" than film, and that less money could be spent accordingly).
AS a TV pilot, this is actually not so bad - cheap, quick with an interesting twist at the end. The actors are certainly trying their best, and - for television - it is more than competently made.
This probably played in theaters as filler, but it is almost certainly a pilot for early television. There is no way else to explain the opening wherein the male lead introduces his supporting cast.
There are a number of pilots for unsold TV series still available, including a Sherlock Holmes pilot from the same era. There was even a brief series shot on film along similar lines (I think it was Boston Blackie). In any event, the interesting thing here is that some studios thought they could produce television shows the way they had produced theatrical B-movies. Of course, the broadcast network owners knew better (they knew that TV audiences had a lower "lowest common denominator" than film, and that less money could be spent accordingly).
AS a TV pilot, this is actually not so bad - cheap, quick with an interesting twist at the end. The actors are certainly trying their best, and - for television - it is more than competently made.
The Ashton Detective Agency needs money badly, so when Russ Ashton is called away to Washington on a case, secretary Susan Hart takes on an infidelity case where she has to photograph a man's wife as she leaves an apartment using a camera disguised in a hat box. Susan doesn't realize that the camera camouflages a gun, and Mrs. Moreland (the woman) is shot. Ashton returns to find Susan in jail, so he tries to find the man (Stevens) even though he has a vague description. Stevens and his gang find out that Ashton and his sidekick Harvard, are on his trail so he tries to get him out of the way. Ashton then uses Susan as bait to trap the killers in order to prevent her from being tried for murder. Decent programmer with an enjoyable foursome of Neal, Blake, Jenkins, and Sale making the film seem like an OTR mystery show. The pacing of the film is great, with a lot going on considering the film's run time of 44 minutes. The plot is a bit predictable and done before, but the characterizations make it fun. Rating, 7.
Wusstest du schon
- Crazy CreditsThe credits begin to roll in a normal fashion, with a picture of a hat box in the background. It stops, and Tom Neal is shown in his detective agency; He begins talking about the bills he is holding, then he introduces the other three main characters, who enter and act as if the camera was a real audience, and tell their names in the movie. Then he says, "Here's the rest of our cast," and it reverts back to the regular screen with a hat box in the background.
- VerbindungenFollowed by The Case of the Baby Sitter (1947)
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Details
- Laufzeit
- 44 Min.
- Farbe
- Seitenverhältnis
- 1.37 : 1
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