Füge eine Handlung in deiner Sprache hinzuA man believed to be dead and buried escapes from his grave and returns to the scene of the crime seeking revenge.A man believed to be dead and buried escapes from his grave and returns to the scene of the crime seeking revenge.A man believed to be dead and buried escapes from his grave and returns to the scene of the crime seeking revenge.
- Regie
- Drehbuch
- Hauptbesetzung
Olin Howland
- Chief of Police Jonathan Meek
- (as Olin Howlin)
Harry Carter
- Call Boy
- (Nicht genannt)
Mary Field
- Maid
- (Nicht genannt)
Charles Irwin
- Gus aka The Great Merlini
- (Nicht genannt)
Ruth Warren
- Peggy - the Cook
- (Nicht genannt)
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Any movie from the Michael Shayne Detective series can be counted on to deliver an enjoyable mystery story. In this film Lloyd Nolan once again delivers a good performance as he works to solve a murder which took place at the estate of a wealthy US Senator. Everything wraps-up neatly in about 65 minutes which means that there is no wasted time with boring sub plots or long talky scenes ala todays' crop of over hyped and over long releases. A good supporting cast helps Nolan turn this into a fine stylish film. Olin Howlin does a great job and provides just the right amount of restrained comic relief as the police chief. Enjoy
Detective Shayne helps out an old girlfriend, following some mysterious happenings at her family mansion.
That Gothic opening is a real grabber. So what's going on with guys that are digging a nighttime grave in the middle of a storm with a sinister mansion in the background. It takes the rest of the 60-minutes to find out. Speaking of spooky effects, there're also the two glowing eyes in the dark looming over an hysterical Cathy (Weaver). No wonder she screams bloody murder.
But these creepy effects, along with the ever-reliable Lloyd Nolan as Shayne are probably the best parts of a sometimes murky narrative. The whodunit part is treated rather casually; at the same time, maybe you can figure out the solution-- I got lost. But that's okay, because the Shayne series depended more on characters than mystery. Here, Nolan and Weaver spark the proceedings with some lively dialog, including some surprisingly suggestive bedroom banter. Include Olin Howland as the addled hayseed sheriff, plus an ambulatory corpse, and it all adds up to an entertaining, if unexceptional, series entry.
That Gothic opening is a real grabber. So what's going on with guys that are digging a nighttime grave in the middle of a storm with a sinister mansion in the background. It takes the rest of the 60-minutes to find out. Speaking of spooky effects, there're also the two glowing eyes in the dark looming over an hysterical Cathy (Weaver). No wonder she screams bloody murder.
But these creepy effects, along with the ever-reliable Lloyd Nolan as Shayne are probably the best parts of a sometimes murky narrative. The whodunit part is treated rather casually; at the same time, maybe you can figure out the solution-- I got lost. But that's okay, because the Shayne series depended more on characters than mystery. Here, Nolan and Weaver spark the proceedings with some lively dialog, including some surprisingly suggestive bedroom banter. Include Olin Howland as the addled hayseed sheriff, plus an ambulatory corpse, and it all adds up to an entertaining, if unexceptional, series entry.
I ended up catching this on the Movies!network-the digital TV channel broad-casted by a lot of fox affiliates. I thought it was a fun movie. Lloyd Nolan was great. I knew him more from his character bits on TV in the 1970s. I really enjoyed him in the McCloud episode of the western cowboys that rob an armored car. This movie had a nice mix between comedy and a nice if not ground breaking mystery story. Great chemistry between Nolan and his costar. I had not seen others in this series but would not mind checking it out. The style reminds a little of the Thin Man series or some of the better written Abbott and Costello movies (I always liked their two mystery type movies Who Done It and Meet The Killer Boris Karloff).
Lloyd Nolan is Michael Shayne, private detective in "The Man Who Wouldn't Die," a 1942 entry into this short series from Twentieth Century Fox.
A friend of Mike's, Catherine (Marjorie Weaver) gets him to pose as her husband while investigating a shooting at her family home. Her father (Paul Harvey) is in government and under investigation by the Senate, and one night, Anna is shot at. Mike finds plenty to investigate. He also has plenty to explain when Catherine's real husband shows up unexpectedly.
There's lots of humor and "dark stormy night" atmosphere in this neat programmer, which also features Henry Wilcoxon and Helen Reynolds as Anna, Catherine's stepmother.
Nolan is a delight as a singing, happy but very clever Shayne. I'm surprised that Marjorie Weaver didn't get further in her career, though by all accounts, she loved the career she had - she's very pretty and vivacious.
Very enjoyable.
A friend of Mike's, Catherine (Marjorie Weaver) gets him to pose as her husband while investigating a shooting at her family home. Her father (Paul Harvey) is in government and under investigation by the Senate, and one night, Anna is shot at. Mike finds plenty to investigate. He also has plenty to explain when Catherine's real husband shows up unexpectedly.
There's lots of humor and "dark stormy night" atmosphere in this neat programmer, which also features Henry Wilcoxon and Helen Reynolds as Anna, Catherine's stepmother.
Nolan is a delight as a singing, happy but very clever Shayne. I'm surprised that Marjorie Weaver didn't get further in her career, though by all accounts, she loved the career she had - she's very pretty and vivacious.
Very enjoyable.
Another fun Michael Shayne movie starring Lloyd Nolan. Hearing Nolan with his distinctive voice and accent rattling off the snappy patter is music to the ears. This time around private eye Shayne journeys to an estate to help a friend in danger. The friend is played by likable Marjorie Weaver in her second of three Michael Shayne movies. She played a different character in each one. Olin Howland is a great deal of fun as an incomplete police chief. Highlights include a great car chase, some nice old dark house mystery atmosphere, and one particularly effective scene where the camera zooms in on a shadowy figure whose eyes are practically glowing. Cool stuff!
Wusstest du schon
- WissenswertesWhen Meek and Shayne are pursuing the "ghost" in Meek's car, Shayne tells Meek to shoot the tyres in the other car. Meek refuses as they are his tyres and that he "can't get any more...". During the Second World War, tyres were rationed in the USA. A limited number of people (e.g. nurses, fire brigades, police) were able to apply to the local rationing board for approval to purchase brand new tyres. Everybody else had to patch their tyres or replace the treads.
- PatzerWhen Shayne confronts Dudley Wolff, his wife and Dunning in the den, he refers to Wolff's partner buried "last night in the woods". That was actually two nights before, as the previous night was the one when Dr Haggard got killed.
- Zitate
Anna Wolff: [offering a drink] Would you care for something to warm you up?
Catherine Wolff: I was on the wagon, but I'll think I'll step off and give my seat to a gentleman.
- VerbindungenFollowed by Just Off Broadway (1942)
- SoundtracksThe Dear Little Shamrock
(uncredited)
Lyrics by Andrew Cherry and music by W. Jackson
Sung by Lloyd Nolan
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- El hombre que no murió
- Drehorte
- Produktionsfirma
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- Laufzeit
- 1 Std. 5 Min.(65 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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