Im Geheimdienst

Toward the end of World War II, the allied secret service receives a partial message indicating that the Germans are researching nuclear energy to build atomic bombs. In Midwestern University, the scientist Alvah Jesper (Gary Cooper) is called up by the Office of Strategic Services (OSS) to meet his former colleague Dr. Katerin Lodor (Helen Thimig) in Switzerland and bring her to North America. However, his mission fails and Dr. Lodor is killed by the Nazis but first she informs that Alvah's acquaintance Dr. Giovanni Polda (Vladimir Sokoloff) is working for the Nazis in Italy. Dr. Jesper travels to Italy and with the support of the Italian partisans leaded by Pinkie (Robert Alda) and Gina (Lilli Palmer), he has a meeting with Dr. Polda that is under the surveillance of the Gestapo. The scientist tells him that his daughter Maria had been abducted by the Gestapo and Alvah makes a deal with Dr. Polda, promising to release Maria first and bringing them to North America. While Pinkie travels to rescue Maria, Alvah stays with Gina and they fall in love for each other.

"Cloak and Dagger" is a suspenseful and full of action romance in times of war. The enjoyable story has good moments of tension but it is only a reasonable work of Fritz Lang. Gary Cooper's character seems to be a skilled and well-trained agent and not a scientist in many moments and Lili Palmer performs a strong female character in one of her first works. My vote is seven.

Title (Brazil): "O Grande Segredo" ("The Great Secret")

Oftenly overlooked and seemingly forgotten Fritz Lang's WWII espionage thriller. Although passable by Lang's standards, but entertaining enough for die hard noir and spy genre enthusiasts. This film is most notable because of being one of the first mainstream movies with anti-nuclear attitude. Lot of that was cut out from final film of course.

'Cloak and Dagger' is war time melodrama in dark espionage sauce - there is romance, there action, there are thrills. Still the film feels little uneven at places. Gary Cooper's performance as professor Jesper was cool and charming, but at places he seemed too skilled and experienced as an secret agent opposed that he supposed to be just scientist inexperienced at secret agent field. That kind of gives the film James Bond like fairy tale super agent feel. Not that is a bad thing itself.

Fritz Lang is one of those directors whom every film I want to see, and 'Cloak and Dagger' didn't disappoint me at all. Entertaining flick with enough juice to nail the viewer to the screen from beginning to end.

One of 'Cloak and Dagger's' biggest attractions was having Fritz Lang as its director, have said more than once about liking Lang a lot as a director and this film does nothing to change my mind. Of the cast, Gary Cooper is the most familiar name to me and while there are performances of his that are great there are a few that are not so good. The story sounded really interesting on paper and sounded like it would be a very atmospheric film.

'Cloak and Dagger', when seeing it, could easily have been very run of the mill and very routine. Instead, to me on the most part it was really quite gripping. While 'Cloak and Dagger' is not one of Lang's best films, not by a long shot, and there are better spy thrillers out there, but it is still well done and better than a lot of similarly themed films from around this period and doesn't do anything to squander Lang's or Cooper's talents (a good thing, wastes of talent get on my nerves).

Very atmospheric photography is an obvious good point, and the same goes for the lighting. Both add to the film's bleak atmosphere. Lang directs with great skill, didn't get the sense that he was bored or unsure of what he was doing, instead in control of the material and getting much out of it as possible. The script doesn't ramble or feel melodramatic, with it feeling as tight and cohesive as ought generally. The story more often than not is dripping in tension, at its best nail-biting, and the time that the film is set in is superbly portrayed in a frighteningly bleak manner and not shying away.

There is one fight scene that is particularly tense. Cooper does very well in his role once he warmed into it. Lilli Palmer excels even better in a sensitive performance as a character just as interesting. Everybody else is solid, with Robert Alda being especially memorable.

Unfortunately, 'Cloak and Dagger' does start off a bit too sluggishly and uncertain, would go as far to say routine.

While the central relationship settles believably once things get going (which it took perhaps a little too much time to do so), it wasn't one that settled straightaway and took time to. The music is too intrusive in volume and tone, over-emphasising the mood.

Altogether, solid film if not a great one. 7/10

For Gary Cooper, it's "Cloak and Dagger" in this 1946 film directed by Fritz Lang and also starring Lilli Palmer (in her American film debut) and Robert Alda.

Toward the end of WW II, it comes to U. S. attention that the Germans are developing a nuclear bomb. The OSS recruits a midwestern university scientist, Alvah Jesper (Cooper) to go to Switzerland.

There, he is to speak speak to a German scientist Dr. Loder (Helen Thimig) who has escaped to Switzerland, where she is now hospitalized. But Alvah's cover is blown, and he is being watched. In Italy searching for the scientist working with Dr. Lodor, Polda (Vladimir Sokoloff), Alvah is protected by guerrillas who include Gina (Palmer) and an American, Pinkie (Alda).

A bit slow at first, "Cloak and Dagger" picks up steam as it goes along. The most stunning scene occurs when, as an Italian sings a folk song outside, Alvah and an Italian Gestapo agent, Luigi, (Marc Lawrence) fight inside a building.

And by the way, Michael Burke, the OSS member who was the film's adviser, and an agent named Andreas Diamond, showed Lang the hand-to-hand combat used in this film.

Apparently, Gary Cooper had problems with the scientific dialogue (as he had problems with not understanding his speech at the end of The Fountainhead), and Warner Bros. Records state this fight scene was the only one he did well. A very suspenseful, exciting, and raw scene, the best in the film. The thrilling ending is top-notch as well.

The love that develops between Gina and Alvah is poignant, and beautiful Lilli Palmer gives a fantastic performance. I agree with others, Alvah seems pretty sharp and experienced for an untrained agent. Cooper is very good in a heroic role - strong but gentle and as usual, terribly handsome.

The ending of this film was changed from an antiwar one and anti-nuclear weapons, since by the time the film was released, since the bomb had just been dropped on Hiroshima.

Well worth seeing, if not ultimate Lang.

This is old-school filmmaking by a master of directing; Fritz Lang, creator of M and many other fine films. Cloak and Dagger was made shortly after WW2, so it has that real WW2 feeling that only films from the 40s have. The two major stars, Gary Cooper and Lili Palmer have a wonderful chemistry that works, as well as all of the supporting actors. The production values are first-rate; Lang would make sure of that. The storyline is interesting; spies for the A-Bomb during the war. Recommended for good WW2 atmosphere.