Späte Rache

This is not so much a Western as a film noir that happens to be set in New Mexico around the turn of the century. Dame Judith Anderson steals the film as both the catalyst of all that happens and, in many ways, its hero. Dean Jagger is marvelous as the villainous lawman who cannot leave well enough alone. Harry Carey Jr. scores with a memorable portrayal of a well-meaning milquetoast manipulated by Jagger.

The photography and editing (James Wong Howe and Christian Nyby) are topnotch film noir. Alan Hale (Sr.) is perfect as the wry gambler who recognizes Mitchum's talent and woos him as a partner. Mitchum does a fine job as the emotionally paralyzed Jeb who is basically decent but with a busted emotional compass, he allows himself to be led by the fates. Although I'm not normally a fan of the sleepy-eyed and laconic Mitchum, I thought his signature traits were used to excellent effect here, and well explained by the trauma that eats him apart so much inside that he is unwilling to stand up for himself. Teresa Wright is stunning as Mitchum's foster-sister-turned-object-of-lust-turned-true-love-tuned-would-be-executioner-turned-true love again. What a woman!

One thing that differentiates this 1947 film in my book as a noir not a western is that the two main women are anything but passive -- and even more so -- ANYTHING BUT madonnas or whores. They are unafraid to fire guns or stand up to militias. But they will fulfill what is in their hearts even when it means societal disapproval or death.

Although the plot is full of holes, the storytelling is excellent enough to overcome it. Great pacing too -- a really fun ride.

`Pursued' is ranked among Walsh's best westerns. It's inferior to `Colorado Territory' (probably Walsh's best), but forms a trilogy of underrated masterpieces with `Along the great divide' and `Gun fury'.

This peculiar film incorporates elements of the film noir, a genre frequently visited by the director. The story unfolds through a series of flashbacks in which the hero Jeb Rand (Robert Mitchum) struggles to evoke an obscure incident of his early childhood. This memory might give him the key to deal with a series of tragedies that take place one after the other with no apparent reason.

The film loses its logic early on, and we are so engaged in Walsh's storytelling, that we don't mind. Nothing makes sense here. Everything is disconnected, from Theresa Wright's progression into blind revenge (she wants to marry Jeb to shoot him on his wedding night), to Micthum's stoic acceptance of his misfortunes. All might be dictated by luck (the flipping of the coin, the casino), but that luck can be manipulated too (the wheel of fortune incident, later picked up by Lang in `Rancho Notorious').

This is not John Ford's contemporary universe ruled by tradition and heroism. In fact, the film's tone anticipates the pessimistic mood of Ford's `The Searchers'. `Pursued' is like a farewell to classicism, is turning away from an era fell down like the hero's cottage. Walsh is opening the door to a new expressionism in western, eventually taken over by Mann and Boetticher.

In this film, whose dramatic structure is as pure as a greek tragedy, even celebrations are sad, as when Mitch comes as a hero of war. Right during the welcoming there's plotting against him going on. The star here is James Wong Howe's photography. The interiors are sombre, the exteriors are wasted. The night scenes are as nocturne as any western ever portrayed. The funeral scene is pure pictorial ciaroscure. The overwhelming landscape of Gallup, New Mexico (used again in `Colorado Territory') acquire a dramatic and oppressive meaning, significant enough to match Ford's utilization of Monument Valley.

Walsh's direction turns a standard script into a sordid exploration of human misery. It could have take the form of a dream (Mitchum appears like a sleepwalker throughout the entire film), but thanks to Howe's outstanding photo and Steiner's powerful score, it developed into a nightmare.

In the turn of the Nineteenth century, the orphan Jeb Rand is raised by Mrs. Callum (Judith Anderson) with her daughter Thorley and her son Adam. Jeb has a trauma with recollections of boots and flashes of light and Adam envies him. When Jeb is shot by the one-armed Grant Callum (Dean Jagger), Ms. Callum goes to the hotel and tells his relative to stop the family feud and forget Jeb. Years later, Grant is a prosecutor and presses Jeb (Robert Mitchum) to fight in the war against the Spanish. When Jeb returns a decorated hero, he courts Thor (Teresa Wright) and proposes her. But Jeb has an argument with Adam that was poisoned by Grant and Adam snipes his step-brother while he is riding trying to kill him. However, Jeb shots him in self-defense and is declared non-guilty by the court. But Grant has not given-up to kill the last Rand.

"Pursued" is a great western by Raoul Walsh that blends western and film-noir creating an unforgettable film about a family feud with a revengeful man. The locations and the camera work are astonishing and top-notch. My vote is nine.

Title (Brazil): "Sua Única Saída" ("His Only Exit")

Looking at the other reviews for "Pursued", I don't think I have to repeat the plot summary for this dark, thoughtful 1947 western, directed by Raoul Walsh. And so the stage is set for what has been called the first psychological western. You can safely throw in film noir and melodrama, as well.

Robert Mitchum and Theresa Wright are very good as the possibly doomed couple. The story told in flashbacks and flashbacks within flashbacks with the narration of Robert Mitchum, a relentless villain, a hidden family mystery...plus gunfights and New Mexico scenery.

Interesting camera-work is the main attribute of this late 1940s western. It plays and looks more like a film noir than a western, but there is nothing wrong with that. I enjoyed that aspect, especially the noir-like cinematography. I say the latter because of all the stark black-and-white contrasts, night scenes and facial closeups.

Conclusion - I'd call this a must-see film, I find it has lots of great moments.It's a movie I enjoy watching again and again. Robert Mitchum, Teresa Wright, Judith Anderson, Dean Jagger and company all acted well, and I appreciated their talents. Great Film..

Raoul Walsh's strange, noirish Western isn't much seen these days but "Pursued" is still something of a classic. It was an original screenplay by the novelist Niven Busch and is told in flashback by Robert Mitchum who is the pursued of the title. He's the adopted son of Judith Anderson who took him in after his family is killed. The thing is, it was Anderson's brother-in-law, Dean Jagger, who was responsible for the family's murder to begin with. Subsequently, Mitchum is haunted by memories of his past as he finds himself falling in love with his adoptive sister, Teresa Wright.

You might say, then, that this is far from being a conventional western yarn. I mean, in how many other westerns do you find a romantic relationship developing between a brother and sister, even if they are not blood relatives, or where a brother-in-law and sister-in-law can be so diametrically opposed in what is a family feud. The performances are mostly fine but the real star of the picture is James Wong Howe's stunning black-and-white cinematography. This film may not be as well-known as it should be but it has certainly built up a considerable cult reputation.