Landung in Salerno

This movie is beyond criticism. Within its celluloid record there clambers cold history. The tanks are real. The planes are real. The people are real. This was a contemporary war movie to the actual war, without the layers of myth laquered by years of failing memory.

Unlike recent high budget over-the-top productions and the copious blood spattering within, this little epic tends to mute the violence into the pathos of the moment of death. That being the death of heroes. And the emphasis appears to hinge on the suddenness, the randomness, and the tragedy of men dying hard. It is a stark memorial to the courage and sacrifice of the World War II soldier.

Amazingly, and very much in contrast to most other war films of the period which demonized the enemy, this film provides a neutral texture to the foe. Here the German soldiers are but shadows on the cave wall. The stray Italian soldiers appear as comic sidekicks in the maelstrom of a nation at peril from two sides. The enemy appears to escape the moral condemnation that other films embraced. This is war and this is what it is by those who fought it.

The film describes the landings of an infantry platoon on the Salerno beaches in Italy. All of a sudden they are left leaderless as two of the senior officers meets a soldier's fate. The beach scene remains a descriptive detail of what a soldiers paradox in modern warfare was. They bring the war but they do not know where it is, where they are, whether the war will visit them, or what lies in front of them. Without the need for special effects the director garnishes the film with the fog of war skillfully.

A startling moment is when the third ranking leader, a noncom sargeant succumbs to panic and shell shock. It is perhaps the kindest treatment of the condition ever presented cinematically during that period. The rest of the platoon appears to be supportive to the fallen insane sargeant. But the war goes on. They move on.

Rallied by a solid sargeant the platoon moves onto its objectives, a bridge and a farmhouse at a cost. The objectives are difficult and the angst of leadership and follower play the scene well. And unlike most war movies where heroism goes beyond definition, these heroes are all very much afraid.

The film has a solid core of young actors of the period. Dana Andrews, a very young Lloyd Bridges appear to anchor the cast. The black and white format suits this tiny epic. The cinematography, stunts are solid and consistently well done. It is a darkish film very much worth seeing.

This is a different war movie, it has very few action sequences. But the director created a compelling movie none the less. Most action in this movie takes place off camera, this creates a feeling of 'being there.' One character mentions that all the action he has seen he had to listen to it. The pace of the movie tends to get slow then speed up quickly. It was quite different but for a war movie fan like myself, very entertaining.

One of these fine days, the landing at Salerno which believe it or not was more difficult than the invasion of Normandy will get a full screen treatment like The Longest Day or Saving Private Ryan. The combined allied force was in a pitched battle for 21 days until the issue was decided. A lot was going on away from the sidebar action that is depicted in A Walk In the Sun.

The sidebar action involved a platoon that lands a few miles away from the beach with the objective of blowing up a bridge and taking a strategically located farm house. The lieutenant is killed even before the landing and the various sergeants take over. One of them, Herbert Rudley cracks under the strain, and Dana Andrews assumes overall command of the mission.

A Walk in the Sun is not so much a war story as a war character study. It's interesting to contrast this film with Lewis Milestone's masterpiece, All Quiet on the Western Front. Both involve citizen soldiers going to war and both are studies into the types of people making up a platoon. Milestone's sympathies are with both, but he does recognize the necessity for the trip to Europe made by these Americans in Italy.

Best in the film in my opinion is Richard Conte, the cynical wisecracking GI from, where else, Brooklyn. According to Hollywood, there wasn't a platoon in any theater of war in the forties that did not have a GI from Brooklyn. Huntz Hall, taking leave from the East Side Kids, also has a small part as one of the GIs in this platoon.

The film was made as the war ended in Europe. No mock heroics here, just the greatest generation demonstrating why they were just that.

One of the best war movies ever made, directed by Lewis Milestone (All Quiet on the Western Front), this movie is distinguished by its depiction of war from the soldier's individual point of view. Unlike most war movies, this is infantry combat as seen through the eyes of several members of a platoon as it walks through the Italian countryside in 1943 on its way to seize a German observation post. In all the action sequences, you never see anything that the individual soldier (German, Italian or American) depicted on the screen doesn't see. You only see what is happening around him as he sees it. I've seen them all, and no other director ever approached war filming this way. And I can tell you personally that this is the way it was in combat. The only errors in the entire movie involved grenades: you don't blow bridges with them and you don't pull their pins with your teeth--that's the best way I know of pulling out a tooth w/o a dentist's helping hand. A landmark movie made during the war and only released after the war ended in 1945 because of the final scenes. Matched only by William Wellman's "A Story of GI Joe," this is the best film on infantry combat produced from World War II. Yes, yes, I've seen "Saving Private Ryan." Except for the shock of the first 20 minutes, it's Steven Spielberg's three-star remembrance of his boyhood comic book war stories.

September 1943 WWII,during the Italian campaign against the Germans, an infantrymen platoon of US army washes ashore on the coast near of Salerno and for the fighting are dieing all officials and the sergeants command to execute the mission assigned,they must capture a farmhouse occupied by the Nazis.The group is trying to take an enemy location by themselves,it's shot with an excellent action sequences.

The picture is a based about novel of same title by journalist Harry Brown who fought on the front since 1941 until 1943 and narrated his experiences as soldier in European Allied army. The first which bought the license was Samuel Bronston but the public was bored of the warlike genre and he wanted the making a super-production and then he gave the rights to Lewis Milestone.This director contacted with Daryl F. Zanuck -the magnate of 2oth Century Fox- who financed the post-production.The film realizes a magnificent reunion actors showing the numerous personages and explores their circumstances,apprehension,fears and cowardice. Lewis Milestone incorporated an off-voice of the actor Burguess Meredith who the same year starred ¨The story of G.I.Joe¨filmed by William A.Wellman and would be its more direct rival.Good storyline by Robert Rossen,turned director with important films as ¨The hustler¨and¨Alexander Magno¨ .Productor and director Lewis Milestone also made others classics as ¨All quiet on the western front¨ masterpiece WWI and the Korean set ¨Pork Chop Hill¨ which along with ¨Men in war¨(Anthony Mann) are the two best films about Korea war. Rating : Awesome and worthwhile effort.