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The film "Back to Battan" starts and ends with the January 30, 1945 US/Filipino raid on the infamous Cabanatuan Japanese prison camp on Luzon Island as the allied troops rout the Japanese defenders, that number some 2,000 to 5,000 men, at the cost of only 4 killed and 21 wounded with not even a single US/Filipino POW being lost in the battle. The movie then goes back some three years to the spring of 1942 during the darkest days of the Japanese advance on Battan. US Col. Madden, John Wayne, and his men are fighting for their lives holding back wave after wave of suicidal Japanese Banzai attacks as the lights slowly go out for the American and Philippine forces. With the US general in command of the Philippines Douglas MacArthur being called back to Australia to regroup the battered and defeated US Army for another shot at the invincible army navy and air force of the Empire of Japan things look very bleak for the American and Filipino troops still left on the islands.

The film almost entirely concentrates on the guerrilla war conducted by Col. Joe Madden and Capt. Andres Bonifacio (Anthony Quinn), the grandson of the late 19th and early 20th century Filipino patriot and freedom fighter Andres Bonifacio the first. The guerrilla war lasted for two and a half years made it possible for the successful allied invasion of Latye in the fall of 1944. There's also Anders' girlfriend pretty Filipino radio personality Dolici Dalgado, Fely Franquelli, who's the Tokyo Rose of Minlia. Dolici is mouthing off on the radio Japanese propaganda to the Philippine people but in reality is working for US, which her boyfriend Andres who's totally unaware of it. Dolici puts secret code words into her commentaries to alert the US and allied, Philippine, troops where the Japanese Army is making it's next move.

One of the better WWII Hollywood war movies with John Wayne needing help from the locals and also being berated and pushed around by who I at first thought was the leader of the allied troops on the Islands,she sure as hell acted like she was, history teacher Bertha Barnes, Beulah Bondi. There's also a number of really exciting battle sequences between the US/Filipino troops and Japanese forces that didn't come across phony and overly one-sided, like in the battles of Battan and the Island fortress of Corrigidor,where the "Japs" actually won, like in most WWII movies coming out of Hollywood at that time.

There were two scenes in the movie "Back to Battan" that really moved me and that had very little to do with any fighting. The first when high school Principle J. Bello, Vladimir Sokoloff, refuses to pull down the American flag on the orders of Japanese officer Captain Abner Biberman and then was hanged in it's place. The second scene was when 15 year-old Philippine high-school student Maximo Cuerca, Duckie Louie, was forced to betray, after being tortured by the Japanese, his fellow freedom fighters and American allies. Maximo gave up his life taking the lives of his Japanese tormentors with him by forcing the truck he was on, by grabbing the steering wheel, to go off an embankment killing everyone on board in order to warn Col. Madden's men that they were soon to be ambushed.

The real heavy fighting was saved for last with the return to the Philippines of the American forces under the leadership of "I Shall Return" General Douglas MacArthur in the invasion and battle of Latye Gulf in October 1944. The invasion that culminated, in the movie, with the liberation of the Cabantuan POW Prison Camp in late January of 1945. We see, as the movie ends, a number of actual US POW's not actors in the film from some half dozen different states, Texas Alabama Kansas Tennessee Illinois and even Brooklyn New York. All these POW's who were just liberated are seen ecstatically marching to the trumping and heart-lifting tune of "California Here I Come".

My father, who is now in his late eighties, was one of those Philippine Scouts (of the US Army) who defended the Bataan peninsula as part of the USAFFE (US Armed Forces Far East) from early January to 9 April 1942. He was an Aid-Man in Company C, 12th Medical Bn. (Philippine Scouts), and witnessed combat at the Battle of Abucay Hacienda (around 11-13 January 1942), which is on Bataan, while supporting the 57th Infantry Regt. (PS). Later, as a Runner for the 12th Medical Bn., he came into contact with those US Army nurses at Hospital No.s 1 and 2, who were portrayed by Claudette Colbert, Paulette Goddard, Veronica Lake, and others in "So Proudly We Hail" (1943). He survived about five days walking sixty-five miles on the "March of Death," being packed with about 100 other PoWs into a rail car designed to hold maybe forty men on the last forty-mile stretch to the prison camp, and then eight months in the Hell of Camp O'Donnell, or "Camp O'Death." My Dad loves this movie because it is so moving in many ways. As a result, we, his Baby Boomer children, are also big fans of this film, and will be for the rest of our lives.

Classical warfare movie with big John Wayne and the flick talks about the Phillipines battle , during WWII , concerning on defenders and resistance fighters , but Japan has just invaded ; regarding events happened in Bataan , Corregidor and Leyte . Exciting warfare movie about a tough Colonel who forms guerrilla army to raid Japanese and to help Americans landing on Leyte . The Japanese army has overrun the Philippines , sending General MacArthur packing , promising to return . The US Army's defense of its Philippines colony and the allied Malay countries/colonies behind it counted on its island fortress of Corregidor on Luzon -and a few others- but loses it in the 6 May 1942 Japanese combined forces attack . Meanwhile , it's sent to the Duke to hold the fort . A small group of soldiers commanded by Colonel Joseph Madden (John Wayne , he's based on on a real-life American who fought with the resistance movement) are among the escaping survivors who are ordered by general Douglas McArthur to organize a guerrilla . As Colonel Madden takes on the Japs aided by Capt. Andrés Bonifácio (Anthony Quinn) along with a small platoon of Filipino resistance fighters . As a group of soldiers flee from Japanese repeatedly attack and they head for blowing-up the Japanese installations . The defenders gave a few days for posterior victories and future US conquest like Midway , Island Salomon and Bismark . As the small army endeavoring to blow up a pivotal Japanese staff at a fake celebration of Independence .

This classic warlike movie is nicely starred by John Wayne at one of his best roles as a two-fisted Colonel , he's accompanied by a plethora of first-rate secondaries . Stirring actioner warfare completed with slice of military stereotypes although some characters are very one-dimensional . This rousing action saga results to be a a good film dealing with war in human terms . However , there are some nasty , ominous villains well played by Asian players who bear offensive racial stereotypes , as the Japanese are all nasty and evil . There is a fair bit of flag-waving and patriotism , but that was just what was needed when the picture was made . It may not be an awesome film , but this is a thrilling and well made war epic . This colorful movie contains action , breathtaking battles , thrills , stock-shots , historical events and the battle scenes are impressively made . Stalwart main cast , Wayne and Quinn , both of whom give splendid interpretations . Being stunningly supported by Belulah Bondi , Richard Loo , Lawrence Tierney Abner Biberman , Vladimir Sokoloff and Paul Fix as a grizzled as well as sympathetic veteran .

This is one of a handful of feature films that have featured the story of the World War II Battle of Bataan , they include ¨So proudly we hail¡¨ by Mark Sandrich (1943) ; ¨Bataan¨ (1943) by Tay Garnett and ¨They were expendable¨ (1945) by John Ford . The film is set into a lush , abundant jungle with a dense fog made by usual RKO production designer , Albert S. D'Agostino , and contains an atmospheric as well as evocative musical score by the ordinary Roy Webb . It is well set in South Pacific , Philippines and shot in Tarzana Ranch , Thousand Oaks , Baldwin Estate , Santa Anita , California . The motion picture was professionally directed by Edward Dmytryck , a good Hollywood craftsman . Edward has a sensitive handling of actors and provides an exact compositional sense . Edward handles in all -especially the battle scenes- with flair play and vigour . He is a classic director , his films deal with a deep description of civilized societies , he believes that corruption is an essential part of it , that society punishes sincerity , innocence and love, vengeance and greed determine the behavior of people .

The actual deeds about Bataan concern an unsuccessful attempt by US and Filipino troops under General Douglas MacArthur to defend the peninsular against the Japanese 1 Jan-9 April 1942 . Following the surrender of Bataan , MacArthur was evacuated , but Allies captives were force-marched 95 km/60 mi to the nearest railhead in the Bataan Death March,ill-treatment by the Japanese guards during the march killed about 16.000 US and Filipino troops .

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War movies can be a tricky recipe to pull off because they've been done so often and fall into clichés sooo easily. This film was saved by bravura and sincerity. It's a good film. What at first may seem like a generic Duke vehicle quickly exposes itself as a small ensemble drama on an epic stage.

Part of the appeal of this film is to watch it with history in mind. It tackles a lesser known part of WWII history, the war and guerilla movements in the Philippines. This film is totally unselfconscious in how it deals with the war, in one scene it features real Bataan POWs marching in a parade and introduces them documentary style with a narrator, and it hired Filipino extras and actors for important roles. This is what really touched and surprised me, how it elevated and glorified Filipino nationalism, culture, and history (Jose Rizal and Andres Bonifácio are frequently quoted and reverently referred to throughout the film); and, in an age where African American actors still were unfairly stereotyped and Asian actors almost nowhere to be found in Hollywood films, this treated Pinoy characters as equals and as heroes. This openmindedness on the part of the filmmakers was refreshing, but very reflective of the US fighting men's appreciation of the contributions of the Filipino people.

The film is passionate about the people it portrays. It's common for wartime films to be full of propaganda and overly zealous, but this film is more touching and intimate in its approach. Patriotic speeches actually have meaning and tears behind them, swelling music doesn't feel manipulative, no doubt because it was filmed with so many soldiers and civilians involved and in 1945, these people had just gone through all this and everything is done with a real and raw memory. It feels like it's built on real stories and people, and the actors seem to know they're not dealing with run of the mill cutout characters. There's a sincerity inherent in all of their performances because of the immediateness of the subject matter. John Wayne is less gruff than usual (and even downright dashing). Anthony Quinn's confused young man: brooding heartbrokenly when he's away from his informant fiancée, tender when he's around her, not sure how to fulfill what many feel is his destiny, and his own personal journey is lovely. Beulah Bondi (as a teacher evacuee who helps the men out) teary eyed when she thinks of her students; the motley crew mix of American GIs and Pinoy volunteers who surrounds the two officers, casual and down to earth. It's a tight cast in a friendly fight to upstage the others, and you'd better believe they milk every scene for what it's worth.

The film moves along quickly and realistically. Instead of complicated plot movements and intricate bloated twists, the story seems like it was taken from any number of jungle war experiences which makes it fascinating and unpredictable, like real history. Director Edward Dmytryk, later blacklisted, paid no heed to Production Code regulations for violence, and filmed scenes that were fairly explicit (for the time) in their portrayal of cruelty and violence inflicted on soldiers and civilians in an attempt to realistically dramatize some of the atrocities that occurred during the war which lends the film an air of impending danger and gravitas.

From before the era of ambiguous and complex war stories (which is how I usually prefer my war flicks to be served), this one of the best "classic" war films I've ever seen. (If you like this, check out "An American Guerilla in the Philippines" which was shot on location by the great Fritz Lang in 1949/50 and very similar in many regards.)

While this film is a tad heavy from time to time with propaganda elements, in many ways this war film stands well above the usual crowd of jingoistic American war films. Now I am NOT being critical saying the films are "jingoistic", as this was positive propaganda that slightly exaggerated the truth in order to unify the country against the Japanese. After all, we were at war and Japan had conquered most of the Pacific. But films made during the war often sacrificed reality in order to deliver the message--such as in AIR FORCE when a B-17 bomber almost single-handedly wipes out half the Japanese planes!! Fortunately, beneath the occasionally heavy-handed patriotism, the film itself was a very good representation of the war in the Philippines. This, combined with excellent action scenes and better than average acting make this a film worth seeing. In particular, other than IN HARMS WAY, this is John Wayne's best WWII film, as his acting is a little less "bigger than life" and more realistic. Also, if you liked this film, I also strongly recommend BATAAN (starring a surprisingly macho Robert Taylor). This film focuses on the fall of Bataan and BACK TO BATAAN is a great companion piece as it focuses not only on this but its reconquest. Top notch entertainment and a decent history lesson to boot!