Einsatz im Nordatlantik

Humphrey Bogart was a full fledged star when he made this film. Other Hollywood stars not in the military at the time including John Wayne and Errol Flynn were winning the war on screen so why not Bogart. "Action In The North Atlantic" was a natural.

Bogie Plays Joe Rossi, a first mate on a Merchant Marine freighter. The ship gets blown out of the sea and rammed by a Nazi Sub. Bogie gets a new ship, the ship gets even, and delivers their cargo to their destination(Russia of all places).

All of the typical war movie stereotypes are there. Raymond Massey in a departure from his many villainous roles of that era was the father figure Captain. The Warner Brothers Stock Company were all there led by Alan Hale, Sam Levine, and Dane Clark( who for the first time in his career used this name given to him by Bogart--previously he acted under his real name Bernard Zanville).

In addition, Ruth Gordon and Julie Bishop are there for the perfunctory wife/girlfriend scenes.

The title says it all. Except for a few scenes on land most of the film takes place on board ship. Lloyd Bacon and Raoul Walsh(uncredited)make the battle scenes realistic with the guidance of Byron Haskin.

The dialogue some of which was written by John Howard Lawson came under some controversy. In the 1950s Lawson was named as one of the Hollywood 10 and was blacklisted. As relations between the US and Russia deteriorated anti communist factions pointed to this film as pro russian.

In truth this is a one of the great WWII dramas. It is a stirring tribute to the unsung heroes of the conflict, the Merchant Marines

"Action in the North Atlantic" a war time tale of 1943 shows great special effects and battle scenes that have a realistic look to them. In fact, the film which turned up on cable recently, was a total surprise. Director Lloyd Bacon showed a flair with this WWII drama about the men that operated the Merchant Marine.

We are taken to the North Atlantic where a group of ships are made to form a convoy, hoping that being so close to each other, they might be protected from attacks. Little prepared the organizers of this idea for the arrival of the infamous German submarines and planes. The action one sees is centered in the Liberty ship that is heading for the old Soviet Union. The heroic account of what the crew of that ship experienced is a tribute to the courageous men that put their lives in peril in order to get their cargo to the different destinations.

Humphrey Bogart, as Lt. Joe Rossi, makes a great appearance. He is totally believable as the man who takes over for his wounded captain and brings the ship to safety. Raymond Massey plays Capt. Jarvis, a man totally dedicated to his profession. Alan Hale, Sam Levene and Dane Clark are seen as part of the brave crew of the Liberty. Ruth Gordon and Julie Bishop are the women left behind.

The film has a great black and white photography by Ted McCord and a haunting musical score by Adolph Deutsch. The battle scenes were staged by Lloyd Bacon with an uncredited assistance from Raoul Walsh and they are amazing for what was accomplished in those days where the technology wasn't so advanced.

Despite plenty of wartime propaganda and the usual amount of clichés and other staples of WWII action melodramas, ACTION IN THE NORTH Atlantic is given a boost by some of the best staged action scenes ever featured in a Warner Bros. movie of that era.

The realism is startling considering that special effects then included no computer engineering. The script is basically the story of U.S. Merchant Marine survivors of a battle determined to sink the ship that ruthlessly cut into their lifeboat. The climax has them getting their revenge on the Germans after a fierce battle that concludes with the Americans and their farewell ceremonies to shipmates killed during battle. Bogart is given some flag-waving lines to read and the film concludes with a commentary using FDR's voice to salute the Merchant Marines and their contribution to the war effort.

Lloyd Bacon directs with a firm, vigorous treatment of all the battle scenes and only occasionally does the film slow down when dealing with the domestic front. Julie Bishop does a nice job as Bogart's girlfriend and later wife, while Raymond Massey shares his domestic homecoming with Ruth Gordon as his wife. But the film's merits are chiefly due to the action sequences, which are by far among the best ever featured in a Bogart film.

Action is what you get here...but don't expect anything deep. Bogart fans won't be disappointed. Dane Clark plays his usual hothead role with gusto and Alan Hale is a welcome addition to the supporting cast.

This comparatively little-known film should have done for the Merchant Sailors of WWII what "The Cruel Sea" did for the image of the Royal Navy. The men who sailed the convoy ships were treated appallingly by the owners of the vessels they crewed, who indeed where quick to institute "retroactive stoppage of pay" clauses upon receiving word of a ship's being lost. They also were subject to verbal --even physical-- abuse by their own countrymen, who routinely mistook them for "Service Shirkers". "Action" is one of the few films that gives them their due.

This film is remarkable on many counts. Not only is the acting rock solid, and the story in itself a fine "sea saga", but the director has managed to avoid many potential pitfalls thrown into in his path by the War (Propaganda?) Department. The obligatory leave-taking scenes are touching, but not maudlin; the even more obligatory "speech-making" is impassioned, but never embarrassingly so. And the Enemy is portrayed as a thoroughly competent if ruthless professional, as dedicated to his own trade as the convoy Sailors are to theirs. (I for one did not find the lack of English "subtitles" a problem --I could pretty well figure out what the U-Boat skipper and his crew were up to.)

To repeat my opening comments,-- this film, though not as well-circulated as "The Cruel Sea", certainly should rank as its equal.

These were battles that saw merchant ships attacked, across the seas like fish in barrels they were tracked, a hidden foe that fought with stealth, their aim to sink the allies wealth, deploying tactics that were tough to counteract. In convoys odds of sinking were reduced, but on occasion isolation was induced, like a lamb that leaves the flock, you were open to be shot, but wise thinking often generates a boost. At its heart there is a little propaganda, encouraging those free to join and clamber, to ride the waves of victory, sailing logistics over sea, there was no reason to abstain, as a bystander.