Geheimbund 'Schwarze Legion'

"Black Legion" was a very unusual role for Humphrey Bogart, but I think he got it because he was not yet an established star and Warner Brothers put him in many different sorts of parts. So, if you are looking for the tough and assertive sort of Bogart, this is NOT the film for you! No, Bogie plays a despicable sort of jerk--and a cowardly one at that.

The film begins at a machine shop. It seems that someone is going to be promoted to foreman and Bogart is sure it will be him. However, a Polish-American worker gets the job instead. While this man DID deserve it, Bogie is sullen and angry--and soon jumps at an opportunity to join a local hate club. The Black Legion is sort of like the KKK with its trappings but is more anti-foreigner in focus. So, to get back at the foreman, Bogart sicks his new 'friends' on them and he soon gets the job promotion. Where does all this new power lead him? See this powerful film and find out for yourself.

While I wish the film had taken a stronger and clearer stand against the Klan, it is a very powerful film for 1937, as many folks would have supported groups like the Legion. Groups like the American Bund and the popularity of antisemitic celebrities like Charles Lindburgh and Henry Ford (who wrote books espousing hatred of Jews, foreigners and the like) during this time could not be denied. In other words, this film might have alienated many potential viewers and the studio chose to take a deliberate stand for what is right. And, it's a strong film with a very good performance by Bogart in a VERY different sort of role. Well worth seeing--and probably a bit stronger in its message than the studio's "Storm Warning"--another anti-hate group film that was made a dozen years later.

1937's "Black Legion" tells a story of a man's involvement with what amounts to the Klan without coming out and calling it that. Humphrey Bogart stars as Frank Taylor, a working man who loses a bid to become foreman when a foreign-born man gets the job instead. The Legion is right up Taylor's alley, reinforcing his belief that his woes are all the fault of the foreign-born. He gradually gets more immune to the violence as he gets in deeper and deeper with the Black Legion. It really is a very good vehicle for Bogart's acting talent as his morality gradually unwinds. The sermon at the end seems a little tacked on, much like a similar scene in 1933's "Wild Boys of the Road", but it doesn't detract too much from the overall film.

Humphrey Bogart is first-rate in this thinly disguised story of the Ku Klux Klan and how it plays on the fears and prejudices of the poor and uneducated (and how it's run by the well-to-do and educated, a point often missed by reviewers). Bogart plays a factory worker who was expecting a promotion, only to see it go to a "foreigner" (in this case, a Pole--and, by implication, a Jew, which is where the Klan gets involved). Angry, resentful and worried about his future, Bogart gets caught up in a racist, Klan-like group called the Black Legion, which, in the manner of all fundamentalist right-wing terrorist groups, proclaims its patriotism and its "defense of God and country" against "dirty foreigners." The interesting thing about this film is that it really doesn't blame Bogart's character for what eventually happens; he's just a pawn in the political agenda of the right-wing business and political interests who actually control the group. Warner Bros. was known for its muckraking films, and this is one of its better ones. It took guts for Warners to make this type of picture during this particular period in American history; there was a strong resurgence of Ku Klux Klan activity all over the country--there was even a Klan parade, with thousands of hooded marchers, that passed directly in front of the White House in Washington, DC--and lynchings and racial murders were skyrocketing, especially in the South. While maybe not as strong as some would have liked, the picture still radiates the Warner Bros. passion for the underdog, and they did a good job here. Strong performances by the principals, tight direction by Archie Mayo and the usual Warner Bros. grit make for a first-rate film. Highly recommended.

A frustrated Humphrey Bogart joins the "Black Legion," a 1937 film directed by Archie Mayo. The film also stars Dick Foran and Ann Sheridan.

Bogart plays Frank Taylor, a husband and father who expects to get a promotion at the auto plant where he works. It goes instead to a young, hard-working man named Dombrowski. When Frank doesn't get the job, he's furious. That night on the radio he hears the head of the Black Legion railing against foreigners taking American jobs, and he decides to join them.

The Black Legion, of course, is the Ku Klux Klan, with the sheets and the whole deal. Their methods are brutal - fires, flogging, beatings, etc.

It appears all you needed was a foreign last name to qualify as a victim of this group. Back in the '20s and '30s, Italians, Irish, and other immigrant groups could only get menial jobs like sweeping floors, the prejudice against them was so great.

It was quite a forward step to make a film about this back in 1937, and it's a good one. Bogart at the time was about 37, and we're so used to seeing him older that he looks like a baby here. He's terrific as a loving father and husband who becomes a new, violent person under the influence of the Legion. He loses more than he gains. It's a great example of how easily people can find a scapegoat for their troubles.

Ann Sheridan has a supporting role -- she's very young but recognizable from her voice! Good movie.

Very unusual movie for Humphrey Bogart, made a few years before he would become a headline star for WB. He plays a machine shop worker who takes for granted that he will become his shop's new foreman because of his seniority. But when they give it to an educated young Polish-American instead, Bogie becomes resentful and angry. This leads him to joining up with a hate group known as the Black Legion, which is basically the KKK. The Black Legion has a pledge that has to be heard to be believed, so make sure you pay attention to it.

Strong performance from Bogie, as well as a great supporting cast that includes Ann Sheridan, Dick Foran, Joe Sawyer, John Litel, Samuel S. Hinds, and more. A lot of people seem to pick on the movie for not being strong enough in its message, despite the fact that they can't point to any other movies from the period that were even brave enough to try this much. They did what they could do. It's a powerful movie, even if it seems watered down by today's standards. But today we aren't exactly living in the age of subtlety, are we?