Ein Zirkusbesitzer entführt Boy; Tarzan und Jane folgen ihm nach New York, wo sie vor Gericht um das Sorgerecht für Boy kämpfen müssen. Tarzan landet hinter Gittern, entkommt und löst den Ko... Alles lesenEin Zirkusbesitzer entführt Boy; Tarzan und Jane folgen ihm nach New York, wo sie vor Gericht um das Sorgerecht für Boy kämpfen müssen. Tarzan landet hinter Gittern, entkommt und löst den Konflikt mit Hilfe der Zirkuselefanten.Ein Zirkusbesitzer entführt Boy; Tarzan und Jane folgen ihm nach New York, wo sie vor Gericht um das Sorgerecht für Boy kämpfen müssen. Tarzan landet hinter Gittern, entkommt und löst den Konflikt mit Hilfe der Zirkuselefanten.
- Auszeichnungen
- 1 Nominierung insgesamt
- Boy
- (as John Sheffield)
- Portmaster
- (Gelöschte Szenen)
- First Police Sergeant
- (Nicht genannt)
- Messenger with Cablegram
- (Nicht genannt)
- Hotel Desk Clerk
- (Nicht genannt)
- Bailiff
- (Nicht genannt)
- Second Police Sergeant
- (Nicht genannt)
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Rand's opportunity comes when a tribe of savage natives attack the group, and both Tarzan (Johnny Weissmuller) and Jane (Maureen O'Sullivan) are seemingly burnt alive as they try to swing to the rescue: with Boy's parents dead, he is free to abduct Boy. However, thanks to the quick thinking of their faithful chimp Cheetah, Tarzan and Jane prove to be still very much alive, and together they travel to the 'Big Apple' to try and find their son.
After the formulaic Tarzan's Secret Treasure, it's great to see the legendary ape-man finally get a change of scenery. Tarzan, a fish out of water in the city, takes a while to adjust to his new surroundings and much fun is to be had from his unfamiliarity with modern technology and his coming to terms with NY etiquette; but, after he and his wife fail to convince the authorities to return Boy in court, Tarzan soon forgets all about doing things the civilised way, and switches back to jungle-mode in order to settle matters.
This involves an exciting rooftop chase (the 1940s equivalent of freerunning/Parkour), a daring climb up the Brooklyn bridge, a high dive into the river, and a finale that features—surprise, surprise—an elephant stampede. It might not be the greatest of all Tarzan's adventures, but seeing the lord of the jungle stepping out on the town is still a lot of fun.
By the time Tarzan's New York Adventure came to be made, Weissmuller had made the loin cloth his own and something new had to be done. As sacrilegious as it sounds, it was the taking of Tarzan out of his own environment that made this the best in his long list of jungle capers.
The plot is unimportant. Tarzan's son is taken away to New York and he travels there, accompanied by Jane, to bring him back. But it's the way that the whole premise is handled that ensures that this film will remain in the memory (it's remained in mine ever since I saw it, aged 7). You know Tarzan will win but you don't expect the way that he does it.
Weissmuller was a fine actor with little to say. And here, he doesn't need to say much. There's action, drama, and humour - everything one needs. Even the effects (apart from an occasional speeded up film shot) are sufficiently effective.
Saved by "Cheeta" the Chimp, Mr. Weissmuller goes on a New York adventure to find Sheffield and bring him home...
After twenty exciting minutes in the jungle, we switch to seeing the Tarzan family in civilization. Actually, it's "Cheeta" who takes up most of the action, which turns out to be a good idea as the chimp handles the humorous situations better than Weissmuller. However, "Tarzan" does swing into action for an stupendous conclusion. "Tarzan's New York Adventure" was the most entertaining entry since the series began. Some of the editing, visuals and effects are worthy of an award nomination. Alas, this ended the comfortably budgeted MGM film, and Ms. O'Sullivan left. The RKO era would be next...
******* Tarzan's New York Adventure (5/42) Richard Thorpe ~ Johnny Weissmuller, Maureen O'Sullivan, Johnny Sheffield, Paul Kelly
Even the first twenty-two minutes of jungle scenes are briskly paced and amusing while JOHNNY WEISMULLER, MAUREEN O'SULLIVAN and JOHNNY SHEFFIELD encounter downed pilot PAUL KELLY and hunter CHARLES BICKFORD after their plane crashes. The plot is the usual simple one--Boy has been taken from the jungle and taken to New York City by circus exploiters--and Tarzan's mission is to recover him in time for a happy ending.
No expense has been spared in this big budget production from MGM. Although Cheetah gets lots of prime time, especially during the first half of the film, the supporting cast includes a lot of recognizable players such as Virginia Grey, Chill Wills, Charles Lane and villainous Cy Kendall. In this sixth film of the series (the last one featuring Maureen O'Sullivan as Jane), there's lots of monkey business involving tricks and stunts by a team of smart elephants worthy of any circus revue.
And thanks to director Richard Thorpe, the script plunges ahead easily to become one of the most entertaining in all the Tarzan films featuring Johnny Weismuller. At the fadeout, all is well in the jungle again after some amusing adventures in the Big City--including Tarzan's plunge from the Brooklyn Bridge.
Highly recommended for fans of the series.
Wusstest du schon
- WissenswertesPopular mythology claims that Johnny Weissmuller did his own high-dive stunt in Tarzans Abenteuer in New York (1942). In the film, an escaping Tarzan jumps 200 feet (61 m) from the top of the Brooklyn Bridge, but according to ERBzine and research on Edgar Rice Burroughs, the shot was filmed by cameraman Jack Smith on top of the MGM scenic tower on lot 3, using a dummy plunging into a tank of water.
- PatzerCheetah is shown drinking from three of four bottles in Jane's suitcase and then throwing each of those three bottles away. But after the alcohol bottle is discarded, a medium view of the suitcase reveals all four bottles still in their carrier in the suitcase.
- Zitate
Sam, the Nightclub Janitor: [at the Club Moonbeam, answering the phone] Hello. Hello.
Cheetah the Chimp: [at the Gloucester Hotel, talking into telephone] Ooh, ooh, ooh, ooh. Oooooooh. Ooh.
Sam, the Nightclub Janitor: [shocked] What's that? This is Sam. Who is this?
Cheetah the Chimp: Woo, woo, woo. Woooooooo.
Sam, the Nightclub Janitor: [irritated] What's that? I said, this is Sam. That's what I said.
Cheetah the Chimp: Agh, agh, agh.
Sam, the Nightclub Janitor: What'd you say?
Cheetah the Chimp: Agh-agh.
Sam, the Nightclub Janitor: [upset] You ain't gettin' fresh with me, is you, colored boy?
Cheetah the Chimp: Agh. Ah, ah, ah, ah, ah, ah.
Sam, the Nightclub Janitor: Don't you give me none of that double-talk! Do you hear me?
Cheetah the Chimp: Woooo-oooooooo.
Sam, the Nightclub Janitor: [mad] Why, you... you. You mush-mouth!
[hangs up the phone]
Cheetah the Chimp: Ha, ha, ha, ha, ha, ha, ha. Ha, ha, ha, ha, ha, ha, haaa.
Jane: [sees Cheetah on the phone, rushes over to the chimp] Now what? Cheetah, Cheetah, what are you doing? Now, you give me that telephone right away. Yes. Don't you dare touch that anymore. The idea.
- Crazy CreditsPROLOGUE: "Beyond the last outpost of civilization, a mighty escarpment towers toward the skies of Africa---Uncharted on maps---A strange world---A place of mystery."
- VerbindungenEdited into Brooklyn Bridge (1981)
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 3.060.720 $
- Weltweiter Bruttoertrag
- 5.927.420 $
- Laufzeit
- 1 Std. 11 Min.(71 min)
- Seitenverhältnis
- 1.37 : 1