Tarzan und das blaue Tal

Edgar Rice Burroughs' Ape Man creation had already seen some rocky cinematic days by the time "Tarzan's Magic Fountain" was released in 1949. Still, this inoffensive adventure will most likely placate fans of the series, particularly with Lex Barker making his debut in the leading role. Story has Tarzan discovering a mystical valley where no one grows old, a scenario which appears to perplex Brenda Joyce's Jane (who seems catatonic) and two funny, neurotic chimps (one paces, the other bites her nails). Handsomely-produced entry with some amusing asides. Barker is a bit bland and slow to start, but Tarzan-addicts might want to cut him some slack: this was quite a daunting part to fill. ** from ****

Sol Lesser, producer of the TARZAN film series for RKO, missed a golden opportunity when he cast Lex Barker to replace aging Johnny Weissmuller as the jungle lord. At 30, the 6'4" Barker's background ideally prepared him to play author Edgar Rice Burroughs' orphaned English lord; a direct descendant of Rhode Island founder Roger Williams, Barker's family was wealthy and 'Old Guard', and he was a star athlete with an Ivy League education from Princeton. A love of hellraising and sense of adventure had led the young man to choose acting as a career, a move that effectively cut his ties to his family.

With Barker's background, it would have seemed natural for Lesser to abandon the clichéd 'Me, Tarzan' portrayal of the previous 17 years, and return Tarzan to the character as written by Burroughs, that of a worldly adventurer as comfortable in a tuxedo as a loincloth, whose unique jungle instincts made him the perfect choice for exciting adventures around the world. But the veteran producer, afraid to tinker with a proven money maker, chose to simply have Barker imitate Weissmuller, speaking broken English, and still living in the treehouse condo with Jane (Brenda Joyce, making her last appearance in the role) and Cheeta.

TARZAN'S MAGIC FOUNTAIN has an intriguing opening; a long-missing 'Amelia Earhart'-type aviatrix (Evelyn Ankers) comes out of the jungle, looking years younger than her actual age, to save her wrongly convicted husband (future 'Batman' star Alan Napier). While Tarzan knows the secret of her youth, he refuses to share the knowledge with Jane (who is a bit peeved!). Soon the couple return, and the woman flier has aged, considerably (Civilization will DO that...). Tarzan refuses to return the couple and their party to where she had achieved her 'youth', so Jane decides to take them herself, based on what the flier remembered of the journey, and the bits and pieces she'd learned from Tarzan.

The group reach a forbidden city, and a fountain that IS the 'Fountain of Youth'...and face the ire of the 'lost civilization' living there, who had trusted Tarzan to keep their location secret. Naturally, the other members of the couple's group turn out to be money-hungry evil men, who reveal their true intentions with bloodshed...and it's Tarzan to the rescue!

One can see why Lesser wouldn't have wanted Weissmuller for this film (critics would have been quick to suggest HE drink some of the elixir, pronto!), and despite the excellent cast (including veteran actors Albert Dekker and Charles Drake), the end result is no more than a standard 'B' movie, despite the publicity build-up given to Barker's assuming the role. The best moment of the film, in fact, goes to Cheeta, who guzzles Jane's hidden stash of the magic water, and reverts back to a baby chimp!

Lex Barker got favorable reviews, in general, for his sexy, confident portrayal of the Ape Man, and he would appear in four more of the jungle epics, over the next four years.

For those fans hoping for a Burroughs-inspired Tarzan in 1949, however, there would be ten more years of frustration, before he would finally emerge...

First Tarzan film with Lex Barker in the title role, "Tarzan's Magic Fountain" is a welcome improvement after Johnny Weissmuller's last entry, the dull "Tarzan and the Mermaids", whose only saving grace was the location shooting in México, with its attractive monuments and landscapes. When he moved the franchise to RKO Radio, producer Sol Lesser was much helped with the addition of Barker, a handsome, tall and dignified Lord Greystoke; simple and attractive art direction and inexpensive but effective visual effects. Although the story is lineal and easy, lacking strong emotional or action peaks, it is still fun to watch, due to its fantasy elements: a British woman pilot who disappeared in an African jungle (not to far from Tarzan's home), reappears 20 years later looking as young as when her small plane crashed, thanks to the magic fountain of Blue Valley. Soon greedy men want to get there and start a business bottling the fountain water. (In the story, the product target is women, but in these days it would be also a success among men). The plot is more romantic than this but it's up to you to discover the whole story. And Cheetah is funnier than ever!

Tarzan learns that a female aviator who crashed in the jungle a couple of decades ago may hold the key to helping a man wrongly accused of a crime. Not only does Tarzan know the woman, he knows where to find her. Everyone is shocked when the woman returns looking as young as she did the day she crash landed. But what's her secret to seemingly eternal youth? And to what lengths will some people go to get that secret?

After watching Johnny Weissmuller labor through his last Tarzan outing, Lex Barker was certainly a welcome sight. For his first Tarzan adventure, RKO gave Barker quite a bit to work with in Tarzan's Magic Fountain. Even though everything is obviously stage-bound, the jungle and mountain sets are far better than I expected given RKO's most recent history with the Tarzan series. There are a couple of especially nice matte paintings that add to the film's look. The movie includes moments of danger (rainwater suddenly and violently filling the gorge where Jane and Co find themselves trapped) and violence (a burning arrow to the chest) that add to the atmosphere and tension. Nicely done! The supporting cast is solid with Evelyn Ankers and Alan Napier providing notable performances. Finally, I wasn't a bit surprised to learn that Curt Siodmak was, at least partially, responsible for the screenplay. It's just more interesting than a lot of the previous Tarzan films.

A few other quick things I noted while watching Tarzan's Magic Fountain:

1. Yet another all white tribe in the middle of Africa. The only black Africans I can remember are a couple of kids who keep Cheeta entertained for a few moments with bubble gum.

2. What was up with those crazy leopard-print headbands worn by the Blue Valley guards? They looked ridiculous.

3. When Cheeta drinks from the magic fountain, why does she turns into a small monkey and not a baby chimpanzee?

6/10

TARZAN'S MAGIC FOUNTAIN (RKO Radio, 1949), directed by Lee Sholem, introduces Lex Barker to the role of Tarzan, and marks the fifth and final performance of blonde actress Brenda Joyce as Jane. With Lex Barker as a new Tarzan after 16 years and 12 installments starring Johnny Weissmuller at both MGM and RKO studios, this must have been a hard act to follow, especially for Barker, since comparisons are evident. With Barker being younger and slimmer to the slightly taller but recently heavier and somewhat older Weissmuller's carnation as the lord of the jungle, his debut into the series is one of the better entries.

For TARZAN'S MAGIC FOUNTAIN, Tarzan (Lex Barker) discovers a woman named Gloria James (Evelyn Ankers) and takes her over to his tree house where his mate, Jane (Brenda Joyce), remembers her as the famous aviatrix whose airplane had disappeared into the jungle some twenty years ago. What has surprised Jane is how Gloria has remained looking so young for a woman her age. It is learned that Gloria had been found and living in the secret valley of eternal youth. Things go well until Donald Trask (Albert Dekker) and Mr. Dodd (Charles Drake), a couple of unscrupulous hunters, enter the scene, invading Tarzan's territory and causing trouble when they learn of and wanting to be taken to the lost valley of eternal youth.

Supporting players include Alan Napier as Douglas Jessup, Gloria's former beau; Ted Hecht as Pasco; Henry Brandon as Siko; and David Bond as The High One, among others.

What makes TARZAN'S MAGIC FOUNTAIN interesting is the concept borrowed from James Hilton's novel, "Lost Horizon." Evelyn Ankers, best known for her co-starring roles in numerous horror films for Universal in the 1940s, the best known being THE WOLF MAN (1941), assumes the part of a woman suggested on an actual lost aviatrix, Amelia Earhart (who had disappeared in 1937, never to be seen or heard from again), is quite satisfactory as the middle-aged woman who hasn't aged a day in two decades. Only after she has departed the land of eternal youth does she begin to slowly age, as the Maria character from "Lost Horizon," however, not as extreme. It's not so bad in borrowing from a classic novel to provide new developments to the long running "Tarzan" series, however, it seems a pity that the writers didn't rise above the juvenile standards and predictable screenplay the starts off so well then simmers down midway to what might have been the first superior Tarzan adventure in nearly a decade. While it includes Tarzan getting into the swing of things by traveling from tree to tree on the vine (seen through the opening title credits), giving out his ape call, there's also the traditional Tarzan defeats including his battle with a nasty torch carrying villain (Henry Kulky) for beating an animal and a man below his standards, and on the lighter side, Tarzan's pet chimpanzee Cheta providing the usual comedy relief.

As with the cinematic "James Bond" character a decade into the future, the "Tarzan" series would resume with different actors playing the part, and while many claim Sean Connery to be the best "James Bond," and Weissmuller the best "Tarzan," these two fictional creations have become the most recognizable characters of all time. While Weissmuller's departure as Tarzan might have put an end to the series altogether, Tarzan's box-office appeal was still successful, successful enough to keep it going as long as possible. Whether Lex Barker could be categorized as one of the better or least successful Tarzans is a matter of opinion. The duration of the series in which he appeared might have suffered not only for its lack of originality, but the non-consistency of stories and different actresses portraying Jane. Brenda Joyce bowed out of the series and movie making altogether following the release of TARZAN'S MAGIC FOUNTAIN, going on record in the Tarzan log books as the only Jane to appear opposite two different Tarzans, Weissmuller and Barker. There would be other Janes, but the redheaded Maureen O'Sullivan remains most recognized, playing her six times to Brenda Joyce's five. After four more future installments, Lex Barker would hang up his loincloth, leading the way other actors to keep Edgar Rice Burrough's Tarzan alive.

While TARZAN'S MAGIC FOUNTAIN was never distributed on video cassette, (DVD distribution came around 2009), it became one of the series of Tarzan adventures in its lineup from the 1930s to the late 1960s to be presented on American Movie Classics cable channel (1997-2000) and Turner Classic Movies (TCM premiere: July 2, 2011). As former AMC host Bob Dorian had pointed out in one of his profiles about this movie, production began as "Tarzan and the Arrow of Death," and the movie's very first Tarzan, Elmo Lincoln, first introduced on screen in 1918, appears briefly as a fisherman. Interesting bits of Tarzan trivia.(**) Next installment: TARZAN AND THE SLAVE GIRL (RKO, 1950).