Geliebte Spionin

My Favorite Blonde is not just one of Hope's very best films, but an excellent introduction for new fans. Hope's usual roles were as a vaudevillian or radio comedian who finds himself having to reluctantly participate in some dangerous intrigue which is way over his head, and this movie shows the formula at its cleanest and most smoothly executed. Madeleine Carroll plays a British agent delivering a coded message who has run afoul of Nazis operating in the U.S., and Hope, a ne'er do well road company performer who does an act with a penguin, meets her on a train and bravely (well, sort of bravely) pitches in to keep her safe. The cloak and dagger nonsense on the train is a deft nod to Carroll's star-making turn in The 39 Steps, and this movie has much of that earlier film's energy. Carroll and Hope banter amusingly as they are chased across half of the U.S. The bright dialogue is the film's best feature and Hope's reluctant hero persona, introduced in The Cat and The Canary and Ghost Breakers, is a fully polished comic gem at the the film's center. The look of the film is very 'film noir' with looming shadows and danger on staircases and other now-familiar devices, but it still comes off as fresh entertainment even now. This one movie alone was enough to convince me that Hope is one of the great comic actors in all of movie history and this is an excellent showcase of what he could do. Also a must see for fans of the deliciously sinister Gale Sondergaard, here at something near her best.

My Favorite Blonde has in the title role Madeleine Carroll a most beautiful blond player, who is a British secret agent trying to get some microfilm about air routes for American planes to go to Great Britain as part of lend lease. But just as her boat is docking in New York, some nasty Nazi spies shoot her male companion.

The microfilm is hidden in a pin that she's wearing and with the Nazis hot on her trail. she ducks into a vaudeville house which has Bob Hope and a roller skating penguin on the bill. I'm sure back in the day Hope played in vaudeville with many type acts like these. Vaudeville was moribund in those days and Hope wasn't helping to revive it.

In fact he's got to get to Hollywood because some movie company wants to star the penguin in a film. That fits in real nice with Carroll's plans and as it usually goes, the bumbling Mr. Hope is in the clutches of a beautiful who actually falls for old ski nose as he tries to help her when she levels with him.

My Favorite Blonde is a fast paced 78 minute film, one of the shortest of Hope's feature films. Carroll looks like she's enjoying spoofing a part she did in Alfred Hitchcock's 39 Steps across the pond. Of course she's the one dragooned into help.

But it's Hope's show all the way. My favorite two sequences is both trying to sleep and feed the penguin in an upper on a train and when Hope and Carroll are at an Irish picnic in Chicago. James Burke and Edward Gargan are very funny as a pair of thick headed Irish teamsters.

Though My Favorite Blonde is terribly dated with the World War II background the laughs still hold up very well.

A good spy thriller: British agent Madeleine Carroll attempts to transport a scorpion-shaped brooch that conceals microfilm holding key military information. She is chased by Nazi spies led by George Zucco and Gale Sondergaard. Two agents are killed in the first ten minutes.

Cut to Bob Hope—or rather, his penguin. Hope and penguin are Haines and Percy, a sort of vaudeville act. The penguin has just gotten the call from Hollywood; Hope would like to think that he is the real star. Paths cross when Carroll, hoping to shake the Nazis from her trail, ducks into Hope's dressing room. And the fun begins.

Needing cover and hoping to conceal her true identity, Madeleine feigns romantic interest in Bob, and plays it up good. He is surprised and mystified by her attention—and soon by attention from Zucco and gang, who want the scorpion and know he is somehow involved. The scene where spies surround and stare him down on the train's club car is classic Hope, as his nervousness starts slowly but gradually bubbles over.

The scenes between Hope and Carroll are even better…she plays it fairly straight and he plays it goofy and the interplay just works like a charm. One especially funny scene in the train compartment: having pressed up close to him with a kiss and retrieved the brooch from his lapel, she stands up and moves away; not having a clue, Hope grabs her and tries to kiss her again—and she slaps him indignantly. "Take your hands off me!" she snaps. Poor Bob.

The dialog is bright and funny throughout, with Hope naturally getting the best lines, including some vintage Hope gems: "I've given up kissing strange women." "What made you stop?" "Strange women."

Zucco and Sondergaard have only small roles, but they sure can play the baddies. Talk about sinister!

However, Bob and Madeleine are pretty much the whole show here. The relationship between the two leads develops nicely—we have a pretty good idea how it's going to turn out, but it grows at a careful pace, not too fast or too slow or too sudden.

Top notch and full of great laughs.

I can't believe no one has reviewed this film until now. The teaming of Bob Hope and Madeleine Carroll in "My Favorite Blonde" is comic heaven. Madeleine Carroll shows a flair for comedy she was rarely allowed to display in her films.

"My Favorite Blonde" is funny, fast, and sharp in the banter between Hope and Carroll. Check out the scene where they get out of what appears to be certain capture: the most hilarious scene in the film. A fine supporting cast of Paramount contractees make this one of Bob Hope's best constructed comedies. It's plotting and editing make this even more of a road picture than the "Road" pictures, a precursor to "Romancing The Stone".

"My Favorite Blonde" seamlessly shows the mixing of '30's romantic comedy with World War II plots, something that would soon become obsolete as the war dragged on. Catch it whenever you can!

Carroll is a British secret agent on the run from German spies. She's carrying valuable information that must reach Los Angeles. She lands in New York and eludes her pursuers by dashing into Hope's dressing room while he's on stage doing a bad act with a penguin. The thin plot has Hope and Carroll traveling across country with the bad guys always on their tail. So far, just formula. But Hope is excellent here, much better than in the Road pictures. He's less self-conscious here -- no talking to the camera, no in-jokes between him and Crosby, no leering at Lamour. Woody Allen once said that his film persona was to a large extent modeled after Bob Hope's character and nowhere is this more evident than here. As you watch the movie, try to imagine Woody playing Hope's role. You can easily visualize Woody doing the lines as Woody and it's not much different from Hope (though Hope's character isn't a New York neurotic). Definitely worth watching.