Spione, Liebe und die Feuerwehr

1951's "My Favorite Spy" stars Bob Hope, Hedy Lamarr, Francis L. Sulllivan and Mike Mazurki. Hope plays Peanuts White, a burlesque comedian, who bears a strong resemblance to a spy, Eric Augustine. When Augustine is injured, the government gets Peanuts to go in his place to Tangier with $1 million to collect some microfilm. Peanuts, like Hope's other characters, is a bona fide coward, but he goes after Harry Truman talks with him on the phone. ("Oh, she's out on tour?" Hope asks, referring to Truman's daughter Margaret, who at that time was pursuing a singing career.) When Peanuts arrives in Tangier, he meets the woman with whom Eric was previously involved, the beautiful nightclub singer Lily Dalbray. She's under orders from the other side to get the microfilm, so she acts as if she's ready to resume things with Eric. Unfortunately, the real Eric escapes from the hospital and makes his way to Tangier, causing the situation to become even more confusing as everyone chases everyone else.

Hope is very funny in this and does indeed create a second role in Eric Augustine, who has a much darker persona than Peanuts. There are some great laughs, my favorite scene being Hedy and Peanuts dancing in the hotel while his contact tries to get his attention. The part where Lamarr drives a fire engine while Hope hangs onto the ladder is funny as well.

Hedy Lamarr was 36 or so at the time of the filming and looks glorious, particularly in the form-fitting white sequined gown she wears during her nightclub act. It's so unfortunate that in Hollywood, once a woman turned 30, lead roles became so difficult to get. Lamarr was one of the most beautiful and glamorous women in film - at any age. She's basically straight man to Hope here and holds her own in what is a Dorothy Lamour part, right down to the nightclub act. She contributes to the foreign flavor of the film.

This isn't Hope's best film, but it's still very good with some great bits and laughs.

Haven't movie fans wondered how Bob Hope has managed to have so many glamorous leading ladies fall for the schnooky characters he played in his career? It's a source of amazement and amusement too. But I've always thought that was part of the secret of Hope's appeal, that if he could get the glamor girl, anyone could.

They don't get much more glamorous than Hedy Lamarr who was in the midst of a mini-comeback because of Samson and Delilah. Unfortunately the roles she got post DeMille didn't sustain her career.

When one works on a Bob Hope film as a leading lady you will definitely be second banana. Hedy Lamarr was not second banana material and that was a source of some friction between her and Hope. But being second banana was something she should have known walking in.

In My Favorite Spy, Hope was spoofing all those espionage/adventure films set in various exotic places like Casablanca. He gets to play a dual role here. First as Eric Augustine, Bogart like adventurer, and secondly as Peanuts White burlesque comic who is a dead ringer the U.S. government drafts into getting some secret microfilm before Sidney Greenstreet stand-in Francis L. Sullivan does. Of course Hope has a Peter Lorre type factotum in Arnold Moss.

Though uneven in spots, mainly because Hope doesn't have the chemistry between him and Lamarr the way he did with Jane Russell or Madeleine Carroll, or Dorothy Lamour, My Favorite Spy does have some good moments. My favorite moment is when the truth serum is administered to Peanuts White and he starts doing his burlesque shtick for Sullivan.

It's not the best of Hope's Paramount films, but it does have some good moments.

And besides only Bing Crosby could ever really expect to not be a second banana.

HEDY LAMARR may have been one of BOB HOPE's most glamorous co-stars, but she lacks the sort of comic timing needed for any female who plays opposite the hyper-active Hope. She never loses her poise no matter how ridiculous the situations are, but she never looks at home in this kind of spy story that even has her doing a nightclub act--singing the kind of sultry song that Dorothy Lamour could always put over. It's in the nightclub scene that she looks most uncomfortable as a performer, obviously dubbed by a real singer.

The story itself is the kind of mistaken identity thing that either Hope or Danny Kaye had done many times before and there's nothing new in the way of original material. It's a pleasant enough spoof of spy stories about a cowardly impostor (Hope) assigned by the government to obtain a top secret microfilm from spies in Tangier. Hope is his usual cowardly self and has to be prodded by the contact man (ARNOLD MOSS) to carry out the assignment, which he is more than willing to do once he meets the alluring Lamarr.

This was part of Hedy's deal with Paramount to give them another film after SAMSON AND DELILAH--and there's even a bit of Victor Young's "Samson and Delilah" theme played by the orchestra in the nightclub scene. Hope, who has all the best lines, plays the impostor with his usual comic finesse and gets away with varying amounts of mugging whenever the script isn't funny enough. Hedy tries valiantly to keep up with him, but she's just a little too restrained to make her efforts seem casual and effortless--as they should.

The screwball slapstick for the finale keeps things rushing along toward the predictable conclusion, but it's the sort of average entertainment that pleased Hope's fans who enjoyed his comic energy in this sort of espionage romp from time to time.

Most of Bob Hope's movies from the 1940s and 1950s are okay to good. The style of humor is dated, especially that with Bing Crosby in the Road shows. Also, Hope's technique of speaking to the camera just didn't carry much comedy. But, "My Favorite Spy" has none of that. It still has some of his corny one-liners, but it also has some very good zingers.

The final half hour with some very crazy antics helps raise this film considerably. Hope plays Peanuts White and Eric Augustine – two look- alikes. One's a corny comic and the other is a ruthless international espionage free agent. The place of his frequent female opposite, Dorothy Lamour, is taken in this film by Hedy Lamarr as Lily Dalbray.

This is one comedy in which Bob gets the girl. It's nice fun, with lots of action and mayhem. Some of the other cast members who shine are Francis L. Sullivan and Karl Brubaker, Mike Mazurki as Monkara and Marc Lawrence as Ben Ali.

Here are some of my favorite lines from the movie. All are by Hope unless otherwise noted. "Remember you guys. Your salaries are paid by the taxpayers, and I may be one someday."

"I can just see it now – the unknown civilian."

"No, never mind. No memories. Tonight will make memories for tomorrow. Let's hope that tomorrow we can remember them."

"I don't remember what I said. But if you liked it, I meant every word of it."

"Ach du lieber! Augustine!"

Augustine (Hope) is sitting at a table, pulling the petals off a corsage, looking for a message. A woman sitting at his table asks, "What are you doing?" Augustine, "Oh, this? I was just helping the native farmers. I'm looking for Japanese beetles."

This movie, while far from Hope's best, has Bob in a duel role as Peanuts White and Eric Augusine, the latter being a notorious spy.

What is unique is that the character of Augustine is shown as a humorlous brutal killer, and for a few brief scenes we see a serious side of Bob Hope that to my knowledge has never been shown since in any effort.

The closest to it in terms of range would be Beau James which he did some years later.