IMDb-BEWERTUNG
7,0/10
4045
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuTwo vaudeville performers fall in love, but find their relationship tested by the arrival of WWI.Two vaudeville performers fall in love, but find their relationship tested by the arrival of WWI.Two vaudeville performers fall in love, but find their relationship tested by the arrival of WWI.
- Für 1 Oscar nominiert
- 4 Gewinne & 1 Nominierung insgesamt
Mártha Eggerth
- Eve Minard
- (as Marta Eggerth)
Stephen McNally
- Mr. Waring
- (as Horace McNally)
Ernie Alexander
- Theater Workman with Big Die
- (Nicht genannt)
Hooper Atchley
- Assistant Stage Manager
- (Nicht genannt)
Walter Baldwin
- Bill
- (Nicht genannt)
Gurney Bell
- Member - Sportsmen Quartet
- (Nicht genannt)
John Breen
- Soldier
- (Nicht genannt)
Ken Darby
- Member - The King's Men
- (Nicht genannt)
George Davis
- France Taxi Driver
- (Nicht genannt)
Bill Days
- Member - Sportsmen Quartet
- (Nicht genannt)
John Dilson
- Lou
- (Nicht genannt)
Jon Dodson
- Member - The King's Men
- (Nicht genannt)
Lester Dorr
- Stage Manager
- (Nicht genannt)
Ruth Dwyer
- Nurse
- (Nicht genannt)
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In 1943 Gene Kelly made "For Me And My Gal". It was a film starring that rising star of MGM Judy Garland, set in the years from 1915 - 1919. Garland wanted Kelly to appear in this film as her lover, Harry Palmer. It was an unusual film debut for Kelly, now recalled for his masterful dancing in musicals like "Singing In The Rain" and "An American In Paris". Instead, although it was a musical (using many tunes of the Tin Pan Alley period, it really was a character study. It looked at Kelly's opportunistic anti-hero, who does love Garland, but who is career centered to the point that he injures himself (he thinks it will be a slight injury) to avoid the draft.
It is a passably good film, due to the chemistry of the leads and such supporting film actors as Keenan Wynn (as Kelly's long suffering agent, who gets to tell him off), and George Murphy (as the would-be lover of Garland, who can't get her attention away from the unworthy Kelly).
The interest I have in the film is why Garland chose Kelly for this part. She apparently insisted that he be used for this film. The reason is that his biggest Broadway success was the 1941 show "Pal Joey", where he played the first anti-hero in Broadway history. Joey is a user of women, who wants to own a fancy nightclub in Chicago. He never rises above the sleazy dive he acts as M.C. at. He could be Harry Palmer's distant, slightly cousin. Garland would have seen Kelly play a role of a heel where he sang a golden flow of Rogers and Hart melodies, and do some good hoofing as well. It was the perfect "screen test" for Kelly to use to prove his ability to play Palmer. So he got his first role, and then went on to the major achievements of his career.
It is a passably good film, due to the chemistry of the leads and such supporting film actors as Keenan Wynn (as Kelly's long suffering agent, who gets to tell him off), and George Murphy (as the would-be lover of Garland, who can't get her attention away from the unworthy Kelly).
The interest I have in the film is why Garland chose Kelly for this part. She apparently insisted that he be used for this film. The reason is that his biggest Broadway success was the 1941 show "Pal Joey", where he played the first anti-hero in Broadway history. Joey is a user of women, who wants to own a fancy nightclub in Chicago. He never rises above the sleazy dive he acts as M.C. at. He could be Harry Palmer's distant, slightly cousin. Garland would have seen Kelly play a role of a heel where he sang a golden flow of Rogers and Hart melodies, and do some good hoofing as well. It was the perfect "screen test" for Kelly to use to prove his ability to play Palmer. So he got his first role, and then went on to the major achievements of his career.
If this movie was simply Gene Kelly and Judy Garland exchanging quips (the "Hello Springtime!" bit is especially good) and singing and dancing in a coffee shop, then it would still be entertaining. But that's really not all it is. This movie is more like a drama/romance than a musical, in the way that there are some songs, very good ones, but there is more story than numbers. Yes, the idea is an old one, but there are a few twists that distinguish it from any other wartime romance. (Don't go expecting The Maltese Falcon though.) The little plot weaknesses are forgotten as the actors (particularly Garland) hold it all together. I cried twice, and I almost never cry at movies. I fully recommend For Me and My Gal, unless you're dead-set on a tear-free day.
Though a thinly veiled piece of propaganda for WWII sentiment, it did the trick. I couldn't believe I cried not once but three times at this Kelly/Garland musical. An amusement park of a flick. With rollercoaster rides of joy, mood swings of sadness and insecurities, all rolled into a sappy feel good post-depression fluff. Who needs hormones when you can watch this. Great star vehicle for Kelly,it catapulted him into the rarified air of those who have talent, good looks, and that certain "something". Though at times he seems a bit in awe of his surroundings, it comes off as cockiness and works. Garland's sense of innocent security grounded this film and proved she was already in the stratosphere. The supporting cast held up their ends admirably. Enough to make this film enjoyable even in these jaded times.
I thought Judy Garland gave an Oscar worthy performance in this movie. As for Gene Kelly, it was hard to believe that this was his movie debut, his acting made it seem as if he'd been around Hollywood for years. And oh, that musical score, remeniscent of some film scores by Irving Berlin. Not just your ordinary musical, this one has a fine story that fits in with the time of World War One. The title song as done by Garland & Kelly is a classical show-stopper. For sentimentalists, like my wife and I, there are a few scenes that tug at the heart strings, and provide for some misty eyes.
Gene Kelly makes his smashing screen debut in For me and my gal. That alone should make it a must see. This movie was a delight for numerous reasons. First, I like the fact that this movie was a musical/drama. So, we were able to get a full dose of the manifold talents of Gene Kelly and Judy Garland. Second, the chemistry that Judy and Gene had in this movie was exceptional. The scene in which they are singing the title song is riveting. George Murphy was solid in his role as the amiable friend and colleague, who was a good example of selflessness.
This movie is not as renowned as other Garland classics such as the wizard of Oz and Meet me in St. Louis. However, I think this was her most endearing role. She was beautiful, sweet and vivacious in this movie. I can watch this movie repeatedly, and so should everyone else.
This movie is not as renowned as other Garland classics such as the wizard of Oz and Meet me in St. Louis. However, I think this was her most endearing role. She was beautiful, sweet and vivacious in this movie. I can watch this movie repeatedly, and so should everyone else.
Wusstest du schon
- WissenswertesGene Kelly's film debut. It is known that Judy Garland got him the job after seeing him in the Broadway musical "Pal Joey". Kelly made films in a variety of genres over the next few years but became best known for his energetic dancing style in MGM hits such as Urlaub in Hollywood (1945), Das ist New York (1949), and Ein Amerikaner in Paris (1951). Kelly, who was a choreographer and director as well as a dancer and singer, received a special Academy Award in 1951 in recognition of his outstanding achievement as an actor, dancer, singer and director. He also received a Life Achievement Award from the American Film Institute in 1985. The song "For Me and My Gal" became one of Kelly's signature songs.
- PatzerJo's YWCA uniform (like much of her clothing in the latter half of the film) is characteristic of World War II, when the film was released, and not World War I, in which it is set. Her uniform's shoulders are too broad and the skirt too short, and she is wearing sheer stockings and pumps instead of opaque stockings and high boots or oxfords.
- Zitate
Harry Palmer: Why didn't you tell me I was in love with you?
- Crazy CreditsA picture of an infantry soldier in New York harbor and the text "America needs your money. Buy war bonds and stamps at this theatre."
- Alternative VersionenThere is a 1993 colorized version of the film that aired on TNT
- VerbindungenEdited into American Masters: Gene Kelly: Anatomy of a Dancer (2002)
- SoundtracksFor Me and My Gal
(1917) (uncredited)
Music by George W. Meyer
Lyrics by Edgar Leslie and E. Ray Goetz
Played during the opening credits and often as background music
Played on piano (with background orchestra) by Judy Garland (uncredited) and sung and danced by her and Gene Kelly (uncredited)in a coffee shop
Reprised by Judy Garland (uncredited), Gene Kelly (uncredited) and chorus at the end
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Me and My Gal
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 802.000 $ (geschätzt)
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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By what name was For Me and My Gal (1942) officially released in India in English?
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