Füge eine Handlung in deiner Sprache hinzuAerialist Eddie Marsh is in the army now. His first act is to become friendly with Kathryn Jones, the colonel's pretty daughter. Their romance hits a few snags, including disapproval from he... Alles lesenAerialist Eddie Marsh is in the army now. His first act is to become friendly with Kathryn Jones, the colonel's pretty daughter. Their romance hits a few snags, including disapproval from her father. Eddie's also plagued by fear of having an accident during his family's trapeze a... Alles lesenAerialist Eddie Marsh is in the army now. His first act is to become friendly with Kathryn Jones, the colonel's pretty daughter. Their romance hits a few snags, including disapproval from her father. Eddie's also plagued by fear of having an accident during his family's trapeze act in the army variety show, which also features a gallery of MGM stars.
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But folks, you don't watch films like Thousands Cheer for the story, thin as it is. You watch to see a whole lot of fabulous acts and a kind of film that can never be done again because we don't have all that talent under one studio roof. Gene Kelly the object of Grayson's affections was fairly new to films and is only give one dance number, an impromptu affair with a broom. With Eleanor Powell in the same film it would have been nice had they partnered in a number. But back then MGM wasn't thinking of posterity.
Just like in Paramount's Star Spangled Rhythm, the hook is a show that is being put on at the camp John Boles is in charge of. Mickey Rooney serves as one lively master of ceremonies and does some wicked impersonations of fellow MGM players Lionel Barrymore and Clark Gable.
My favorite though is Lena Horne singing Honeysuckle Rose. Best thing about a very entertaining film.
If nothing else, it serves as a good showcase for the talents of KATHRYN GRAYSON (their newest singing bird) and GENE KELLY (although his dancing is limited here). For good measure they gave them MARY ASTOR and JOHN BOLES for parents, a story about a girl who wants to get her mom and dad back together again (where have we heard that one before?), and a whole bunch of MGM's brightest stars or character players in a "let's put on a show for the boys" routine.
Too bad the only thing missing is a good script. Otherwise, just sit back and enjoy the gorgeous Technicolor, the dreamy close-ups of Kathryn Grayson at her musical best, and guest stars like LUCILLE BALL, JUDY GARLAND, LENA HORNE, FRANK MORGAN, VIRGINIA O'BRIEN, RED SKELTON and MICKEY ROONEY to perk up interest in a sagging script for the second half of the movie.
Summing up: Could have been a lot better. If this is your kind of ticket, check out THANK YOUR LUCKY STARS for a better star-filled time.
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- WissenswertesThis patriotic wartime morale-booster was written by Paul Jarrico and Richard Collins. Both were later blacklisted for their supposed Un-American activities.
- PatzerMembers of the U.S. military do not travel around the United States with their weapons, especially when being moved on civilian conveyance.
- Zitate
Pvt. Eddie Marsh: From now on I only kiss women I know.
- Crazy CreditsThe credit for José Iturbi appears after all other cast and crew opening credits and reads: "And Introducing JOSÉ ITURBI in his first appearance on the screen." This appears on screen as he is seen conducting an orchestra in the opening scene of the film.
- VerbindungenEdited into American Masters: Gene Kelly: Anatomy of a Dancer (2002)
- SoundtracksDaybreak
Music by Ferde Grofé Sr. (as Ferde Grofe)
Lyrics by Harold Adamson
Conducted by José Iturbi (uncredited)
Sung by Kathryn Grayson (uncredited)
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