Electric Earthquake

I have to say that so far, as part of sitting through watching the old 1940 "Superman" short animated features, then "Electric Earthquake" was sort of bland and mediocre.

The storyline in "Electric Earthquake", as written by Seymour Kneitel and Izzy Sparber, was a rather mundane foray into the otherwise thrilling and action-packed universe of "Superman". Sure, it felt and looked like something that belonged in the "Superman" animated franchise, but I just didn't find the narrative here particularly entertaining or thrilling.

The art and animation was good, just as in the many other short animated "Superman" features from the 1940s.

Watchable for what it was, director Dave Fleischer and Steve Muffati's 1942 "Electric Earthquake" felt a bit forced and bland.

My rating of "Electric Earthquake" lands on a five out of ten stars.

I have seen most of the Superman cartoons made by the Fleischer Brothers for Paramount during the 1940s. Unfortanately, I have never particularly enjoyed them...that is up until now. "Electric Earthquake" brings the cartoon series an interesting villain--one you have a hard time completely hating.

The film begins with a Native American genius planting some sort of electrodes emanating from his underwater lair to Manhattan island. Then, he comes to the surface and announces that the government MUST give the island back to the natives or else! Well, they don't listen and soon he unleashes a wave of electric terror--causing the island to explode bit by bit. Not at all surprisingly, Lois gets caught up in all this and is taken prisoner. And, predictably, Superman comes to the rescue.

As I mentioned above, I liked this one because the story was strong--something not true for most of the other stories in the series. It was very interesting and kept my interest throughout--though I think it's the only time home for Superman was New York and not Metropolis!

A political subtext in this cartoon short.

The mad scientist is a Native American who demands the return of Manhattan to his people.

Somehow he makes his demands to the Daily Planet who are in no position to acquiesce to them.

The scientist has wired up electrical charges underneath the seas to cause a series of earthquakes that destroys buildings.

It is a job for Superman and once again intrepid reporter Lois Lane finds herself in peril. She managed to sneak into the scientist's boat.

There is some good animation here with the destruction scenes.

A Native American Scientist demands the return of Manhattan (Metropolis) to his people. Rebuffed, he unleashes an ELECTRIC EARTHQUAKE to destroy the city. With intrepid reporter Lois Lane his prisoner, and destruction mounting, it sure looks like a job for Superman.

This was another in the series of excellent cartoons Max Fleischer produced for Paramount Studio. They feature great animation and taut, fast-moving plots. Meant to be shown in movie theaters, they are miles ahead of their Saturday Morning counterparts. Bud Collyer is the voice of Superman; Joan Alexander does the honors for Lois Lane.

Superman is brought in to save the city of Metropolis. A Native American mad scientist (are they really mad or just have a reason to act) wants Manhattan back for his people, but, of course, just like today, there is no chance. Of course, once again, he is defied and needs to show off his strength. He is able to use electricity below the surface to create and earthquake which jeopardizes the future of the great city. Somehow, Lois Lane figures out where he is and gets into his hideout. Not only does Superman have to save the city, he is stuck rescuing Lois again. There are some wonderful earthquake scenes using the talents of the Fleischer animators. This is a pretty well done episode, although the whole Native American issue is never addressed. Of course, even talking about Indian rights in those days was pretty interesting.