Verdacht

That could have been Cary Grant's most chilling line in his long career.

*SPOILERS*

Except RKO didn't have the courage of its convictions. Having bought the rights to Francis Iles' novel, and despite Hitchcock's insistence on sticking with the original ending, neither preview audiences nor the studio were ready to accept Cary Grant as a murderer. So its present ending was hastily written and shot. It completely subverts all the fine work that's gone before.

Joan Fontaine was a brilliant actress and valiantly, passionately, breathlessly tries to make the shockingly amateurish dialogue in the final scene work -- "Oh, Johnny! You were going to kill yourself instead of me, like the audience and I have thought for the last 90 minutes! Oh, Johnny! It's as much my fault as it is yours! Oh, Johnny! I was only thinking of myself . . . ," etc.

Cary Grant does his best with this final abomination of a climax. "Lina! Lina! How much can one man bear! When you and the audience thought I was in Paris murdering Beaky I was really in Liverpool!" Etc.

Huh?

In other words, this beautifully produced, directed, acted and written psychological suspense thriller turns out to be about a charming lazy n'er-do-well who's sponged and embezzled his way through life, who marries a beautiful but neurotic aristocrat who, from day one, increasingly assumes the worst about her husband -- convincing herself (and us) that he's killed before and now is about to kill her?

"Just kidding," the tacked-on final scene says. "It was all innocent. You eating popcorn out there in the dark, and Lina, should be ashamed for even THINKING such things! Go home now."

It helps, out of self defense, to watch "Suspicion" with the original ending in mind. Yes, the milk is poisoned. Yes Johnny killed Beaky in Paris. Yes, he's a psychopath who lies, cheats, steals and kills. Yes, Lina believed him and loved him deeply -- the only man she's ever loved. Yes, her life is no longer worth living, now that she knows the truth about Johnny. Yes, she rightly suspects that milk is poisoned. So she writes a letter to her mother, telling the truth about Johnny's exploits, and that he is poisoning her as she writes -- and that she intends to die. She seals the letter and gives it to Johnny to mail. She drinks the milk. Johnny leaves and unknowingly drops Lina's letter into a mailbox, thus sealing his fate.

THAT'S a rewarding ending.

It also makes everything that's gone before (including writing, directing, performances and cinematography) plausible. It gives "Suspicion" a reason to exist.

But that's the novel's ending.

The film's "Lina and the audience are just paranoid" ending makes fools out of all the talent on display here. And of us.

Hold mentally to the original ending and you'll love it.

While in many respects one of Hitchcock's lesser films, "Suspicion" has some good performances and a degree of suspense that is as sustained as in any of his films. The movie gets quite a lot out of a relatively simple plot.

Joan Fontaine gives an excellent performance as Lina, a quiet young woman who finds herself swept away by, and suddenly married to, the charming but irresponsible Johnnie, played by Cary Grant. Not long afterwards, she begins to question his behavior and his intentions, and soon she is terribly afraid, both of what he might have done and of what he might do. Whenever she manages to overcome one of her fears, no sooner does she do so than her husband gives her a new reason for suspicion. There really isn't much more to it than that, but Hitchcock gets a lot out of this basic premise. The tension keeps building, and Fontaine's performance allows the viewer to feel all of her fear and anxiety. Not everyone likes the way that it all ends, but it is worth seeing and deciding for yourself what you think about it.

The rest of the cast have mostly limited roles, but give good performances that add to the portrayal of the main characters. Especially good is Nigel Bruce, who provides a few lighter moments as one of Johnnie's old cronies.

While lacking the complexity and excitement of Hitchcock's best pictures, "Suspicion" is still a good example of his ability to keep the audience in lasting suspense. Most Hitchcock fans will want to see it.

I watched this film last night, not knowing what to expect. Hitchcock is my favourite director, yet Suspicion is not treated among his best work. My conclusion from watching the film is that it is very good, but it is not perfect, and not Hitchcock's best. What let it down? Well, a lot of reviews have said so already, but the ending. For me it was abrupt and felt tacked on and somewhat implausible. Then again, StageFright and the Birds both had somewhat abrupt endings. And I know it isn't the fastest paced of his movies, but Torn Curtain's pacing was disappointingly pedestrian. However, Suspicion has a lot to recommend it. The acting is uniformly excellent, with Cary Grant charming and sometimes chilling as the man suspected of trying to murder his wife, and Joan Fontaine, looking gorgeous as ever even better as Lina giving a performance of edge and vulnerability. Out of the supporting performances, Nigel Bruce is simply terrific as Beaky, Leo G Caroll while in a brief role is memorable as the Captain and Cedric Hardwicke who played Frollo in the 1939 film The Hunchback of Notre Dame so memorably is great as the General. The direction is superb, tense when it needs to be and gentle in others and also filled with the fashionable touches that make his very best films great. The film is shot in a very sumptuous visual style, with beautiful black and white cinematography and lovely costumes and sets. The score from Franz Waxman is simply marvellous; the scoring in the scene when Lina writes the letter is enough to give you goosebumps. All in all, not Hitchock's best, but very good all the same. 9/10 Bethany Cox

Hitchcock's 'Suspicion' starts off as a slow moving silly romantic comedy before switching to a thriller. Hitchcock's style of narrating the story as the events unfold is brilliant as usual. Cary Grant turns on the charm button but it is Joan Fontaine who steals the show. Lina's increasing suspicion, confusion and despair as she discovers Johnnie's deadly secrets are skillfully displayed. Hitchcock maintains the element of suspense and increasing tension very well. However, it is the ending that is a let down and the only reason I can think of why such a closing was chosen was to fulfill the Hollywood 'happy ending' standard. 'Suspicion' could have been an excellent dark thriller had the ending been more plausible and made sense of all the preceding events. Yet, it remains a good job mostly because of the crafted way Hitchcock builds tension throughout the movie.

A timid, attractive young girl named Lina(Joan Fontaine) falls in love with John(Gary Grant) an adventurer, wealthy man. Her parents( Dame May Witty and Sir Cedric Hardwicke) are opposed about the relationship. However, they early married ,living in Sussex . Then she gradually realizes and suspects that her hubby is allegedly a murderer and that she is the intended victim . Lina fears may be next on his list.

After ¨39 steps¨ and ¨Jamaica Inn¨ Hitchcock was encouraged to go to America and promptly won Oscar to best picture for his first film there, titled ¨Rebeca¨. Later,R.K.O, Radio Pictures offered him the direction of ¨Suspicion¨. The picture packs tension , thriller,suspense and excitement. The film is one of the splendid thrillers with 'imminent danger' as its theme, achieving the maximum impact on the audience and containing numerous exciting set pieces with usual Hitchcock touches . The movie is full of lingering images as the glass(Hitch put into the object a light) of milk and shot of the characters upstairs pacing up and down with shades on the walls.

The casting is frankly magnificent .Gary Grant, actually named Archibald Leach ( born in Bristol,1904) in his first Hitchock film is excellent. Joan Fontaine as the timid, shy bride consumed with fears is awesome and won a deserved Oscar to best main actress. First rate secondary cast constituted by Nigel Bruce ¨the famous Watson¨ who worked in ¨Rebeca¨ too ; Dame May Witty (The lady vanishes) ; Cedric Hardwicke(The rope)and Leo G.Carroll a habitual in Hitch movies. But to Hitch didn't like the film for the cutting out the ending, due to production's insistence to retain the sympathetic image Gary Grant, the most attractive of all Hollywood actors ; however Hitch will let ultimately to remake his movie .The motion picture is based on a novel titled : ¨Before the fact¨ and screen written by his familiar brain trust, his wife Alma Reville and Joan Harrison. Also shown in computer-colored version though best avoid it .It's remade in an inferior version by Andrew Grieve(1987)with Anthony Andrews and Jane Curtin.