Blind Adventure

If you like old mystery/comedies then this tasty morsel is for you. You'll be watching action and comedy with equal doses of each. The story line is pretty original and unique which is rather surprising. The cast has a bunch of eccentric English folk as well as an American guy and a good looking Canadian chick.

It is set in foggy London. It's that kind of fog that you can't see ten feet in front of you. There's bad guys, a burglar, a general, a very eccentric English dowager, a murder, a party full of typical upper crust English odd balls, and, well by now you get the idea. I strongly recommend it. It's excellent.

This little item was recently shown on TCM. It is not well known despite a strong cast and pedigree creative credits. Blind Adventure (like Most Dangerous Game) involves talent that derives from the King Kong franchise.

Blind Adventure is what some would call a "shaggy dog story." It involves characters in odd and often incomprehensible situations that defy logic. It really doesn't pay to over-analyse such movies. The better way to enjoy them is to sit back and just let them unfold. At a later time, you will recall such films for their fun value long after the baffling details fade from your memory. One of the best examples of this genre is the Humphrey Bogart classic Beat the Devil. Who remembers what that was all about? But we certainly remember the wacky principals and their mystifying and often humorous goings on and interactions.

In a little over one hour, we have seen a story in Blind Adventure so convoluted and dense that it defies explanation as to exactly what it was all about. Certainly I will not attempt to clarify it. If The Big Sleep has a large following despite the fact that the narrative remains somewhat unfathomable, perhaps Blind Adventure is another classic-in-waiting yet to be discovered.

Because the Robert Armstrong, Helen Mack and Roland Young characters are so charming and delightful as they wander through the meandering plot of Blind Adventure--we should forgive whatever shortcomings it may otherwise pose for us.

Enjoy!

Noel Coward may have sung of the self-possession of an Englishman in New York, but Robert Armstrong is an American in London in this movie. Lost in a Pea-Souper, he wanders into a home to ask directions back to his hotel only to discover a corpse resting in an armchair.

This quickie is more interesting for its details than its overall effect. The fun of seeing Roland Young playing a soft-hearted Cockney burglar is offset a bit by Helen Mack's unsteady posh accent; the nice plot conceit of starting the movie out by having the whole thing appear to be a P.G. Wodehouse London populated by idiotic young Drones, only to finally reveal the John-Buchan machinations beneath is lessened by the limited number of jokes (mostly a fascination with English Trifles) and the inexplicable inability of people to overcome a copper armed with a whistle.

Still, what there is, is good, is mostly well performed and moves at a good clip. If the bits don't hang together perfectly, many of the bits are a lot of fun.

"Blind Adventure" is an agreeable low-budget adventure film and while it won't change your life, it is worth your time.

"Blind Adventure" begins with an American (Robert Armstrong) stumbling into a London home and seeing what appears to be a dead man! He immediately leaves the flat and gets help, but when he returns only a moment later, the body is gone and everyone inside behaves as if nothing has happened and Armstrong is crazy. However, a woman staying there in the flat (Helen Mack) realizes SOMETHING is amiss and the rest of the film is like a jigsaw puzzle, as the two of them and a new friend (Roland Young) all worth together to figure out what's really going on--and with spies, blackmail and the sort, it's all pretty exciting.

While the film is easy enough to forget, it has an interesting plot, decent acting and some agreeable supporting actors. I could say more about the film but I don't want to ruin the mystery.

Never quite imagined Robert Armstrong as the romantic male lead -- he's best as Carl Denham in KING KONG. This is from KONG's director, Ernest Schoesdack, but is not nearly as memorable. Some rather talky scenes seem static and dull. Some of the 'cute' bits have dated very badly. But there's one good plot twist in it. And it's always good to see Ralph Bellamy at work. The cast works hard and makes it passable. So I'd say it's a minor work but worth seeing for the cast. Schoesdack has done better. On a smaller palette, he doesn't quite know what to do. The foggy exteriors of "London" (all a backlot) look pretty good. But the villains are overcome rather tamely.