The Match King

This is probably the best performance you'll see by Warren William--a very popular leading man in the early to mid 1930s but who has been all but forgotten today. And, since he's no longer a household name, it's not surprising that this film is very much unknown.

This story is based on a real individual named Ivar Kreuger, who tried to corner the world market on matches by being about the most unscrupulous and power-hungry man of his day. The film concerns the many ways he shows that down deep he has no soul and there is no sin beyond him if it gains him more money and power.

William is exceptional in the role and the film is fascinating from start to finish. Considering the film is about matches, it must have taken considerable writing, acting and directing talents to produce such a captivating film.

Match King, The (1932)

** 1/2 (out of 4)

Based on the life of tycoon Ivan Kreuger, who would become known as Match King, this Warner film was rushed into production after Kreuger killed himself on March 12, 1932 and would be released before the end of the year. In the film Warren William plays Paul Kroll, a poor man working as a janitor who cheats countless people before eventually getting a hold of a match company, which he plans to use to take over the world. As Kroll sees it, gold is only valuable because man makes it so but matches are needed by everyone from the rich to the poorest in the world. I wish THE MATCH KING were a better movie but you can tell it was rushed because the screenplay isn't nearly as good as it needed to be and it also gets bogged down in a love story with Lila Damita playing a Swedish beauty who goes to Hollywood and pretty much breaks the heart of Kroll. Apparently this part was based on Greta Garbo but this doesn't add any value to the movie. The main thing this film has going for it is the performance by William who is downright terrific in the part. There wasn't anyone in the pre-code era that could play sleazy characters better than William and he once again delivers the goods here. The coldness to this guy is perfectly brought to life with William who just has a certainly smile that you can see in his eyes when he gets one over on people. It could be getting a friend fired to that he can make more money or pretending to love his best friend's wife so that she will take her husband's life savings and give to him. William delivers the goods and makes this one of his most memorable performances. Damita is also good in her part but the screenplay does very little for her outside of a few quick lines. The supporting cast includes Claire Dodd, Glenda Farrell and Juliette Compton as well as Harold Huber, John Wray and Alan Hale. The film starts off pretty good as it seems to have fun showing off how greedy and crooked this guy is but it loses itself during the middle with the silly love story and things don't pick up much during the final half. The film is certainly still worth viewing for fans of William due to his performance but you can't help but think the thing could have been much better had the studio taken their time with a better story. It is worth noting that the movie has a pre-credit sequence, which was very rare for its time. Also fascinating is that there's a sequence in the film where the legend of "three on a match" gets started by Kroll to help sales and William actually appeared in the Warner film THREE ON A MATCH also released in 1932.

When Orson Welles made Mr.Arkadin, he was inspired by two remarkable figures: "Merchant of Death" Basil Zaharoff and "Match King" Ivar Krueger. The whole Zaharoff story has never been brought to the screen, though he was a key figure in that delightful British series, Reilly: Ace Of Spies. The even more incredible tale of Ivar Krueger was brought to the screen shortly after his suicide in Paris, in this obscure, but brilliant "roman a' clef" film from the poor man's major studio, Warner Brothers. This film is incredible, Somehow, two minor directors, unknown writers, and an obscure cinematographer combined to bring a film of considerable power and narrative originality to the screen. Did I mention the acting? That is what really drives the film. The still under-rated and obscure Warren William puts in an remarkably subtle performance as the brilliant, ruthless Kroll, who used borrowed (and stolen) money to build a world -wide empire from the manufacture and sale of that most commonplace and useful of objects, the match. Kroll lies, steals ans seduces. He has a brilliant inventor stuck in a booby hatch. He does not even shrink from murder. In the end, he is destroyed by his obsessive love for a Hungarian actress and his own belief in his invulnerability. In short, this is both an interesting example of how the old studio system could put together an stunning story with ordinary talent and of the far too little appreciated artistry of Warren William.

"The Match King" is a 1932 precode film based on the life of Swedish industrialist Ivar Kreuger, known as the Match King and the inventor of the concept that three on a match is unlucky. That, of course, was so he could sell more matches. This film was rushed into release after Kreuger's suicide. Kreuger's brother claimed that Ivar was murdered, and 30 years after Ivar's death, documents appeared to back this up. In 2000, a book was published about the case, but it's in Swedish.

Warren William, one of my favorites, plays Paul Kroll, the main character in this film, and Lily Damita (Mrs. Errol Flynn) is his great love, an actress who gets a chance at a Hollywood career. She is supposedly based on Greta Garbo. I worked on the Greta Garbo biography by Barry Paris. It's been a long time -- I do believe she worked for a store that Kreuger owned and appeared in a film that Kreuger had something to do with, but I'm not sure the two had any involvement. Damita is lovely, though she doesn't register strongly.

This film deals with Kroll's European match monopoly, which bailed out quite a few countries, earning him the title "Savior of Europe." However, he used probably the first Ponzi scheme or a variation on it, so 88 years later, this movie is still relevant! Warren William is terrific as the smooth, charming, but ruthless and underhanded Kreuger. William during the silent era and early talkies often played the heavies; later on, he got to show his lighter touch, which was on a par with William Powell's. Supposedly a book was published about him in late 2010, which is a tribute to a renewed awareness of him thanks to TCM.

The actual Ivar Kreuger owned many, many businesses, and varied ones, not only match companies in many countries, but stores, banks, a ball bearing company, mining companies, a department store, a movie company, a telephone company, a railroad etc. His demise hit world finances very hard. He was a crook, but a borderline one, and many of his companies are still in existence today.

Very good film that is worth seeing.

It's a Warren William showcase that should be seen along with his other ruthless tycoon triumphs, such as Employees Entrance (1933) and Skyscraper Souls (1932). Cagney personified the street tough with a gun and the guts to power his way into the penthouse. William personifies the unscrupulous aristocrat with the charm and polish who's already in the penthouse. What both have that makes each so convincing is total self-assurance. When Kroll (William) says: Wait till it (the bad) happens, then I'll take care of it-- we believe him, just as much as we believe Cagney's snarl. Today, Cagney is still a household name, while William has unfortunately been forgotten, the victim of an A-picture career that peaked during the forbidden pre-Code era that never turned up on popular TV.

Here William plays a real life character (Swedish match king Ivar Kreuger) who schemes and manipulates his way to the top of Europe's financial empire. Oddly, the schemes and shenanigans remain illuminating of our own time some 80 years later, as other reviewers point out. After all, it looks like Kroll relies on a Ponzi setup in assembling his empire much in the way Bernie Madoff swindled billions from investors before finally taking a fall. In fact, a viewer can probably learn more about the anatomy of our own recent financial meltdown from this antique than from anything on the current screen.

All in all, this celluloid obscurity remains both broadly topical and a fascinating glimpse of capitalism's perils and attractions at the top. It's also a chance to catch one of Hollywood's most compelling actors in a tailor-made part. William may be unknown to the broader public, but it looks like a new appreciation is building among old film buffs.