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IMDbPro

Der Mann mit der Kamera

Originaltitel: Picture Snatcher
  • 1933
  • Not Rated
  • 1 Std. 17 Min.
IMDb-BEWERTUNG
7,0/10
1914
IHRE BEWERTUNG
James Cagney and Alice White in Der Mann mit der Kamera (1933)
Official Trailer
trailer wiedergeben1:01
1 Video
39 Fotos
GangsterKapernDramaKriminalität

Füge eine Handlung in deiner Sprache hinzuDanny Kean, a former inmate, pursues photography and romance with Patricia, whose father initially disapproves. A ethical dilemma strains their bond until Kean confronts his criminal past.Danny Kean, a former inmate, pursues photography and romance with Patricia, whose father initially disapproves. A ethical dilemma strains their bond until Kean confronts his criminal past.Danny Kean, a former inmate, pursues photography and romance with Patricia, whose father initially disapproves. A ethical dilemma strains their bond until Kean confronts his criminal past.

  • Regie
    • Lloyd Bacon
  • Drehbuch
    • Daniel Ahern
    • Allen Rivkin
    • P.J. Wolfson
  • Hauptbesetzung
    • James Cagney
    • Ralph Bellamy
    • Patricia Ellis
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    1914
    IHRE BEWERTUNG
    • Regie
      • Lloyd Bacon
    • Drehbuch
      • Daniel Ahern
      • Allen Rivkin
      • P.J. Wolfson
    • Hauptbesetzung
      • James Cagney
      • Ralph Bellamy
      • Patricia Ellis
    • 42Benutzerrezensionen
    • 17Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 wins total

    Videos1

    Picture Snatcher
    Trailer 1:01
    Picture Snatcher

    Fotos38

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 33
    Poster ansehen

    Topbesetzung49

    Ändern
    James Cagney
    James Cagney
    • Danny Kean
    Ralph Bellamy
    Ralph Bellamy
    • McLean
    Patricia Ellis
    Patricia Ellis
    • Patricia Nolan
    Alice White
    Alice White
    • Allison
    Ralf Harolde
    Ralf Harolde
    • Jerry
    Robert Emmett O'Connor
    Robert Emmett O'Connor
    • Police Lt. Casey Nolan
    Robert Barrat
    Robert Barrat
    • Grover
    G. Pat Collins
    G. Pat Collins
    • Hennessy - Fireman
    • (as George Pat Collins)
    Arthur Vinton
    Arthur Vinton
    • John - Sing Sing Head Keeper
    Tom Wilson
    Tom Wilson
    • Leo
    Joan Barclay
    Joan Barclay
    • Journalism Student
    • (Nicht genannt)
    Maurice Black
    Maurice Black
    • Speakeasy Proprietor
    • (Nicht genannt)
    Stanley Blystone
    Stanley Blystone
    • Prison Guard
    • (Nicht genannt)
    Don Brodie
    Don Brodie
    • Hood
    • (Nicht genannt)
    Lynn Browning
    Lynn Browning
    • Secretary
    • (Nicht genannt)
    James P. Burtis
    James P. Burtis
    • Reporter
    • (Nicht genannt)
    Hobart Cavanaugh
    Hobart Cavanaugh
    • James Peters - Drunken Reporter
    • (Nicht genannt)
    George Chandler
    George Chandler
    • Reporter
    • (Nicht genannt)
    • Regie
      • Lloyd Bacon
    • Drehbuch
      • Daniel Ahern
      • Allen Rivkin
      • P.J. Wolfson
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen42

    7,01.9K
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    Empfohlene Bewertungen

    7alfiefamily

    Good fun with Cagney trying to go straight.

    At seventy-seven minutes in length, "Picture Snatcher" contains just enough action and comedy to support this little trifle.

    Cagney is terrific as a former mobster who gets released from prison and tries to make a go of it as a photographer for a local newspaper rag, which is edited by Ralph Bellamy.

    This film is from the first scene, where Cagney shows affection for the guards and warden, has a ridiculous story line all the way thru to the end. But it moves along at a breakneck pace and has several very good performances, so although we might know it's ridiculous, we really don't care.

    Alice White is terrific as a gun moll on the make for Cagney. Bellamy is good as Cagney's drunken editor.

    But the film belongs to Cagney, who turns in another terrific, under - appreciated performance.

    7 out of 10
    9ccthemovieman-1

    Cagney Joins The Paparazzi!

    This was great! It's vintage Cagney: tough, cocky, funny and endearing! The film is also typical early '30s: short, entertaining, fast-moving with some wild dialog and plenty of action and humor.

    Imagine the outcry today if they showed the hero pushing women around as James Cagney did here and in other films of the period. This particular story has Cagney playing "Danny Kean," an ex-con who quits his former mob and winds up at a tabloid newspaper as a member of the paparazzi! (I guess this story was ahead of it's time.) He does what he has to do get a picture for the paper, and a financial raise for his efforts.

    Along the way are several very pretty women "Pat" and "Allison" (played respectively by Patricia Ellis and Alice White); a number of sexual innuendos (which wouldn't have made it in the picture had this been made a year later); and just a fun-filled corny 1930s ride.

    I wish a bunch more of these entertaining films, especially with Cagney, were available.
    8jotix100

    Early Papparazzi

    James Cagney, who was always so intense, as the 'bad guy' in most of his movies, seems to be having a great time in "Picture Snatcher', this 1933 film directed by Lloyd Bacon.

    In fact, Danny Kean, is first seen being released from jail, after serving three years, but he has had enough of the crime life. He tells his criminal friends he wants out. Not knowing what to do, he decides to try his hand at photo journalism by applying to be a news photographer at the Graphic News. The friendly editor, Al Mclean, decides to give him a break.

    Thus begins Danny's adventures as a news photographer that gets the right picture, at the right moment for his paper. He also finds happiness with Pat, the lovely daughter of a friendly policeman. At the same time, he is being the object of a co-worker's desire, something he wants no part of, since he has decided to go straight.

    The great James Cagney is a joy to watch in the film. He was a charismatic actor that is always excellent no matter what he did. Another surprise is Ralph Bellamy, who played the editor that decides to give the ex-con a break. The lovely Patricia Ellis is the object of Danny's affections. Alice White plays a bad girl that wants to get Danny for herself.

    The film will not disappoint fans of Mr. Cagney for the change of pace it represented and the fun one gets by watching it.
    8mrb1980

    Energetic Cagney Film

    Frantic, fast-paced film of ex-con Cagney getting a job at a local scandal sheet working for Bellamy and producing exclusive photographs for the paper. First he poses as an insurance adjuster to steal a photo, then through chicanery he manages to obtain a forbidden photo of a woman in the electric chair. Satisfying story conclusion has Cagney getting the girl and Bellamy playing the chump--again.

    This film moves like lightning, guided along by Cagney's seemingly inexhaustible energy. Lots of snappy dialog, great acting, and fine direction make this quite a little gem. Great 1930s feel, and watch quickly for Sterling Holloway (wearing outrageous glasses!) as a journalism student. Highly recommended.
    tedg

    Newsgal

    I'd like to recommend this to you for a couple reasons.

    I'm right now doing a survey of films that feature newsrooms. Its a simple sort of fold that wouldn't work today. Amazingly, right after seeing this, I saw the new "Superman Returns." Horrid little move, but it reminded me that Superman was invented in the 30s and that's why we have Lois as a reporter.

    In the 30s there were hundreds of movies set in newsrooms. Its roughly the same as a movie about the movie business, since the creation of stories and modeling of life was essentially a writer's game in that era. And the newsroom was one of the few places where women could be strong, sexy and articulate. And wow is this dripping with sex.

    In those days, women could be nurses, teachers, secretaries or whores. Or if they were particularly clever, they were reporters. It was a sort of shorthand, lost today. If your movie put you in a newsroom, it was a stage where stories were made. And to have a woman weave stories and in some way control the world. That was something.

    The story here is Cagney's typical gangster, head of a gang but imprisoned. He gets out and instead of returning to his gang, takes a job as a reporter. Actually — to make the folding good — as a photographer, hence the title. You can pretty much guess the story, knowing that he is both ruthless in invading lives and sweet on the daughter of the cop who "sent him up."

    Here's the really interesting part: the sexy, precode blond is a reporter in the same pool. She's the girl of Cagney's boss but hot for Cagney. He's being chased by another broad too. To both he's mean, but the encounters with them are directly sexual.

    Its odd. We see her as distinctly available, a silly blond. But we also know she is a crackerjack mind underneath. One scene: Cagney by subterfuge has obtained a picture of the execution of a murderess. He is chased all over town but makes it to the newsroom just under deadline. Breathlessly, he dictates the story to our sexy blond to type. He speaks in blunt gangster slang and we laugh at the notion that such a description would appear in the paper.

    She types furiously, then the editor reads it aloud and it is three times as long, cleverly and articulately written. Big joke. No one notices. Bigger joke.

    Ted's Evaluation -- 3 of 3: Worth watching.

    Handlung

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    • Wissenswertes
      The scene of Danny photographing an execution is based an actual incident in which Chicago-based crime photographer Tom Howard (who was the grandfather of George Wendt surreptitiously snapped the famous photo of convicted murderess Ruth Snyder's January 12, 1928 execution in the electric chair at Sing Sing for the New York Daily News.
    • Patzer
      When Jerry the Mug is shot in the back by the cops, his gun falls out of his hand as his body goes limp and then after the gun had already landed on the floor, Danny takes out the camera and snatches pictures of Jerry. But when the pictures get published in the newspapers it now shows Jerry the Mug with a gun still in his hand as he gets shot.
    • Zitate

      [Danny is giving a tour of his newspaper's printing room]

      Journalism Student: Yes, here it is - white wood pulp, plain white... Why, today it's raw, but tonight it's cooked with printer's ink, photographic art, the sweat of creative effort. Tomorrow it goes out and hundreds of thousands of men and women feed their starving, mediocre souls on the indiscretions and adventures of others. And then, a little while later, what is it?

      Danny Kean: Don't you know? They use it to wrap up herring.

    • Verbindungen
      Featured in Bruder, hast Du 'nen Groschen für mich? (1975)
    • Soundtracks
      That's All That Matters To Me
      (1932) (uncredited)

      Music by Herb Magidson and Sam H. Stept

      Played throughout the film as well as at the beginning and the end.

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 6. Mai 1933 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Jiddisch
    • Auch bekannt als
      • Picture Snatcher
    • Drehorte
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Kalifornien, USA
    • Produktionsfirma
      • Warner Bros.
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 17 Min.(77 min)
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.37 : 1

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