Hilfreiche Hände

What would you expect from Stan and Ollie when it comes to making home repairs? Yep, absolute chaos and destruction as well as a healthy dose of violence that's highly reminiscent of a Wiley Coyote cartoon. Any normal person would have been killed by all the terrible things that happen to him, but somehow Ollie survives. And, of course, Stanley is about as helpful as an elephant on roller skates. Time and time again, the viewer is rewarded by good old fashioned slapstick that is, at times, painful to watch! While this may not be their absolute best short, it is among their best and well worth your time. Cerebral humor? Nope. But funny? Absolutely.

"Helpmates" is one of a number of Laurel and Hardy short comedies based on the simple premise of seeing how much damage two men can do in one home in a short time without really trying. This time, Stan is 'helping' Ollie to clean up his house after a wild party, since Ollie's wife is due home soon. There is a lot of creative slapstick as they get into one mess after another. Most of the gags this time are fairly predictable, but are funny because they're done with good timing and the usual humorous mannerisms. Laurel and Hardy fans won't be disappointed by this one.

Finally, at long last, I have stumbled upon a Laurel and Hardy short that perfectly balances slapstick comedy and verbal banter to create a short that is a winning combination of the both, without being too reliant on the former. Helpmates concerns Hardy, who awakens after an evidently-raucous party took place in his apartment, with everything in total disarray and his wife coming home that very day. Hardy - after giving himself quite the hilarious lecture in the mirror - does all he can when he wakes up with a hangover and without a clue; he phones Laurel, who rushes over (after playing the most believable rendition of stupid and witless) to help his longtime pal clean up before the arrival of his wife.

Helpmates is the classic comedy short that derives its humor from the thesis question "just how much can go wrong for these two well-meaning individuals?" So much destruction and chaos is caused by trying to remedy the situation than was in the process of not even caring about the situation or the well-being of the house during the unseen party, it seems. Windows are broken, people are injured, and a cacophony of madness ensues for the boys as they try to do the right thing but end up doing everything completely and totally wrong.

Helpmates delicately balances the insanity with the narratively witty, setting up the short in a "one thing leads to another" manner rather than just having a plethora of ridiculousness cobbled together with no rhyme or reason. There's a structurally insanity to Helpmates that makes it so fun, and the age-old idea of destroying something even more when you're trying to fix it almost never gets old. This is one of the most fun Laurel and Hardy shorts I know, even more so considering it was a recipe for slapstick monotony.

Starring: Stan Laurel and Oliver Hardy. Directed by: James Parrott.

This is classic Laurel and Hardy. The origin of Dumb and Dumber and an inspiration for generations of comedians and comedy writers, Laurel and Hardy were the masters of complicating easy tasks beyond the point of minor disaster. Often referred to as the fiddle and the bow, this comedy team started in the silent era with slapstick humor. Many of the comedies revolve around the destruction of cars, for which they found many ways to destroy. Upon the coming of the sound era, many silent stars lost work because of voice flaws (see Singin' In The Rain for a great example) or because they could only do visual slapstick comedy. Laurel and Hardy were able to transcend the silent era of slapstick and successfully incorporate witty dialogue in amongst their visual humor.

This two realer is classic as the Boys try and clean up after Ollie's wild party before his wife comes home. The ending of this short comedy has the funniest line of all time. As usual, Laurel and Hardy are their bumbling destructive selves, which of course leads to one laugh right on top of another. As Ollie says in the beginning while looking at himself in the mirror, "I have two words to describe you. Impossible."

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. 'Helpmates' for me is up there with their best and certainly among their funniest.

Can't really find anything wrong with it, was past caring this time as to whether the story was standard or not because it gets to the point and has a lot of energy throughout, on top of being riotously funny in its best moments. Whoever knew that attempting to clean up a house, something that can be fairly stressful, could be so entertaining?

From start to finish 'Helpmates' is great fun, never less than very amusing and the best moments, such as the ending, being classic hilarity. It is never too silly, there is a wackiness that never loses its energy and the sly wit is here, some of the material may not be new as such but how it's executed actually doesn't feel too familiar and it doesn't get repetitive. A lot happens yet it doesn't ever feel rushed or over-stuffed. The ending is a sheer delight and it contains one of the best and most priceless lines of all Laurel and Hardy.

Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Helpmates' and on the most part from 'Two Tars' onwards we are far from robbed of that. Their comic timing is impeccable.

'Helpmates' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid, but it's Laurel and Hardy who take the honours here.

In summary, one of Laurel and Hardy's best. 10/10 Bethany Cox