Im Krankenhaus

There is a scene in James Parrot's short County Hospital, which stars Stan Laurel and Oliver Hardy, where, upon visiting his best friend Hardy in the hospital, Laurel sits idly, salting a hard-boiled egg and eating it. There's no joke, there's no real punchline, and there's no real purpose; it's about as literal as a scene could get. If only there was a way to tell the late writer H.M. Walker along with Parrot and Laurel that they may have fundamentally erected the popular idea/concept of anti-humor all the way back in 1932.

Although it does feature crisp sound and dialog, County Hospital is still so much a Laurel and Hardy short because of the fact it is more about situational humor than dialog-driven humor. Some readers of mine may mistake the idea that I have a disdain for situational humor, although, when I see the humor done smoothly and humorously, that couldn't be further from the truth. Laurel and Hardy knew what they wanted to accomplish and that was the concept of slapstick, silly humor. The wise-cracking, satirical humor that could make you laugh and ponder was left to Charlie Chaplin and the Marx brothers, which could arguably be why their films come to mind quicker than most Laurel and Hardy films do, on the topic of classic comedy films.

The short concerns Laurel arriving to the hospital to comfort Hardy after he received a broken leg, which already feels like the sequel to another one of their shorts gone awry. He brings hard-boiled eggs and nuts - to which Hardy replies with the sole line that essentially sums up the characters in each of their shorts - but Hardy realizes that while Laurel means well, he consistently causes trouble for the both of them. Hardy cannot remember the last time he endured such a restful experience, with two more months in a hospital bed to go, but Laurel ruins all of that with his well-meaning but trouble-causing actions.

County Hospital's only burden is its atrociously fake scene involving a sleepy Laurel trying to drive a vehicle with Hardy in the backseat, a scene that is understandable given the thought of the technological limitations of the early 1930's along with the short's budgetary issues. It's little bother; the film that was made instead was a fun piece of work, with self-referential gags and questionably pioneering ones as well.

Starring: Stan Laurel and Oliver Hardy. Directed by: James Parrot.

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. Didn't find 'County Hospital' quite one of their very best, but it to me still very good and some of the best material is among their funniest.

Admittedly, the story is pretty thin and is pretty standard and it does run out of steam at the end complete with some very obvious back projection and sluggish editing, both of which fake-looking.

Despite that, 'County Hospital' is great fun, never less than very amusing and the best moments, being classic hilarity. It is never too silly, there is a wackiness that never loses its energy and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive. A lot happens yet it doesn't ever feel rushed or over-stuffed. The first half is terrific and one of the better first halves of Laurel and Hardy's output from this period.

Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'County Hospital' and on the most part from 'Two Tars' onwards we are far from robbed of that. Their comic timing is impeccable.

Excepting the editing at the end, 'County Hospital' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid, especially Billy Gilbert, but it's Laurel and Hardy's show all the way.

In summary, very good if not one of the best. 8/10 Bethany Cox

Another fine comedy from Stan and Ollie. Stan pays a hospital visit to Oliver, who is up in traction with a broken leg, enjoying the peace and quiet. Of course it isn't long before that peace is destined to vanish.

Stan is so wonderfully inept in this one. Visiting Ollie as he hasn't anything else to do today, not bringing Ollie candy as "It costs too much" and not having been paid for the last batch. He comes up with his legendary gift.

Don't think any other comedian eating a hard boiled could be funny, but in Laurel's effortless hands it's great. The trouser gag is absolutely hilarious.

Only the climax is a let down, spoiled by poor rear projection work and going on too long. We are rescued though by the boys' L-shaped car (at least that's how it ends up!) Stan and Ollie: best there's ever been.

Stan and Ollie's best shorts are filled to the brim with accidents, destruction and disasters from the tiny to the large: 'Big Business' (1929; silent), 'Busy Bodies' (1932), 'The Music Box' (1932), 'Towed in a Hole' (1932), and 'Dirty Work' (1933). Innocent Stan unwittingly causes no end of anxiety, trouble, exasperation and pain for long suffering Ollie.

'County Hospital' is true to this wonderful formula for the first two thirds of the film. Stan visits Ollie in the hospital, and continually exasperates him with his little behavioral quirks and oddities. Then after the doctor comes in, Stan lifts the truss weight from the floor, and very quickly the doctor winds up hanging out the top story window while Ollie is being hung upside down from the ceiling by the cast on his leg, the doctor's clothes are ripped, and as Ollie falls, his bed collapses.

All the scenes in the hospital are vintage Laurel and Hardy; even though he does most of his acting immobile in bed, Ollie is Ollie! The film dies as soon as they leave the hospital, and there is a flat back projection careening car ride with Stan supposedly sleeping while driving that is simply not funny because it is so obvious the boys are spinning in a car in front of a screen. The weak ending shows them spinning around in an L-shaped car (which had wrapped itself around a pole).

My grandchildren enjoy watching it, but the ending detracts too much for this to be one of their top top bests. I give it a 7.

I've probably seen this Laurel & Hardy short more than any other. I watched it with my dad in the early Fifties. I have to admit, I really felt for Oliver in this one. He is really in bad shape and his good buddy comes along and ruins it for him. From the beginning when Stanley brings him a gift of some hard boiled eggs and some nuts, it's all over. Stan causes so much trouble that they are both thrown out of the hospital. After several harrowing moments, Stan sits on a hypodermic needle that contains a sedative. Of course, he has to drive Oliver home. There is a great line when Oliver asks his friend why he didn't bring a box of candy. He says Ollie never paid him for the last one.