IMDb-BEWERTUNG
7,1/10
1527
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuLaurel and Hardy patrol the streets as the city's newest cops. This can't possibly end well--except for the criminals who can now safely commit crime.Laurel and Hardy patrol the streets as the city's newest cops. This can't possibly end well--except for the criminals who can now safely commit crime.Laurel and Hardy patrol the streets as the city's newest cops. This can't possibly end well--except for the criminals who can now safely commit crime.
Harry Bernard
- Jail Visitor
- (Nicht genannt)
Billy Bletcher
- Radio Dispatcher
- (Synchronisation)
- (Nicht genannt)
Frank Brownlee
- Police Chief Ramsbottom
- (Nicht genannt)
Al Corporal
- Butler
- (Nicht genannt)
Edgar Dearing
- Policeman
- (Nicht genannt)
Eddie Dunn
- Police Sergeant
- (Nicht genannt)
Charlie Hall
- Tire Thief's Partner
- (Nicht genannt)
Bob Kortman
- Tire Thief
- (Nicht genannt)
James C. Morton
- Policeman
- (Nicht genannt)
Tiny Sandford
- Policeman
- (Nicht genannt)
Frank Terry
- Safecracker
- (Nicht genannt)
Empfohlene Bewertungen
New cops Laurel and Hardy bungle their way into arrest the Chief of Police in his own home.
Of course, that's not the only thing they bungle. They get into an argument with safecracker Frank Terry, with not a clue as to what is going on. That's one of the pleasures of Laurel & Hardy -- I almost wrote 'cartoons; -- shorts: their ability to keep going with no idea of what is going on.
It's not one of the best of the Boys' shorts. Well, they can't all be masterpieces. his one is only very funny.
Of course, that's not the only thing they bungle. They get into an argument with safecracker Frank Terry, with not a clue as to what is going on. That's one of the pleasures of Laurel & Hardy -- I almost wrote 'cartoons; -- shorts: their ability to keep going with no idea of what is going on.
It's not one of the best of the Boys' shorts. Well, they can't all be masterpieces. his one is only very funny.
This is most definitely not one of the best or most memorable Laurel & Hardy shorts. It doesn't really have enough slapstick in it and the comical situations, although good, feel far fetched and perhaps a bit awkward, especially toward the ending.
They could have done something more interesting with the concept of Stan Laurel and Oliver Hardy joining the police force. They get themselves into some comical and dumb situations but it all is perhaps a bit too formulaic. That is the main reason why "Midnight Patrol" is an enjoyable but at the same time very forgettable Laurel & Hardy shorts.
Lloyd French never was the best or most consistent director of Laurel & Hardy movies. His movies are certainly enjoyable but lacking in originality or true creativity at the same time.
I'm beginning to sound negative but of course this movie is not an horrible one to watch. Mainly the Laurel & Hardy fans will still find plenty to enjoy in this movie, although also they have to admit that this is far from the best and/or most memorable Laurel & Hardy shorts.
7/10
http://bobafett1138.blogspot.com/
They could have done something more interesting with the concept of Stan Laurel and Oliver Hardy joining the police force. They get themselves into some comical and dumb situations but it all is perhaps a bit too formulaic. That is the main reason why "Midnight Patrol" is an enjoyable but at the same time very forgettable Laurel & Hardy shorts.
Lloyd French never was the best or most consistent director of Laurel & Hardy movies. His movies are certainly enjoyable but lacking in originality or true creativity at the same time.
I'm beginning to sound negative but of course this movie is not an horrible one to watch. Mainly the Laurel & Hardy fans will still find plenty to enjoy in this movie, although also they have to admit that this is far from the best and/or most memorable Laurel & Hardy shorts.
7/10
http://bobafett1138.blogspot.com/
When I first started watching this short, I kept asking myself what type of police force is THAT stupid or short-sighted to give Laurel and Hardy jobs as cops?! Having the boys play policemen is a nice departure from the norm and it seems ironic that they played jailbirds in many more films! Regardless, the team behave much as you'd expect in this new role--they completely miss obvious crimes right in front of their faces but manage to apprehend the one person they meet who is actually minding his own business! Along the way, Stan and Ollie bumble and break stuff and act pretty much their usual selves. In a way, it's a real shame that aside from them being cops, this film is so very conventional and doesn't offer that many new ideas or gags. This isn't to say this is a bad film--just not anything extraordinarily different from the norm.
Laurel and Hardy are police officers. They must get a burglar although we know that the man they are looking for is no real burglar. He just wasn't able to enter his own house.
With some very funny moments for Laurel and some pretty nice verbal jokes as well this short is entertaining enough although I have seen better from Laurel and Hardy. The story itself has some nice surprises.
With some very funny moments for Laurel and some pretty nice verbal jokes as well this short is entertaining enough although I have seen better from Laurel and Hardy. The story itself has some nice surprises.
A LAUREL & HARDY Comedy Short.
Novice cops Stan & Ollie are THE MIDNIGHT PATROL, guardians of the night. Their complete incompetence dealing with crime, however, soon leaves a trail of chaos & destruction.
A funny little film, although ending it with two murders is a bit much. Highlight: Ollie in the fishpond. That's Frank Brownlee as the Chief, Walter Plinge as the gentlemanly crook and Charlie Hall as one of the tire thieves.
Novice cops Stan & Ollie are THE MIDNIGHT PATROL, guardians of the night. Their complete incompetence dealing with crime, however, soon leaves a trail of chaos & destruction.
A funny little film, although ending it with two murders is a bit much. Highlight: Ollie in the fishpond. That's Frank Brownlee as the Chief, Walter Plinge as the gentlemanly crook and Charlie Hall as one of the tire thieves.
Wusstest du schon
- WissenswertesThe title sequence of this short is filmed to look like a police car racing West at night on Wilshire Boulevard in Los Angeles, with siren blaring, and a windshield wiper 'erasing' each set of credits and 'sweeping in' the next. Along the route, mostly on the left (South) side of Wilshire, we see a Cut Rate drug store; a billboard (or perhaps a building logo) for Mullen & Bluett clothiers; a billboard ad for R&H Pilsner Beer. An apparent 'jump cut' puts us a few blocks farther West on Wilshire, where, again on the left, we see a movie theatre marquee (probably the Fox Ritz at 5214 Wilshire); a large, billboard-sized Coca-Cola sign in lights on the right; and in the distance, on the left, a rooftop lighted sign on the Myer Siegel building at 5410 Wilshire.
- PatzerStan and Ollie argue about their last day off, but at the end of the film they claim it's their first day on the job.
- Zitate
Car Dispatcher: Calling Car Thirteen.
Oliver: That's us.
Car Dispatcher: Calling Car One-Three.
Stanley: I thought he said Thirteen.
Oliver: Shut up.
Car Dispatcher: Look out, boys, somebody's stealing your spare tire. That is all.
- Alternative VersionenThere is also a colorized version.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Calling All Cars
- Drehorte
- Wilshire Boulevard, Los Angeles, Kalifornien, USA(opening credits, beginning of which became known as "The Miracle Mile")
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit20 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
By what name was Mitternachts-Patrouille (1933) officially released in Canada in English?
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