The Sport Parade

It is, after all, a very Hawksian landscape -- men's men, sports, best friends vying for the same woman, a vague homoeroticism beneath. (The film historian Richard Barrios has suggested it's a heavily disguised gay fantasy, with Marian Marsh there just for convention's sake.) But Dudley Murphy, with David Selznick's blessing, goes in for terrible artsy cinematic transitions, needlessly elaborate camera-work, and an odd obsession with Harlemites (a pseudo-Cotton Club sequence that makes for highly uncomfortable viewing today). You do get the appeal of the young Joel McCrea, one of the most unassuming and likable of leading men, and there are nice, seemingly improvised bits by Robert Benchley, doing sportscaster variations on his famed "Treasurer's Report" routine. Walter Catlett pitches in, too, playing a sort of sub-Don King with his well-practiced brand of cynicism and breathless delivery. But the pacing's sluggish for an under-70-minute programmer, and the happy ending's awfully forced: Aside from the inexplicably quashed romantic rivalry, wouldn't a sequel show the mob gunning down McCrea for not throwing the fight?

The Sport Parade (1932)

** (out of 4)

Boring sport film with a silly love story thrown in. Best friends Sandy (Joel McCrea) and Johnny (William Gargan) go through their college years as football stars at Darmouth but after their playing days they go in separate directions. Johnny gets a legit job at a newspaper while Sandy falls in with a crooked manager who tries to exploit what fame his name carries. Soon the friends are fighting over a girl (Marian Marsh) while Sandy gets into deeper trouble when he gets into wrestling. THE SPORT PARADE might have an attractive cast but this is certainly "C" movie material as the screenplay never gives us much to care about. The entire sports angle really isn't all that interesting because we're simply not given anything we haven't seen countless times before. This material was already boring by 1932 standards so it doesn't help that everything is just one cliché after another. The stock footage used for some of the sports certainly doesn't help and neither does the obvious body double during the wrestling scenes. Another major problem is that the love story is so rushed that it really does seem forced and it's hard to take it very serious. The performances are the one saving grace with McCrea doing a pretty good job in his role and I thought he was really effective during the scenes where his character realizes that he's being taken advantage of. Gargan is good as the best friend and Marsh makes good support as the love interest. We also get a nice performance by Walter Catlett as the agent and we even get Robert Benchley playing a radio announcer. THE SPORT PARADE really doesn't have much going for it so it'll only be of interest to fans of McCrea or those who never realizes that wrestling was staged.

Having worked for Yale Athletics for 25 years I can say without fear of contradiction that the football game shown was not being played at Harvard Stadium but rather Yale Bowl. Having seen countless games at both venues, this is a definite fact.

Bill Gargan and Joel McCrea are a pair of former college athletes now sportswriters. They have a friendship which is put severely to the test over a woman, Marian Marsh. When it founders, McCrea takes up pro-wrestling and goes to work for crooked promoter Walter Catlett.

As the old saying goes when you lie down with dogs you come up with fleas. It's guilt by association for our intrepid hero and McCrea has to save his reputation.

Joel McCrea is probably the most moral decent hero the cinema ever produced. But his persona in the wrong director's hands and a bad script, he can venture over into Dudley Doo-Right territory. Unfortunately he does that here.

But if you want to see Joel McCrea stripped to the waist in his twenties than you have some incentive to see this movie.

... and I mean both the figurative and literal scenery here. I started watching this because I'm a big fan of Joel McCrea, but ten minutes into it and the corny collegiate "contact" business between Dartmouth buddies Sandy Brown (Joel McCrea) and Johnny Baker (William Gargan) and I was rolling my eyes and thinking about hitting the erase button on the DVR. I'm glad I resisted the urge. Although the major plot themes are paint by numbers - big college sports stars are often wash outs after graduation, two best friends in love with the same beautiful girl, and with even the grasshopper and the ant fable thrown in for good measure, there are some things worth catching here.

For one, the cast of supporting characters is great. There's Walter Catlett as a seedy agent, which is rich if you think about it since even though seedy was Catlett's on-screen trademark, in real life there was never a sweeter and more generous guy to a literal fault than he. Then there's Skeets Gallagher as a drunken newspaper photographer who either misses the photo or defocuses the lens due to his constant state of intoxication, yet manages to get the photo of a lifetime. Finally there's the splendid cameo appearance of Robert Benchley as an unnamed radio announcer with his trademark droll dry humor. He covers sports events and manages to get things completely wrong - even as to whether or not there is actually a band playing at a football game.

Also look for a shot of a Cotton Club-like night club with a couple of numbers featuring an all African American cast - an odd sidetrack in a movie that is - if it is about anything - is certainly not about nightclubs.

Finally, the homo erotic angle that is always played up in this film - William Gargan popping Joel McCrea with a towel in a shower after a football game, is really overshadowed by an anonymous gay couple as spectators at the fights complaining of the savagery of the event and leaving in disgust. Stereotypical - absolutely - but certainly an example of what would not be possible just two years later under the production code.

A point of interest - one of the few times William Gargan did get the girl in a film was a year later when he made "Headline Shooter" ... with Joel McCrea's actual wife, Frances Dee.