War Nurse

Sound quality is a little iffy in this early talkie from MGM. Anita Paige and Robert Montgomery. Even Zasu Pitts and Hedda Hopper. Also some STRONG regional accents that really come out now and then. Nurses date the soldiers in between surgical procedures during the war. They have daily adventures, and spout clever aphorisms to each other. At one point, the pilots are shown landing with mountains in the background... probably Burbank or Orange county. Palm Springs landing strip wasn't built yet. Directed by Edgar Selwyn, whose early life was full of strife and adventure, if the bio on IMDb is accurate. Apparently, the "wyn" from his name is part of the "Goldwyn" studio name. On IMDb, it is said he was considering going for a ride on the titanic, but couldn't make the trip. Some fun life stories, with the war as a serious backdrop. Because its such an early talkie, they still use a title card at the very end with a tribute to the "War Nurses". Not bad. Fun to watch. Some serious moments of loss, but it does take place during wartime, so that is expected.

A young WAR NURSE learns to serve the wounded servicemen, whatever the personal cost to herself.

This fine film from MGM illustrates the horrors of World War One by celebrating the American military nurses in France. The horrendous conditions they work under, the very real dangers they face, and the lives they sacrifice for their devotion to service, both gives emphasis to their tremendous dedication, and provides some fine entertainment for the viewer. While the focus remains on the hospital drama the film is at its best; it starts going soft when the romantic escapades of two of the nurses begin to absorb considerable screen time.

Anita Page gives a commendable performance as a convent schoolgirl who quickly loses her innocence to war's terrible reality, and her heart to airman Robert Ames, who also scores as her conflicted lover. June Walker, on the other hand, provides rather colorless appeal when compared to flashy flyer Robert Montgomery, who shows some of the star power that was so soon to make him one of the top draws at MGM.

It's great to see the marvelous ZaSu Pitts, playing a rather downbeat, plain-talking nurse, but the role does not give her enough to do. Actually taking the movie's top acting honors is supporting actress Helen Jerome Eddy, portraying a starchy Kansas schoolmarm who slowly reveals her beautiful heart after joining the medical services.

Hedda Hopper is a tower of strength in her rather small role as the nurses' matron. Marie Prevost is on hand as a brazen Brooklyn babe who also is one of the Ladies in White.

Although its style is clearly 'old school' or pre- pre-code, this has an almost modern feel with respect to its cynical attitudes and brutal realistic content. Its evocative depiction of WW1 is genuinely harrowing.

If you're a shallow voyeur who watched this just to see Anita Page bouncing around in her undies you'll feel very guilty and a little soiled because this is proper film. It's a hard hitting condemnation of war. It's a life affirming story of how amazing the human spirit is.

Veteran director Edgar Selwyn wasn't one of those experimental filmmakers pushing boundaries in the late twenties but neither was he one to make those appalling stodgy static filmed stage play types of thing. By focusing on how it affects real people, Selwyn evokes the never ending relentless horror and despair of war by making it personal.

It's based on a notorious anonymously written autobiography of an actual war nurse which caused quite a scandal with its no holds barred revelations of what life was like for those young amazing heroines. Although this was made in 'the pre-code era' the saucy story was heavily censored and sanitised - in terms of any sexual shenanigans anyway. The true mental and physical brutality of conflict however was left undiluted.

Like all the best stories this tells its tale through the eyes and experiences of real people. The acting style is a bit more 1920s than 1930s but once you acclimatise, the characters do feel authentic, like real people. It's a story about how war doesn't just change people but society. These volunteer girls, hundreds and in the case of the Americans, thousands of miles from home, like the men there, realise that have to live as though each day might be their last. Consequences and convention have no role in a world without a future. The only way to survive was to pretend it's just a nightmare and live in a sphere of self deception.

Overall it's a clever and engaging fast-moving film. It's professionally made and a lot more entertaining than you might imagine... and if you're still wondering, yes Anita Page does bounce around in her undies!

This movie really will tung at your heart strings and make you tear up. It really is a touching movie. Anita Page, one of Golden Era Hollywood beauties is one of the best actresses I have seen. Beautiful yet not self-contained. It seems she could play any role, drama seems to be her specialty, she could move you in any role but this one takes the cake. The whole cast plays their role beautifully. Anita Page plays Joy Meadows, the beautiful but naive young lady who ends up the worse of all of the ladies but don't deserve it. June Walker as Babs is a natural. Marie Prevost as Rosalie, add spice and sense of humor to the movie. All the ladies cry together, laugh, suffer, they really grow up together as well. I believe "Cry Havoc" starring Ann Sothern, Margarent Sullivan and Joan Blondell was a remake of War Nurses, even though it was a good try, War Nurses is better. War Nurses didn't hold back anything being made in the pre-code era. If your looking for a good movie, this it it. Turner Classic Movies run it often.

I watch a lot of obscure movies, films which 99.9% of people will never watch. It's like discovering a world that only I know about. Occasionally I will come across a hidden gem which I absolutely love usually because it meets my personal preferences. But then there are movies like War Nurse in which I'm in disbelief that a movie of such quality on many levels could fall tough the cracks of obscurity.

War Nurse follows a group of women who volunteer for nursing duties in France at the outbreak of the First World War. The film is a perfect companion piece to All Quiet on the Western Front, released the same year. Similar to how the young army recruits in All Quiet... have a distorted, glamorised view of what war will be like, so do the nurses at the beginning of War Nurse (some of them are barely into adulthood) expecting to be "holding hands all night with good looking sick officers" and to spend "Moonlight nights up on no man's land, with a general in each arm". Little do they expect the extremely strenuous work, horrendous conditions, the lack of supplies and the near insanity caused by the constant firing of shells.

One scene in which the nurses retreat to bed for the night only to be woken up shortly afterward by the arrival of injured troops during the middle of the night, I can feel just how tired and physically exhausted these people must be. War Nurse is full of powerful moments both big and subtle such as when a soldier played Robert Montgomery asks a nurse played by Anita Page out on a date, literally seconds after she told him one of his close comrades just died; death is that common of an occurrence

The copy of War Nurse I watched was not of the greatest of quality so I couldn't always distinguish the cast members apart. Yet I was still fully engaged and can say the production values are superb. I don't have any information on the filmmaking locations for War Nurse but the exteriors feature lush countryside backdrops to large-scale recreations of baron no man's land with shells constantly exploding.

Get this baby onto the Warner Achieve Collection!