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The Easiest Way is directed by Jack Conway and adapted to screenplay by Edith Ellis from the 1909 play of the same name written by Eugene Walter. It stars Contance Bennett, Adolphe Menjou, Robert Montgomery, Clark Gable and Anita Page.

Obviously tame by today's standards, it's still not hard to see why The Easiest Way ruffled feathers back in the day. Essentially the plot finds Bennett as Laura Murdock, a poor shop girl who grows so tired of sharing a cramped tenement home with her large family, where three to a bed is the norm, she lands herself a rich older man (Menjou) and becomes a kept mistress. This ostracises her greatly and stuck in a loveless relationship, she's in a bad place emotionally. Hope comes in the form of Jack Madison (Montgomery), and the two hit it off right away and fall in love, but can Laura leave behind the wealth for the sake of love? Just what is the easiest way?

And so it is, running at under 75 minutes, pic gets away with what it can by ensuring the taboo nature of the story centre is cunningly evident. Conway and Mescall show some deft ambition with mobile camera work and nice framing shots out in the exteriors. Performances are all credible, with Gable serving early notice of what was to come in his career, and the ending, one of many filmed as the makers searched for tonal closure, works just fine to linger as a bittersweet aftertaste.

Montgomery isn't in it nearly enough given that he is playing one of the key characters, and the big issue of women striding out for their right to challenge society's stone-age ideals is inadequately unfurled. Other than that this is a thoroughly enjoyable piece of of pre-code classic cinema. 7/10

Constance Bennett stars as a lower class girl who takes the easy way. That is, she becomes a kept women. We see her in beautiful gown, in jewels, in furs. Adolph Menjou is footing the bill.

Then she meets newspaperman Robert Montgomery and wants to give it all up for true love. I won't reveal the ending. But it's not an especially happy one, and three cheers to Hollywood for not selling out.

A few comments on the perfumers: . Robert Montgomery is not someone I can imagine anyone's throwing over even a modest income for.

. Clark Gable has a fairly small role here. He plays, with of course no mustache, Bennett's proper working class and disapproving brother-in-law.

. Bennett is chic as she always is. But she isn't photographed in a faltering manner. Her profile is rather flat. She appears to have an overbite and her false eyelashes seem apparent. Maybe the director of photography and she did not get on well.

. The brilliant Marjorie Rameau turns in the earliest of her fine performances that I have seen. She plays another kept woman. When Bennett is down on her luck and asks for a loan, she sends her packing. But when her daddy dies, she comes to Bennett for money and is given it.

Her performance is in a different realm from that of any of the other players in this movie.

Bennett is a strangely forgotten star of early movies. Rambeau is a sadly underrated actress, whose career spanned several decades.

The shopgirl-turned-clotheshorse concept was a staple of 1920's a 30's films, with Joan Crawford wringing quite a bit of success out of the formula. Here, Bennett gives it a go in a story that was based on a 1909 stage play. She portrays the eldest of five children living with their parents in a squalid, cramped New York tenement. The father resists working while the mother barely manages to wrangle the kids and put supper on the table. Bennett toils behind the tie counter at a department store until one day she gets the opportunity to pose as a model for advertising artists. She doesn't stop with this modest success and proceeds to hook up with the boss (Menjou), who fixes her up with a fancy apartment and all the jewels and furs she can handle. During this, she aids her family as well, though a few of them reject her for the way she earns her keep. On an extended visit to Colorado, she happens upon handsome young writer Montgomery and quickly falls for him. She decides to give up her lavish "kept" lifestyle and return to work while he is away on assignment, knowing he will be back for her to marry him. But can she take that step backwards? Bennett, one of the highest paid and most popular stars of the era presents an appealing and attractive persona (check out that waist!) She knows that what she's doing is "wrong", yet circumstances seem to prevent her from doing otherwise unless she wants to exist in poverty. Menjou is assured and manipulative in his role. Montgomery is quite fresh and likable for the better part of his screen time. Page appears to great advantage as Bennett's far earthier sister who winds up wed to Gable in one of his very earliest roles. He's handsome though his character is a little self-righteous. Rambeau makes an impression as one of Bennett's sidekicks in the modeling biz who also reaches for the top in the mistress game. Virtually all of the cast members give vivid performances. The opening sequences in the rundown apartment are quite fascinating in their snappy dialogue and depiction of the hard times. Today's audiences will be able to see through the predictable plotting, but the film still holds interest. Though the Hays Office is sometimes blamed for tampering with the material, the 1917 silent version had at least as downbeat an ending as this one does. In fact, if the story were to end any other way than it does, there'd be very little point to it all!

As sound and dialog came to films the Broadway stage became more and more a source for movie properties even if they had to go back considerable ways for material. The Easiest Way was a play written by James Walter and produced by that eminent showman David Belasco first in 1909. It was most typical of the Edwardian era morality works that Belasco so favored.

It could never be done today, in fact it was barely acceptable in 1931 for its incredibly anti-feminist stand. According to the character played by Marjorie Rambeau men rule, make said rules, and women just have to deal with it. Submit cheerfully to being wives and mothers with some occasional outside work if you can fit it in.

Constance Bennett with her small job in a department store doesn't think this is all that's for her. She help supports her parents J. Farrell MacDonald and Clara Blandick and a couple of small brothers. Sister Anita Page is getting ready to marry honest laundry man Clark Gable who has some most chauvinistic views about women, but also about the value of honesty and hard work.

So when advertising executive Adolphe Menjou suggest to Bennett that they shack up, she's ready to take The Easiest Way and go for a life of luxury. That is until she meets newspaperman Robert Montgomery who's ready to marry her once he gets back from a long assignment in Argentina.

Without going into details Bennett makes a holy hash of her life and those tried and true standards of the time for women serve as a lesson to her and all in the audience. Be good wives and mothers and don't take The Easiest Way to prosperity.

The original play only had six characters and so it was expanded considerably at MGM and updated to Depression times where such lessons were not completely appreciated. Still this cast did manage to put it over.

The Easiest Way was the first film at MGM for Clark Gable who was billed eighth down in the cast. By the end of the decade Gable was acknowledged King of Hollywood before Elvis was known as the King. Nearly all the players billed above him would be below him in cast lists in the future. His appeal on the screen was immediately discernible and in the end of this film, he's given a bit of humanity and shown as not the blue nose stinker you might originally have thought him to be.

The Easiest Way is way old fashioned for today, I doubt too many stock companies do the original play today. Still some will find it a curiosity and Gable is always good to watch.

A beautiful young model finds THE EASIEST WAY to support her needy family is to become a rich man's mistress -- until she falls in love with an energetic reporter.

This little film is strictly soap opera, but it's well presented and makes a pleasant diversion. The production values are good, especially in the opening sequence which reveals the inside of a tenement flat, and causes the viewer to appreciate the trouble MGM expended on even its small pictures.

Beautiful Constance Bennett is very convincing as a woman who frankly admits her moral standing -- until true love complicates everything. Urbane Adolphe Menjou, as the rich businessman who controls Bennett, is slightly more sympathetic than usual in a role he could probably have played in his sleep. And Robert Montgomery gives his patented friendly portrayal as the steadfast fellow who earnestly loves Bennett -- until he is told the truth of her situation.

A fine supporting cast helps the proceedings: tough-talking Marjorie Rambeau as an aging model out to squeeze every penny possible from the male animal; lazy J. Farrell MacDonald & careworn Clara Blandick as Bennett's poor parents; blonde Anita Page as Bennett's lively younger sister; and sturdy Clark Gable, as Page's laundryman boyfriend, who would eventually supplant Montgomery as MGM's favorite heartthrob.

Movie mavens will recognize jovial Dell Henderson and stately Hedda Hopper, both uncredited as Bennett's Colorado hosts.