Mord - Sir John greift ein!

From my comments you will immediately recognize I am not an expert on Alfred Hitchcook or film in general. My positive reactions to this this movie are based on the fact that I felt it held my interest and that it is technically better than most talkies made in the period of 1929 to 1931, even though I think that Herbert Marshall was hampered by a script that was fine for the level of the other actors but inferior for Marshall's talent. I feel that he was out of place in this movie because of the supporting actors. It was still a good movie and you could see hints of Hitchcock future genius in the direction of the plot. I think it took courage to include some of the longer scenes in this movie, especially for a movie made in 1930. That being said I think these longer scenes were mostly effective. I think this film is watch-worthy for any film student and anyone who is a fan of Hitchcock or early talkies. In my opinion if this film were made only 4 years later with the same cast it would have been a superior film because of the massive evolution in film making in the period between 1930 and 1934.

Alfred Hitchcock's Murder! is not a great film, but I give it *** out of ****, so it must be good, and it is. The acting is good, the premise is intriguing, but the film being extremely slow-moving, makes the film boring at times, but it is still at times a quite mesmerizing film that is worth is just for the extraordinary ending. The plot deals with a woman( Norah Baring) being accused of murder, and a juror( a great Herbert Marshall) being almost sure that she is not the killer, and attempting to find this killer. I will not reveal any more of the plot to you, as I think that this film deserved to be seen, not just read. It is not one of Hitchcock's more popular films, and not one of his best. It is an early talkie, so be prepared for a poor print. But past that and it's slow-moving flaws, it's a well-acted film that deserves to be seen.

A mystery movie adapted from the novel and play titled ¨Enter Sir John¨by Clemence Dane and Helen Simpson . It deals with a girl (Norah Baring) silently accepts her prosecution for killing , while the jury is deliberating , there is a lone juror (Herbert Marshall) who believes in her innocence begins an investigation his own and winds up discovering weird happenings .

This fine early effort by Hitch has several novelties , as the movie transcends the limitation of its mystery plot by dealing with thought-provoking issues and focusing on the theatrical meditations of reality . An early talkie for Great Britain in which director Hitch features visualization of some typical Hitchcockian themes , being perhaps the most provocative of all early British films , adding the first gay stereotype in popular cinema and the first movie where a person's thoughts are presented by a voice-in-off . The story follows mysteriously the investigation of a murder and the protagonist attempts to keep the condemned girl from being executed to death penalty by hanging . One of the first and best Alfred film to explore the ideas and themes that would become his trademarks , including climatic and memorable scenes . Herbert Marshall gives a good interpretation as the jurist believing in a young woman's innocence and starts organizing the pieces of the crime in order to save her . Look closely for the Master in a rapid cameo about an hour into the film walking past the house where the murder was committed and Una O'Connor , John Ford's regular ; besides , brief acting by Miles Mander .

The film belongs to Hitch's first British period when he directed silent films such as ¨The lodger¨ (1926) , ¨The ring¨(1927) , ¨Easy virtue¨ (1927) , ¨The Manxman¨(29) ; being ¨Blackmail¨(29) made as a silent , this was reworked to become a talkie . Following sound movies and early talkies as ¨June and the Paycock¨(30) , ¨Skin Game¨(31) , ¨Rich and strange¨(32) , ¨Number 17¨(32) , ¨The man who knew too much¨(34) , ¨The 39 steps¨ (35) , ¨The secret agent¨(36) , ¨Sabotage¨(36) , ¨The lady vanishes¨(38) , ¨Jamaica Inn¨ (39) until he is hired by David O'Selznick to shoot ¨Rebecca¨(40) in the US .

This was one of the few times that Alfred Hitchcock filmed one of his stories as a "whodunit" in which you are not sure until the end who committed the crime. "Murder!" is often slow-moving, but it has some good features, and is worth watching the whole way through. It was one of Hitchcock's earliest sound pictures, and he tried some new things here, some of which work quite well.

Herbert Marshall stars as Sir John, a famous actor who sits on a jury for a murder case. After the case is decided, Sir John starts having second thoughts over whether the verdict was really correct, and he decides to investigate on his own. His investigation itself moves rather slowly, but it has some entertaining moments. Everyone connected with the murder was part of a theater group, and Hitchcock gets some good mileage out of having the characters alternate between their real identities and their stage roles. There are some pretty good scenes, most especially the one of the jury's deliberations - it is quite amusing, and a not-too-subtle example of Hitchcock's lack of confidence in the infallibility of the legal system.

There is not very much of the suspense for which Hitchcock is famous, but instead there is some subtle humor and a lot of atmospheric detail. While not having the sustained excitement of Hitchcock's best films, "Murder!" is still worthwhile as a slightly different kind of film by the great director.

In an early depiction of Hitchcock's fear and mistrust of the police and the legal system, we have a very legal thriller about a murder and it's subsequent trial. We are given the facts of the case, even a sort of a limited view of the murder itself taking place, followed by the prosecution and defense presenting their cases at the trial and a detailed look at the jury's discussion of the case. Sort of Hitchcock's version of 12 Angry Men.

There is a curious cast of characters involved in the film, and two of Hitch's biggest interests, the law and the arts, are on center stage. Sir John in the single character who takes the time to really look deeply into what really happened that night, even though someone's life is on the line based on the verdict that they reach, and his personal investigation is probably the best part of the film. One of the things that this movie is famous for is for being the first film where someone's thoughts are shown in a film, in the scene where he is looking at himself in the mirror, shaving. For this scene, a recording of him speaking was played off screen, since vocals could not be added to the film later.

There is a scene in the film where Mr. Marlowe goes to visit Sir John at his request, and as he approaches Sir John's desk there is a close up of his feet, which sink deeply into the rug as though it were laid over a soft mattress. This is never explained, although I am willing to accept that this is a spot of symbolism the meaning of which escaped me, since so much of the rest of the film is deeply layered, literally and figuratively, as well. There is an astonishing amount of technique and content to be seen here, impossible to catch all in one viewing, which is one sign of a great film.

Some editing and filming techniques I suspect were not as successful as they seemed in the writing stages, but the film is strong nonetheless. Consider, for example, the brave and highly successful technique of lingering on the empty jury room while the verdict is read offstage, and the shockingly effective technique of having the face of the victim hanging in the vision of the murderer. Incredibly, I think this is one of the single most haunting shots I have ever seen in a Hitchcock film. It has its slow moments and may be a bit longer than it's content can support, but this is a brilliant example of Hitch's early work.

Also keep your eye out for Hitchcock's cameo, which is a full hour into the film. This was long before he began putting all of his cameos in the beginnings of his films, knowing that the audience would be watching for him and not wanting this to distract from the stories.