Panik auf der Leiter

Hog Wild concerns Hardy, who wants nothing more than to go out on the town with Laurel until his wife insists that he install a radio antenna atop their roof. Hardy still winds up inviting Laurel over to help him with such a project, which will of course go awry in a multitude of different ways. For starters, the roof begins to fall apart due to the carelessness of the men, and eventually results in an epic (for the time), collision, sending the boys into a complete tailspin of idiocy.

Hog Wild is standard slapstick Laurel and Hardy fare, but it provides for a certain kind of "one thing leads to another" setup that keeps it going longer than if it was just an assortment of gags (which it still is at times). The verbal banter between the two men is downplayed, and the only real kind of situational gag imposed is at the very beginning of the film, where Hardy is searching for his hat that he is scolding his wife (Fay Holderness) for misplacing when it is already on his head. Certain gags like this feel like cop-outs and deliberate distractions from the fact that the film has nothing going on under its head (sort of like Laurel and Hardy themselves).

The short turns a bit more captivating towards the end, when all hell really starts breaking loose. Laurel and Hardy shorts have a traditional potboiler effect to their drama, where events escalate faster than the audience can keep up in the best way possible. Hog Wild has that effect in a low-key sense, making it at least marginally interesting even if the action and the wit isn't as substantial as it could be. This is a fine, effective short all around, despite lacking in the area that Laurel and Hardy are best in, which is verbal banter and quirky exchanges.

Starring: Stan Laurel, Oliver Hardy, and Fay Holderness.

This movie shows what Laurel & Hardy shorts are all about. Crazy situations, silly antics and some crazy stunts.

This short is truly one of the best from Stan Laurel and Oliver Hardy. The story is very simple and basically only serves as a lame excuse to make the boys do some crazy things and to get them into some (unlikely) silly situations. The movie becomes absolutely hilarious due to its simpleness. The comical slapstick situations are top-class and absolutely hilarious to watch. The movie is fast paced which makes this movie an almost non-stop constantly laugh filled one.

The situations and troubles the two boys get into this time are highly original. The movie and its story might be simple but its comical situations are not. They are well build up, executed and timed.

This is what Laurel & Hardy is all about! One of their best and most typical shorts. An absolute must-see!

9/10

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This is not Laurel and Hardy's best effort, but even a script that was developed during a break in shooting is performed better than other comedians doing a competent script. Only Laurel and Hardy could have made this material funny.

After a painfully dull opening joke about a misplaced hat, HOG WILD turns out to be one of the best Laurel and Hardy shorts, in a brief amount of time able to spotlight all of the silly ingredients that made them so popular in the '30s.

Stan comes upon Oliver climbing a ladder to install a radio aerial at the request of his wife who wants to hear Japan.

Stan asks if he can help and from then on the film is one slapstick situation after another, with Oliver getting the worst of the deal and giving the camera his special glance of despair.

The rooftop happenings are funny enough but the finale with Oliver inadvertently being carried away by Stan's car while he's atop a ladder gives the ending a funny twist and some unexpected situations.

Summing up: Easily qualifies as one of their best shorts.

After having seen just about every short Laurel and Hardy made together, I have noticed that the most of the best films are the ones with very simple and mundane plots. Films such as DIRTY WORK, HELP MATES and HOG WILD simply have the pair cleaning house or fixing things, yet they sure milk it for all its worth. I think one of the reasons I love these films is that they aren't cluttered with co-stars or difficult plots and just allow the pair to be the lovable and klutzy characters we've come to love.

Here, Ollie's wife tells him to install a radio aerial on the roof so they can get better reception and THEN he can go have fun with Stan. For any halfway normal person, this would have been a rather quick job--and so naturally the boys nearly kill themselves as well as manage to destroy much of the house! The film ends with a tough to believe but well-filmed sequence where Ollie is stuck on a ladder and Stan accidentally starts the car. Unlike lousy driving sequences such as in COUNTY HOSPITAL where the studio used cheap and unrealistic rear projection to make the driving sequence, here it's filmed for real--though of course stunt doubles were used for the distant shots. This scene and the final shot were quite well done and worked well with the prior house demolition scenes--providing many laughs and no serious lulls. Funny and right to the point.