Framed

I am really shocked that "Framed" is not a more famous film. I am also surprised that it's somehow lapsed into the public domain--an inglorious ending to a terrific gangster film.

Evelyn Brent plays Rose Manning--one of the hardest dames you could ever see in Pre-Code gangster films. Shortly after the film begins, Rose learns that the one person in life she cared about, her father, has been killed in a shootout with the cops. She blames Inspector McArthur (William Holden--NOT the one you're thinking about, but an older actor of the same name) and wants her revenge. However, she's a smart cookie and her revenge will be slow in coming. In the meantime, she becomes pals with a hood named Bing (the aptly named Maurice Black) and they open a classy gambling hall named after her.

Time passes and finally you learn of Rose's plan. She has seduced Inspector McArthur's very naive son, Jimmy (Regis Toomey) and she knows this will drive the Inspector nuts! How did she do it? She convinced the young dummy that she is an innocent lady who truly loves him! Not surprisingly, when Jimmy tells his father, there is a HUGE blowup between them and Jimmy won't believe that his fiancée is a criminal. However, Bing is NOT a subtle sort of guy. Despite Rose's plan, he decides the best thing to do is just kill Jimmy. But when Rose learns of this, you see that this hard-hearted dame MIGHT just have fallen for the squirt. What's next? See this film.

This film has so much going for it. Most importantly, at the time this film was made, Radio Pictures was doing a great job with sound pictures. I have seen several of their films from 1929-1930 and the sound is VERY clear and the actors don't tend to stand around hidden microphones--a serious problem with many of the early talkies. Additionally, the film, while a tad sentimental at the end, is great because the bad people really are awful and the film avoids pulling its punches. I'd stack this crime film up along side the best of the genre of the day ("Little Caesar", "Scarface" and "The Public Enemy")--due to wonderful writing, acting and a professional production all around. Well worth seeing--and available for free download at archive.org.

Brutishly interrogated by seven bullying detectives, beautiful Evelyn Brent (as Rose Manning) claims she knows nothing about a recent cop killing. Informed her racketeering father was also shot to death during the incident, Ms. Brent vows revenge against police inspector William Holden (as "Butch" McArthur) and the other "coppers" responsible. Five years later, Brent runs a nightclub casino popular with underworld types. Brent attracts many men, ranging from manicured bootlegger Ralf Harolde (as Chuck Gaines) to innocent youngish Regis Toomey (as Jimmy). The latter man has a secret which tests Brent's resolve...

This run-of-the-mill melodrama is enjoyably for the dramatics and great beauty provided by Brent. She proved to be as good in "all-talking" pictures as she was in "silent" movies, but the parts she received were getting worse. Her "Framed" role calls for obvious melodramatics, but Brent manages to get in some subtle moments. William Holden is not the 1950s super-star. Having a lot of fun with their characters are villainous Mr. Harolde and henchman Maurice Black (as "Bing" Murdock). The former keeps his fingernails clean; the latter helps Brent and director George Archainbaud make the apartment confrontation a highlight.

***** Framed (3/16/30) George Archainbaud ~ Evelyn Brent, Regis Toomey, Ralf Harolde, William Holden

... with some Hitchcockian irony thrown in. This was certainly a good vehicle for Evelyn Brent who plays Rose Manning. The first scene is her surrounded by cops acting like a football team. Maybe if they confuse her with enough questions she'll confess? In this case they are looking for the killer of her father. Two of his associates are shown to her in a lineup and she says she does not know them.

Meanwhile she is sure that Police Inspector "Butch" McArthur (William Holden...no not THAT William Holden) is responsible for her beloved dad's murder, and years later she still wants revenge.. She goes to work for gangster Chuck Gaines (Raf Harolde) as a hostess at his nightclub. At least I THINK that's her job. She doesn't sing or dance, just goes from table to table. The front story to keep the customers off of her is that she is Gaines' girl. Problem is, the story is apparently so convincing even Gaines believes it. A young guy is at the club night after night (Regis Toomey as Jimmy) who is head over heels for Rose and wants to marry her, taking up all of Rose's time. She thinks he is just a sweet kid until she finds out Jimmy is actually the inspector's son, the son of the man she think killed her dad. What worse revenge could she send upon him than to have a gun moll as his daughter in law? Meanwhile Chuck Gaines is a dumb gangster or the police are even more dumb. First off, Raf Harolde portrays his gangster more as cowardly weasel than brains of a syndicate. Jimmy Cagney he is not. But then WB in its prime RKO is not either, so what can I say? Gaines never does the killing himself, he always sends his doorman out to do the job, dressed up in a costume as obvious as an organ grinder, and uses the same corner drugstore and the same time (midnight) for all of his hits. The owner of the all night drugstore, the police, and the fact that it is all of Gaines' old friends that are being bumped off should make somebody wise to this guy's ways.

How does this all work out? Very ironically in a way you'd never guess. Yes some of the scenes are laughable, but overall it is one of the better early talkie films I've seen from that year.

It's yet another revenge drama, and like "Paid", the woman marries the son of the man she holds responsible for killing her father (as opposed to the guy who sent Crawford up the river). The opening is cops surrounding Brent interrogating her about a cop killing. She refuses to talk, including when she's presented with a police lineup that includes the killer.

Five years later, Brent works as a "hostess" at the casino run by Ralf Harolde. She's his mistress, but every night Toomey comes and grins blandly as she works the crowd. Seriously, there is way more chemistry between Brent and Harolde. Once Brent discovers Toomey is the son of the man who killed her father, she marries him. Do you know, I saw this movie a week ago and I can't remember the rest? Only that Harolde has men assassinated in front of the SAME drugstore at the SAME time every time! You'd think the cops would at least stake it out.

Side note: Evelyn Brent made a hit in Josef von Sternberg's "Underworld" (1927) as "Feathers", a tough gangster's moll. Humorist S. J. Perelman wrote in the New Yorker piece"Smugglers In The Dust": FEATHERS: (eyes smoldering) Hello, you two-timing bastard.

TYRONE: What's the matter, Feathers?

FEATHERS: Nothing. I always say that when I enter a room.

Creaky, but Sometimes Clever, this Early Talkie was Headlined by Evelyn Brent, Hardly a Household Name. But Her Acting Ability, Especially Making the Transition from the Silents, is Obvious and She Shines in this Male Oriented Gangster Film.

Regis Toomey, in an Early Role, is Underused and Bland, but as Brent Carries the Film it Plods Along with the Expected Datedness that Plagued the Era from 1927-to about 1933. Hollywood's Transition from Silents to Talkies was, Like All Births, Painful at Times.

This One Fares Pretty Good, but Cannot Escapes the Confines of its Playdate. Worth a Watch to See the Unknown Brent and as a Bridge Roughly Traveled as Filmdom was Finding its Feet with New Technology. The Opening and Closing are Stylistic and Connected, the Middle Meanders a bit, but Manages to be Entertaining Enough to Recommend.

Note...There is very little Pre-Code Inclusions worth noting and the Film would have passed the Censors with no problem.