The Silver Horde

After spending two, hard years searching for gold in the northernmost part of Alaska, two friends named "Boyd Emerson" (Joel McCrea) and "Fraser" (Raymond Hatton) finally decide to give up on their dream and head back south to civilization. On the way, however, they happen to stop in a small village where they meet a wealthy woman named "Cherry Malotte" (Evelyn Brent) who provides them with food and lodging for the next few days. It's during this time that Boyd is informed by Cherry that there is a lucrative business opportunity right there in that same village focusing on a totally different resource other than gold--salmon. The problem is that part of the bay where the salmon spawn is owned by a ruthless businessman named "Fred Marsh" (Gavid Gordon) who will do whatever it takes to prevent anyone else from setting up a rival fish cannery in that area. Even so, Boyd soon becomes intent upon opening one up and, with Cherry's help, he travels to Seattle to obtain the necessary money from a bank. While there he also runs into his girlfriend "Mildred Wayland" (Jean Arthur) who loves him very much and wants to marry him as soon as possible. What Boyd doesn't realize, however, is that Cherry has also fallen in love with him and that, sooner or later, he will have to make a choice between them. Now, rather than reveal any more, I will just say that this turned out to be a rather entertaining film--especially since it was produced so long ago. Admittedly, there were more than a few times the film showed its age, but even so, I enjoyed it for the most part and I have rated it accordingly. Slightly above average.

One of the first talking films, this film has a mediocre storyline but is quite entertaining nonetheless. It was filmed on location in Ketchikan,Alaska and it is very interesting to see the nearly 80 year old footage of that area. It is also worth viewing to see Jean Arthur,even though not her best of roles, and to see a nice early performance from Joel McCrea. Evelyn Brent plays the earthy Cherry Mallott with great finesse.She is very believable in the role and does not over-act as some silent era veterans might.The plot,although average, is not boring at all and it is easy to sit through this delightful piece of cinematic history.

This is an excellent film. The location footage of Ketchikan, Alaska, the documentary scenes of salmon fishing and canning, and the clash on the water between the two fishing fleets are all first rate.

The crucial dramatic question of the film, can a decent man fall in love with a woman who has had sex with other men, seems hopelessly outdated. But if you replace that question with the more general, which woman should a man choose, one who can offer him a life of ease, or one who can help him fight for success on his own terms, the dramatic crisis becomes not dated but timeless. Good acting and direction, a lesson in the history of film, and in storytelling, that transcends period.

Although I enjoy old movies, this was just a bit to early for my liking. It was an early talky movie and you could tell by watching it that the equipment that it was filmed on and the actors and actresses were vintage. That being said, it was an interesting movie and easy to watch. Very simplistic plot with not much depth as was the case in this period of cinematography. It was very typical of the time period plot line where the guy gets the girl, even though she has a reputation of being a bad girl. The scenes that showed the actual canning of the salmon was of interest to me, in that it gave a glance back in history of the processing plant and early machinery.

In 1930, as films were making the transition from silent to talkies, this pre-code film was released. It even contains a few title cards.

"The Silver Horde" refers to the running salmon as they attempt to make their way from the ocean to the rivers, improbably jumping upstream. The protagonist played by Joel McCrea is a man who runs a cannery. As he falls for a woman of bad reputation, he fights another canner who plays dirty.

The scenes of harvesting fish and inside a cannery are snapshots of an industry's state of the art.

The lily-white society girl who desires to reel in McCrea is played by Jean Arthur with no glimpse of the screwball comedienne she would become. She pales in comparison to the bad girl, played by Evelyn Brent, appropriately called Cherry.

This average film is interesting for its place in the development in cinema.