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IMDbPro

Unser täglich Brot - Die Frau aus Chicago

Originaltitel: City Girl
  • 1930
  • Passed
  • 1 Std. 25 Min.
IMDb-BEWERTUNG
7,7/10
3942
IHRE BEWERTUNG
Mary Duncan and Charles Farrell in Unser täglich Brot - Die Frau aus Chicago (1930)
DramaRomance

Füge eine Handlung in deiner Sprache hinzuA Chicago waitress falls in love with a Minnesota farmer, and decides to face a life in the country.A Chicago waitress falls in love with a Minnesota farmer, and decides to face a life in the country.A Chicago waitress falls in love with a Minnesota farmer, and decides to face a life in the country.

  • Regie
    • F.W. Murnau
  • Drehbuch
    • Elliott Lester
    • Berthold Viertel
    • Marion Orth
  • Hauptbesetzung
    • Charles Farrell
    • Mary Duncan
    • David Torrence
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,7/10
    3942
    IHRE BEWERTUNG
    • Regie
      • F.W. Murnau
    • Drehbuch
      • Elliott Lester
      • Berthold Viertel
      • Marion Orth
    • Hauptbesetzung
      • Charles Farrell
      • Mary Duncan
      • David Torrence
    • 47Benutzerrezensionen
    • 34Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos84

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    Topbesetzung26

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    Charles Farrell
    Charles Farrell
    • Lem Tustine
    Mary Duncan
    Mary Duncan
    • Kate
    David Torrence
    David Torrence
    • Mr. J.L. Tustine
    Edith Yorke
    Edith Yorke
    • Mrs. J.L. Tustine Blair
    Guinn 'Big Boy' Williams
    Guinn 'Big Boy' Williams
    • Reaper
    • (as Guinn Williams)
    Anne Shirley
    Anne Shirley
    • Marie Tustine
    • (as Dawn O'Day)
    Tom McGuire
    Tom McGuire
    • Matey
    Richard Alexander
    Richard Alexander
    • Mac
    Patrick Rooney
    • Butch
    • (as Pat Rooney)
    Ed Brady
    Ed Brady
    • Reaper
    Roscoe Ates
    Roscoe Ates
    • Reaper
    Marjorie Beebe
    Marjorie Beebe
    • Waitress
    • (Nicht genannt)
    Eddie Boland
    • Reaper
    • (Nicht genannt)
    Joe Brown
    • Cafe Patron
    • (Nicht genannt)
    Harry Gripp
    • Reaper
    • (Nicht genannt)
    Mark Hamilton
    Mark Hamilton
    • Greasy the Reaper
    • (Nicht genannt)
    Werner Klingler
    • Reaper
    • (Nicht genannt)
    Charles Lane
    Charles Lane
    • Man at Train Station
    • (Nicht genannt)
    • Regie
      • F.W. Murnau
    • Drehbuch
      • Elliott Lester
      • Berthold Viertel
      • Marion Orth
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen47

    7,73.9K
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    Empfohlene Bewertungen

    9David-240

    Magical Murnau!

    Was Murnau the greatest director ever? His life was cut short by a car accident in 1931, when he was 42 years old. What magical films he would have made had he lived.

    "City Girl" is a fairly conventional story of a young man from the country who falls in love with a waitress on his first trip to the city. He marries her and brings her home to a hostile father. But Murnau takes this material and turns it into an expressionist exploration of sexuality, powering it with a theme of "it's not where we live but how we live". Within a world of hostile shadows and menacing crowds real people live and breathe in brilliant naturalistic performances. Farrell and Duncan are amazingly good. And even the smallest part is played with vivid life.

    But the real star is Murnau's startling direction. Tracking shots years ahead of their time - watch the scene where the couple run through a field of wheat - extraordinary point of view shots, and remarkable shots of and in fast moving wagons. The frightening city seen in "Sunrise" is here again - with trains and crowds obscuring vision and soot on the pot plants. And then there is the beauty of the countryside and the harvesting of wheat.

    Murnau made what I believe to be the best silent film ever with "Sunrise" in 1927. With "City Girl" he comes close to matching it. A must. I saw the original silent version which runs at 90 minutes. Apparently a shorter talkie version also exists.
    8AlsExGal

    Romantic drama from Fox and director F.W. Murnau

    Minnesota farm boy Lem (Charles Ferrell) travels to the big city of Chicago for the first time to sell his family's annual wheat harvest. He meets tough-cookie waitress Kate (Mary Duncan) who dreams of a simpler life. The two fall for each other and get married, but they receive a less-than-warm reception back home from Lem's angry, tyrannical father (David Torrence). Kate is disappointed when Lem won't stand up to his father's violent ways, and things get more complicated when a work team arrives for the harvest, and the men start making advances on Kate.

    Although less artistically flashy than many of Murnau's films, this is stronger narratively. While Murnau was said to be disappointed that producer William Fox insisted on the casting of Duncan in the female lead (Murnau wanted to cast Janet Gaynor), I have to say that I was very impressed with Duncan's performance, and I consider it the highlight of the film. Torrence is also good as the mean father, and I like that he's given a nuanced background, showing that his ill-temper is a result of his worries over making ends meet and paying the bills, a source of stress for most farmers. The only drawback for me with this movie was that the end tied everything up a little too neatly to be believable. Recommended.
    9BCPMoon

    This movie you really have to watch...

    Excellent actors, good music, NO STUPID DIALOGUE and a story I was really interested in. The supporting actors had personality, the bad guy was realistic, for a long time the first movie I really had to see all the way to know the ending (happy end? No? Yes? No?). Perhaps a bit too much "Pathos" in the end, but I didn´t care...
    10jery-tillotson-1

    Stunning and Unforgettable!

    I was so astonished by this movie that as soon as "The End" came up, I started watching it all over again. For one thing, the restoration of this forgotten classic was so stunning it was like watching a black and white movie made an hour ago. Each scene simply glowed with amazing grays and whites and charcoals. Mary Duncan as the 'City Gir' was absolutely enchanting. She was a sweet, young girl who was also feisty and was so believable and likable that she became someone you'd love to know. The movie's great loss is that she made only one other movie, 'Morning Glory" before leaving the screen to marry millionaire polo player. She only died recently at the age of 92 She was matched by silent screen great Charles Farrell who had t difficult role of Lem, who was also simple, sweet but manly, too. Although released in l930, this film confirms how incredibly smooth and profound silent movies had become. Director Murnau brilliantly cast and directed this amazing drama--proving to one and all what a profound loss silent movies became when they were overtaken by those noisy talkies. You should definitely check out this masterpiece and be amazed
    10zetes

    The sun rises again

    Murnau's third American film after Sunrise and the lost Four Devils, and his penultimate before Tabu. City Girl, of the surviving three, is the least seen. The reason for this must be its close resemblance to Sunrise, which is a masterpiece of the first order. Yes, City Girl does remind one of Sunrise in its mood and focus. A young rube from Minnesota (Charles Farrell) travels to Chicago to sell his father's wheat crop. Business-wise, the trip doesn't go well, but his romantic world blossoms when he meets up with a lonely waitress (Mary Duncan). The two marry, and the rest of the film deals with Duncan's fight for acceptance on the farm, where she faces a fierce opponent in her father-in-law (David Torrence). The film is romantic, emotionally moving and utterly beautiful. Yes, it is a lot like Sunrise, but, heck, who wouldn't want a second Sunrise? It's hardly a carbon copy, anyway, so it's like another wonderful gift. City Girl is a masterpiece, as well. I'm not the biggest fan of Murnau's German films, but his three surviving American films are probably the best proof of the sentiment that the silent cinema was at a miraculous level right when it was snuffed by sound. Murnau tragically died in an auto accident in 1931. I find it hard to imagine his work in the talkies, but I have an inkling that the cinema would be rather different if he had survived.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Director F.W. Murnau wanted the title of the film to be "Our Daily Bread", but the studio refused. Murnau's working title was the title used in several European countries' distribution.
    • Patzer
      Each time Lem's father, Kate, and Mac storm out of the farmhouse after Kate bandages Mac's hand, the shadow of the screen door moves across the "sky" backdrop.
    • Zitate

      Kate: Life on a farm must be wonderful!

    • Alternative Versionen
      There is a silent version, shot by F.W. Murnau, and a part-talkie sound version, with music and parts re-shot by two directors hired by the studio, after Murnau's refusal to do so. The sound version is now considered lost. The silent version was restored and edited in DVD and Blu-Ray with an original score added in August 2008.
    • Verbindungen
      Featured in Murnau, Borzage and Fox (2008)

    Top-Auswahl

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    FAQ14

    • How long is City Girl?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 1930 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Noon
    • Auch bekannt als
      • Die Frau aus Chicago
    • Drehorte
      • Athena, Oregon, USA(Verified via newspaper article published August 1928- THE ATHENA PRESS)
    • Produktionsfirmen
      • F.W. Murnau Production
      • Fox Film Corporation
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 25 Minuten
    • Farbe
      • Black and White
    • Sound-Mix
      • Silent

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    Mary Duncan and Charles Farrell in Unser täglich Brot - Die Frau aus Chicago (1930)
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