IMDb-BEWERTUNG
7,4/10
1922
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuStan fakes receiving a telegram so he can go to a club with Ollie and a bottle of his unsuspecting wife's liquor, but she overhears his plans.Stan fakes receiving a telegram so he can go to a club with Ollie and a bottle of his unsuspecting wife's liquor, but she overhears his plans.Stan fakes receiving a telegram so he can go to a club with Ollie and a bottle of his unsuspecting wife's liquor, but she overhears his plans.
Baldwin Cooke
- Waiter
- (Nicht genannt)
Jean De Briac
- Shopkeeper
- (Nicht genannt)
Dick Gilbert
- Phone Booth Gawker
- (Nicht genannt)
Vladimir Gueteron
- Orchestra Leader
- (Nicht genannt)
Charlie Hall
- Cabdriver
- (Nicht genannt)
Jack Hill
- Man in Rainbow Club
- (Nicht genannt)
Frank Holliday
- Rainbow Club Singer
- (Nicht genannt)
Bob Minford
- Phone Booth Gawker
- (Nicht genannt)
Tiny Sandford
- Headwaiter
- (Nicht genannt)
Harry Wilde
- Nightclub patron
- (Nicht genannt)
Empfohlene Bewertungen
The boys find themselves in mischief again as Stan tries to sneak out of his house and out of the clutches of his wife to meet with Ollie. The Mrs. is smart to their plans as she then creates a wild concoction for the boys as they try to get their hands on a bottle of liquor. The boys get out safely and head for a club where the bottle would be unleashed. Even though the bottle is filled with tea and other non-alcoholic substances, that still doesn't stop the boys from causing a little mayhem. Constant laughter all the way, as only these two fellows can provide.
This short film's direction is twofold. One is to avoid their wive's control over them (they always seemed to have wives who were much smarter, and much meaner than them) by stealing some alcohol from them. The other is to see what happens to them as they drink the tea that has replaced the liquor. The title of the film tells us that someone is going to get really drunk. Of course, they have already blown it before they go to the bottle club (taking a risk during prohibition) because of Ollie's big mouth (he is overheard by his wife). Anyway, the scene at the club is hilarious because the power of suggestion is more powerful than the realities of the human body. This is laugh riot. Will they pay a price for their actions? That's the question.
Laurel and Hardy want to go out for a night at a bar, some sneaky drinking and an all round fun time. However, Laurel is unable to get out of the house as his wife has forbidden him. He manages to wrangle his way out of the house with the use of a faked telegram.
Having half the film with Laurel and Hardy separated was a bit of a risk, but one that the duo just about carry off. The plot sees Laurel trapped in his house by his wife while Hardy tries to contact him by phone. Laurel trying to play his wife is pretty amusing but, once the short moves out of the house it becomes less funny as the routines in the bar are less funny. It is still amusing but not quite as much.
As often happens, a Laurel and Hardy short that lacks one strong central sequence needs to achieve a consistent level of humour. This film neither has a peak or a high consistent level, meaning that it isn't as good as others in my opinion. Laurel does good work early on with his wife, and laughs convincingly towards the end. Hardy is less well used and his looks are used for reasons which are too slight and thus undervalue them slightly. Garvin is strong as Mrs Laurel though.
Overall this short needed to be consistently funny but it didn't manage to deliver it. Still funny but it lacks any parts which rise above the rest and lift the short as a whole.
Having half the film with Laurel and Hardy separated was a bit of a risk, but one that the duo just about carry off. The plot sees Laurel trapped in his house by his wife while Hardy tries to contact him by phone. Laurel trying to play his wife is pretty amusing but, once the short moves out of the house it becomes less funny as the routines in the bar are less funny. It is still amusing but not quite as much.
As often happens, a Laurel and Hardy short that lacks one strong central sequence needs to achieve a consistent level of humour. This film neither has a peak or a high consistent level, meaning that it isn't as good as others in my opinion. Laurel does good work early on with his wife, and laughs convincingly towards the end. Hardy is less well used and his looks are used for reasons which are too slight and thus undervalue them slightly. Garvin is strong as Mrs Laurel though.
Overall this short needed to be consistently funny but it didn't manage to deliver it. Still funny but it lacks any parts which rise above the rest and lift the short as a whole.
A LAUREL & HARDY Comedy Short.
Stan & Ollie head for an evening at a ritzy nightclub, against the wishes of a furious Mrs. Laurel. After getting BLOTTO on a mixture of cold tea & Tabasco, the Boys make a noisy spectacle of themselves. But just wait until Mrs. L. shows up with a shotgun...
A very funny little film. Highlight: Stan's laughing fit. The tearjerker sung by the crooner that gets the Boys crying is `The Curse Of An Aching Heart', a popular ballad from 1913. Mrs. Laurel is played by Anita Garvin.
Stan & Ollie head for an evening at a ritzy nightclub, against the wishes of a furious Mrs. Laurel. After getting BLOTTO on a mixture of cold tea & Tabasco, the Boys make a noisy spectacle of themselves. But just wait until Mrs. L. shows up with a shotgun...
A very funny little film. Highlight: Stan's laughing fit. The tearjerker sung by the crooner that gets the Boys crying is `The Curse Of An Aching Heart', a popular ballad from 1913. Mrs. Laurel is played by Anita Garvin.
Ollie hatches a plan to sneak henpecked Stan out for a night on the town with Mrs. Laurel's hidden bottle of liquor. Unfortunately, Mrs. Laurel, played by the always reliable Anita Garvin, overhears the plot and substitutes the liquor for a distasteful combination of her making.
Fans and critics tend to be dismissive of film, but I have always found this film to be one of my favorites of their early talkie shorts. There isn't much of a plot, but the sequences are very well-constructed and funny. The interplay between Stan and Anita is very funny. (I like her much better than Linda Loredo, who plays the same role in the Spanish language version.) I also really enjoy Ollie's solo bits on the telephone. Those people who dismiss him as being Stan's straight man should watch that scene. His mannerisms and expressions are priceless.
The nightclub sequence is very funny as the boys proceed to get "drunk" on the illicit "alcohol." The best moment is when Stan is reduced to tears by a melancholy song. The boys would go on laughing jags later in the other films, but nowhere is it funnier than in this film, which also ends effectively with a big car gag -- as so many Laurel and Hardy films do!
Others may disagree, but I consider this a classic Laurel & Hardy short.
Fans and critics tend to be dismissive of film, but I have always found this film to be one of my favorites of their early talkie shorts. There isn't much of a plot, but the sequences are very well-constructed and funny. The interplay between Stan and Anita is very funny. (I like her much better than Linda Loredo, who plays the same role in the Spanish language version.) I also really enjoy Ollie's solo bits on the telephone. Those people who dismiss him as being Stan's straight man should watch that scene. His mannerisms and expressions are priceless.
The nightclub sequence is very funny as the boys proceed to get "drunk" on the illicit "alcohol." The best moment is when Stan is reduced to tears by a melancholy song. The boys would go on laughing jags later in the other films, but nowhere is it funnier than in this film, which also ends effectively with a big car gag -- as so many Laurel and Hardy films do!
Others may disagree, but I consider this a classic Laurel & Hardy short.
Wusstest du schon
- WissenswertesThe number Oliver Hardy calls to reach Stan Laurel (OXford-0614) was Laurel's real phone number.
- PatzerFrom where they were standing, it would have been impossible for the laughing crowd to have actually seen Ollie at the phone booth.
- Alternative VersionenThere is also a colorized version.
- VerbindungenAlternate-language version of La vida nocturna (1930)
- SoundtracksThe Curse of an Aching Heart
(1913) (uncredited)
Music by Al Piantadosi
Lyrics by Henry Fink
Performed by Frank Holliday
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- 26 Min.
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