Das feuchte Hotelbett

Laurel and Hardy made a ton of comedy shorts so it was inevitable that they'd have a few disappointments. While this film is watchable and mildly amusing in spots, it is certainly not a very good film by their standards. The problem was the script. It was incredibly mundane and unexciting and was later remade in much funnier ways. For example, the same basic plot and landlord (Charlie Hall) return for LAUGHING GRAVY. It wasn't a huge improvement, but adding the dog and allowing some of the action to take place outside really helped to pick up the pace. But with THEY GO BOOM!, it's all contained in their small apartment and the entire movie revolves around two unfunny gags--Ollie overreacting after he gets a cold and Stan mucking up the attempts to alleviate Ollie's sneezing as well as a rather lame joke about over-inflating the air mattress. It's worth seeing, but there are so many better Laurel and Hardy films I recommend this one to devoted fans only.

They Go Boom! (1929)

*** (out of 4)

Hardy has a cold so it's up to Laurel to try and find a cure so that they can get a good night's sleep. Highlights include the mustard bath and the exploding mattress.

Leave 'Em Laughing (1928)

** 1/2 (out of 4)

Laurel is suffering from a toothache so Hardy takes him to the dentist who accidentally fills them with laughing gas. The early gags of Hardy trying to pull the tooth are funny but the ending with the cars goes on a bit too long and gets rather tiresome.

One Good Turn (1931)

** 1/2 (out of 4)

L&H set out to raise $100 when they overhear an elderly woman say she's going to be evicted. Not too many laughs in this one outside the opening sequence in the woods.

Thicker Than Water (1935)

** 1/2 (out of 4)

Laurel and Hardy waste $300 on a grandfather clock so Hardy's wife hits him with a frying pan and sends him to the hospital. Again, not too funny and the worst part is the ending where the two change personalities. This here should have been a lot funnier than it turned out.

Call me crazy ("Hey, crazy!") but I never enjoyed silent era films. I tried, oh I tried, but each time an actor's mouth moved there was nothing but an awkward silence. Then after what seemed too lengthy of a wait, a placard flashed on the TV screen, reflecting what the actor had just said moments before. I found this to be very distracting, plus it slowed down the natural comedic timing. This lapse between action and dialog, for me, was like watching an entire movie subtitled, and I couldn't square the two up.

That being said, I didn't watch any of the short and feature length "TV reruns" unless they were "talkies." As a kid who was fortunate enough to have a tiny black and white TV set in my bedroom, every Saturday morning before my parents or the Sun were up, I was thoroughly mesmerized by the vaudevillian, overtly physical humor of Buster Keaton, Our Gang (The Little Rascals), The Three Stooges, and of course, Laurel & Hardy.

The first Our Gang (The Little Rascals) talkie was "Small Talk" released in 1929. Buster Keaton's first talkie was "Free and Easy," released in 1930. The Three Stooges (Larry, Moe and Curly) most recognized talkie was The Woman Haters (1934). "Unaccustomed As We Are," released worldwide in 1929, was Laurel and Hardy's film debut with sound. It was an immediate hit with audiences.

Unlike many of their silent film era contemporaries who couldn't make the transition from silent to sound film, Stan Laurel and Oliver Hardy effortlessly slipped into this new media. Both actors had the rare gift of "comedic timing," and the duo knew how to thoroughly exploit sight gags. Moreover, lovable Hardy routinely broke the "fourth wall" of film, and after each hilarious yet tragic gag, he would often look straight at the camera as if to say, "Can you believe what just happened to me?"

"They Go Boom!" (1929) was Laurel and Hardy's fifth sound movie. Like the first four, it is a short. The plot is simple: Laurel & Hardy live in a somewhat dingy apartment room and both (in the same bed, mind you) are trying to sleep. Ollie already has a very bad cold and Stan tries to help him. Naturally, Stan's efforts result in total chaos. There is some great give and go "retaliation" between the boys and their grumpy landlord (Charlie Hall).

It's all brilliantly choreographed by two of the most iconic comedic teams in history, and supported by a wonderful set of actors who would often appear in many future Laurel & Hardy shorts and feature length films.

No spoilers here as usual, but I will reveal that They Go Boom! Has no musical score and instead incorporates several vaudevillian sound effects.

Perhaps it's because that this movie is probably the Laurel & Hardy short I've seen most in my life that I got sort of tiresome of watching it but I don't find this movie to be the most hilarious or best constructed and executed Laurel & Hardy comedy short around. But you know, when you watch this movie objectively just for what it is, so not necessarily as a part of the Laurel & Hardy shorts alone you have to conclude that this is a pretty entertaining and fun little movie.

The movie its premise is extremely simple and gives both Stan Laurel and Oliver Hardsy to let their comical talents shine, since they're basically the only two actors in the movie, except for the last couple of minutes in which Laurel & Hardy regular Charlie Hall, among others, shows up as the landlord.

The comical routines are rather simple but I guess they are effective enough, since they surely amuse. It just isn't the most hilarious or imaginative Laurel & Hardy comedy around but that doesn't of course mean that this movie is bad or not entertaining.

7/10

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Sometimes the simplest of situation comedies work the best, and so it proves with THEY GO BOOM! Essentially, Ollie's suffering from the sniffles and Stan tries to cure him, and that's all there is to it. But what a journey unfolds over the 20 minute running time here! The gags start out on familiar ground before becoming more and more elaborate as they go on, and each of the boys seems to be subjected to endless injury and physical peril. Of course, it all builds to an explosive scenario at the climax that the title hints at, and as usual the sheer amount of stunts, physical destruction and sight gags make it a delight.