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Unschuldig hinter Gittern

Originaltitel: The Hoose-Gow
  • 1929
  • Passed
  • 21 Min.
IMDb-BEWERTUNG
7,0/10
1407
IHRE BEWERTUNG
Oliver Hardy and Stan Laurel in Unschuldig hinter Gittern (1929)
SlapstickComedyShort

Füge eine Handlung in deiner Sprache hinzuSwept up in a police raid, Stan and Ollie are sentenced to jail and land in a jail labor camp. The governor visits, accompanied by two flappers, where the duo accidentally create rice puddin... Alles lesenSwept up in a police raid, Stan and Ollie are sentenced to jail and land in a jail labor camp. The governor visits, accompanied by two flappers, where the duo accidentally create rice pudding for a food fight.Swept up in a police raid, Stan and Ollie are sentenced to jail and land in a jail labor camp. The governor visits, accompanied by two flappers, where the duo accidentally create rice pudding for a food fight.

  • Regie
    • James Parrott
  • Drehbuch
    • H.M. Walker
    • Oliver Hardy
    • Charlie Hall
  • Hauptbesetzung
    • Stan Laurel
    • Oliver Hardy
    • Phil Bloom
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    1407
    IHRE BEWERTUNG
    • Regie
      • James Parrott
    • Drehbuch
      • H.M. Walker
      • Oliver Hardy
      • Charlie Hall
    • Hauptbesetzung
      • Stan Laurel
      • Oliver Hardy
      • Phil Bloom
    • 16Benutzerrezensionen
    • 5Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos37

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    Topbesetzung24

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    Stan Laurel
    Stan Laurel
    • Stan
    Oliver Hardy
    Oliver Hardy
    • Ollie
    Phil Bloom
    Phil Bloom
    • Prisoner
    • (Nicht genannt)
    Robert Bolder
    Robert Bolder
    • Party Guest
    • (Nicht genannt)
    Symona Boniface
    Symona Boniface
    • Party Guest
    • (Nicht genannt)
    Chet Brandenburg
    Chet Brandenburg
    • Prisoner
    • (Nicht genannt)
    Ed Brandenburg
    • Prisoner
    • (Nicht genannt)
    Jack Chefe
    • Party Guest
    • (Nicht genannt)
    Baldwin Cooke
    Baldwin Cooke
    • Prisoner
    • (Nicht genannt)
    Jimmy Dime
    Jimmy Dime
    • Prisoner
    • (Nicht genannt)
    Charles Dorety
    Charles Dorety
    • Prisoner
    • (Nicht genannt)
    Eddie Dunn
    Eddie Dunn
    • Prisoner
    • (Nicht genannt)
    James Finlayson
    James Finlayson
    • Governor
    • (Nicht genannt)
    Charlie Hall
    Charlie Hall
    • Treetop Lookout
    • (Nicht genannt)
    Ham Kinsey
    Ham Kinsey
    • Prisoner
    • (Nicht genannt)
    Sam Lufkin
    Sam Lufkin
    • Prison Camp Officer
    • (Nicht genannt)
    Retta Palmer
    • Party Guest
    • (Nicht genannt)
    Tiny Sandford
    Tiny Sandford
    • Prison Guard
    • (Nicht genannt)
    • Regie
      • James Parrott
    • Drehbuch
      • H.M. Walker
      • Oliver Hardy
      • Charlie Hall
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen16

    7,01.4K
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    Empfohlene Bewertungen

    bob the moo

    Not their best

    Despite claiming to be innocent bystanders when a raid occurs, Laurel and Hardy are sentenced to jail time along with the criminals themselves. Despite trying to reason with a guard they find themselves working a gang digging ditches all day every day.

    Any short film that needs a great deal of set up before it actually starts going anywhere, is asking for trouble. On the surface that may not totally be the case here but I suspect it is one of it's weaknesses. The plot here sounds good but it has a few little unnecessary things that are needed to get it to it's original idea (I assume) which is the prison gang.

    Once it reaches this stage it is funny but never feels like it reaches a peak. Individual moments are good but it doesn't have any really good sequences – I found the rice fight to be so-so rather than hilarious I'm afraid.

    Laurel and Hardy are good of course but they seem to be hampered by a film that requires them to do things that aren't funny just to set up a joke that is funny. This split of time is almost 50/50 so the result is that the film doesn't seem to be as full and lively as their shorts are normally. Finlayson is usually my favourite support actor in the Laurel and Hardy shorts but here he doesn't get to do his trademark moves and is more of a straight man than a part of the comedy.

    Overall this is still worth watching but I thought it was one of those rare occasions where the duo simply couldn't stretch the central idea to cover the whole short.
    hausrathman

    The Hoose-gow. A step in the right direction.

    Despite their protestations of innocence, Laurel and Hardy find themselves on a prison working on a prison road crew where they make a shambles of an inspection visit by the governor.

    "The Hoose-gow" was Laurel & Hardy's sixth talkie short and a step in the right direction in recovering the energy and verve of their best silent shorts. Shot almost entirely outdoors, this film doesn't have the claustrophobic, studio-bound feel that hindered some of their earlier talkies. The sound mix must have had some level of sophistication. Look at some of the road crew scenes. The wind is whipping up the branches on some of bushes right behind them. With the microphones of the time, that dialogue must've been unusable. The dubbing was fine.

    The plot of the film is simple but serviceable. Nothing new, but nice. It works its way to a nice, rice throwing battle, which, if not on the level of "Two Tars" or "Big Business," is certainly adequate. The supporting cast is good, featuring the always reliable Tiny Sanford and James Finlayson.

    Not a classic, but worth watching. Up to this point, their best talkie with the possible exception of "Men O'War."
    7planktonrules

    Enjoyable, but not great

    This is an okay Laurel and Hardy film--about average overall. While the plot is a bit different than most of their films, the team did do several films where they were convicts (such as LIBERTY and PARDON US). And, of these films, this is perhaps my least favorite. It isn't because the film is really bad, but a lot of the humor isn't all that memorable and the rice throwing at the end seems very derivative--throwing pies, etc. is almost a cliché since it's been seen a lot already in older comedies. I just don't see why throwing food is funny--it just seems like a cheap laugh. If you are a die-hard fan, then this IS a film for you. For others who are not familiar with the duo, find another film first--this film isn't magical or a must-see film.
    8StevePulaski

    The slapstick has finally won me over

    James Parrot's short film The Hoose-Gow opens with Laurel and Hardy being trafficked to prison after being mistaken for involvement in a hold-up. The two spend their days digging ditches, cutting down trees, and doing the hard manual labor in prison with the comedic longevity expected from two of the greatest masterminds in silent/talkie comedy. The two manage to get themselves into enough physical pain and trouble that makes up for their false prison sentence, but the two push on and try to pay their dues, even if it results in grave injury.

    This is one of the first times I've seen where slapstick really works for Laurel and Hardy. The Hoose-Gow doesn't make much of an effort to incorporate a lot of verbal wit, and instead, emphasizes the physical elements. For some reason, perhaps the result of a mood-change or an unconscious desire, I was pleased by the slapstick here, especially during the scenes when Hardy is attempting to cut down a tree and Laurel keeps getting in the way, nearly missing the sharp blade of the pickaxe. Scenes like that provide for slapstick that almost seems improvisational rather than a copout for screen writing.

    One can tell, however, this is an early sound-short because of the lack of formal dialog. The Hoose-Gow could've really been a silent short and simply had the timely luxury of being able to be produced with sound. My only assumption to the lack of real conversation was writers at the time, in this case, H.M. Walker, who wrote most of Laurel and Hardy's short films, was just getting used to screen writing with audible dialog, making the early sound-shorts lack the kind of leisurely- paced dialog that would be present in Laurel and Hardy's later shorts. It's not a particular flaw, just a difficultly in adapting on part of the short's crew, but it would've made for a more witty short.

    Yet The Hoose-Gow accomplishes a feat I never really thought possible with Laurel and Hardy shorts, which is make them more slapstick driven than dialog driven and have them turn out successful. For that, the film deserves a huge plus, and the fact that this is the most active I've seen both men in any project only adheres to their credibility has fantastic physical performers.

    Starring: Stan Laurel and Oliver Hardy. Directed by: James Parrot.
    10Ron Oliver

    Digging Ditches With Mr. Laurel & Mr. Hardy

    A LAUREL & HARDY Comedy Short. Stan & Ollie have finally gotten themselves thrown into THE HOOSE-GOW. Having failed miserably in an escape attempt, they find themselves assigned to a road gang - digging ditches. Creating havoc all around them, the Boys even manage to assault the visiting State Governor, eventually involving prisoners, guards & VIP's in a frantic free-for-all with handfuls of boiled rice.

    This early talkie is rather unpolished in construction, but Stan & Ollie are always fun to watch. Slapstick humor abounds, especially in the finale. James Finlayson plays the Governor.

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    Handlung

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    • Wissenswertes
      Oliver Hardy was injured during the filming of the scene in which Stan Laurel keeps nicking him with a pickaxe. A rubber pickaxe was originally to have been used for the scene, but it was decided that it looked too fake, in action, so a real one was substituted. Hardy moved a little too close to Laurel during the latter's backswing and received a very real cut from the pickaxe on his rear.
    • Patzer
      At the end of the film the car backs into the truck, just before the impact two barrels of whitewash tip over.
    • Zitate

      Title Card: Neither Mr. Laurel nor Mr. Hardy had any thoughts of doing wrong - As a matter of fact, they had no thoughts of any kind

    • Alternative Versionen
      There is also a colorized version.
    • Verbindungen
      Featured in The Crazy World of Laurel and Hardy (1966)

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 13. Dezember 1963 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official Site
    • Sprache
      • Englisch
    • Auch bekannt als
      • The Hoose-Gow
    • Drehorte
      • Arnaz Ranch - Robertson Blvd between Beverlywood St. & David Avenue, Rincon de Los Bueyes, Los Angeles, Kalifornien, USA
    • Produktionsfirma
      • Hal Roach Studios
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    Technische Daten

    Ändern
    • Laufzeit
      21 Minuten
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono

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    Oliver Hardy and Stan Laurel in Unschuldig hinter Gittern (1929)
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    By what name was Unschuldig hinter Gittern (1929) officially released in India in English?
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