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Unschuldig hinter Gittern

Originaltitel: The Hoose-Gow
  • 1929
  • Passed
  • 21 Min.
IMDb-BEWERTUNG
7,0/10
1411
IHRE BEWERTUNG
Oliver Hardy and Stan Laurel in Unschuldig hinter Gittern (1929)
SlapstickKomödieKurz

Füge eine Handlung in deiner Sprache hinzuSwept up in a police raid, Stan and Ollie are sentenced to jail and land in a jail labor camp. The governor visits, accompanied by two flappers, where the duo accidentally create rice puddin... Alles lesenSwept up in a police raid, Stan and Ollie are sentenced to jail and land in a jail labor camp. The governor visits, accompanied by two flappers, where the duo accidentally create rice pudding for a food fight.Swept up in a police raid, Stan and Ollie are sentenced to jail and land in a jail labor camp. The governor visits, accompanied by two flappers, where the duo accidentally create rice pudding for a food fight.

  • Regie
    • James Parrott
  • Drehbuch
    • H.M. Walker
    • Oliver Hardy
    • Charlie Hall
  • Hauptbesetzung
    • Stan Laurel
    • Oliver Hardy
    • Phil Bloom
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    1411
    IHRE BEWERTUNG
    • Regie
      • James Parrott
    • Drehbuch
      • H.M. Walker
      • Oliver Hardy
      • Charlie Hall
    • Hauptbesetzung
      • Stan Laurel
      • Oliver Hardy
      • Phil Bloom
    • 16Benutzerrezensionen
    • 5Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos37

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    Topbesetzung24

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    Stan Laurel
    Stan Laurel
    • Stan
    Oliver Hardy
    Oliver Hardy
    • Ollie
    Phil Bloom
    Phil Bloom
    • Prisoner
    • (Nicht genannt)
    Robert Bolder
    Robert Bolder
    • Party Guest
    • (Nicht genannt)
    Symona Boniface
    Symona Boniface
    • Party Guest
    • (Nicht genannt)
    Chet Brandenburg
    Chet Brandenburg
    • Prisoner
    • (Nicht genannt)
    Ed Brandenburg
    • Prisoner
    • (Nicht genannt)
    Jack Chefe
    • Party Guest
    • (Nicht genannt)
    Baldwin Cooke
    Baldwin Cooke
    • Prisoner
    • (Nicht genannt)
    Jimmy Dime
    Jimmy Dime
    • Prisoner
    • (Nicht genannt)
    Charles Dorety
    Charles Dorety
    • Prisoner
    • (Nicht genannt)
    Eddie Dunn
    Eddie Dunn
    • Prisoner
    • (Nicht genannt)
    James Finlayson
    James Finlayson
    • Governor
    • (Nicht genannt)
    Charlie Hall
    Charlie Hall
    • Treetop Lookout
    • (Nicht genannt)
    Ham Kinsey
    Ham Kinsey
    • Prisoner
    • (Nicht genannt)
    Sam Lufkin
    Sam Lufkin
    • Prison Camp Officer
    • (Nicht genannt)
    Retta Palmer
    • Party Guest
    • (Nicht genannt)
    Tiny Sandford
    Tiny Sandford
    • Prison Guard
    • (Nicht genannt)
    • Regie
      • James Parrott
    • Drehbuch
      • H.M. Walker
      • Oliver Hardy
      • Charlie Hall
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen16

    7,01.4K
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    Empfohlene Bewertungen

    5Better_Sith_Than_Sorry

    Imitation is the Sincerest Form of Flattery

    Everyone has heard that famous phrase. But what about imitating yourself? Is that still flattery? Laurel and Hardy recycle not one, but two recently-used comedy routines in this short.

    Plot In a Nutshell: Two innocent bystanders (Stan Laurel, Oliver Hardy) are swept up in a police raid and sent to prison, where they wreak their usual havoc.

    Why I rated it a '5': Overall this is not among L&H's best efforts. When you recycle multiple gags in a 20-minute film, it speaks to a lack of imagination and hints at churning just to get in their quota of 10 shorts a year. For those not aware, the 'loose-top-on-the-salt-shaker' bit was already used in "You're Darn Tootin'" and the 'soggy rice fight' was already used (in the form of pies) in "The Battle of the Century."

    Perhaps if you have not seen either of those earlier shorts, "The Hoose-Gow" may seem fresh; but once you realize this, however, one can't help but be less than impressed with this effort. Add to this is the fact that the soggy rice fight isn't particularly hilarious and it just kind of falls flat. Hey, it's still Laurel and Hardy, so it's not a total loss. But in their entire catalog of work, "The Hoose-Gow" is decidedly run-of-the-mill.

    5/10. Would I watch again (Y/N)?: Probably not. They did much better work elsewhere.
    10Ron Oliver

    Digging Ditches With Mr. Laurel & Mr. Hardy

    A LAUREL & HARDY Comedy Short. Stan & Ollie have finally gotten themselves thrown into THE HOOSE-GOW. Having failed miserably in an escape attempt, they find themselves assigned to a road gang - digging ditches. Creating havoc all around them, the Boys even manage to assault the visiting State Governor, eventually involving prisoners, guards & VIP's in a frantic free-for-all with handfuls of boiled rice.

    This early talkie is rather unpolished in construction, but Stan & Ollie are always fun to watch. Slapstick humor abounds, especially in the finale. James Finlayson plays the Governor.
    7TheLittleSongbird

    Prison inspection

    Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

    Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. Didn't find 'The Hoose-Gow' as one of their best and a bit disappointing compared to their late 1928 and previous 1929 efforts, which were among their best and funniest early work. It is still good with a lot of great merits.

    It may not be "new" material as such, some rather familiar material here and the first part takes a little bit too time to get going.

    Compared to the late 1928 and previous 1929 output, it is a little on the subdued and bland side, contrary to the insane craziness and wacky slapstick that was properly starting to emerge.

    When 'The Hoose-Gow' does get going, which it does do very quickly, it is good enough fun, not really hilarious but never less than amusing. It is never too silly, the energy is there and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive.

    Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'The Hoose-Gow' we are far from robbed of that. Their comic timing is impeccable.

    'The Hoose-Gow' looks mostly good visually (even if the polish is not always there), has energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid.

    Overall, very good. Not essential or classic Laurel and Hardy but hardly disgraces them either. 7/10 Bethany Cox
    CharlesD-25

    WE'RE ON THE OUTSIDE<SAFE FROM L&H

    This is the one where Stan&Ollie are accidentally locked outside the prison, and Laurel angrily pounds on the gate to be let BACK IN;while Hardy gives the camera one of those unforgettable looks of disgust.

    And the opening title card---"Neither Mr. Laurel or Mr. Hardy had any thoughts of doing wrong. As a matter of fact,they had no thoughts of any kind".

    Enormous Tiny Sandford is given the chore of guarding the boys on the work gang, and he takes the brunt of the abuse(gooey soup poured on his shoes;but only after it's been overloaded with pepper).

    Actually,putting rice in the radiator IS a good way to stop a leak----but science takes a back seat to laughs and loss of dignity.

    And their first prison film wasn't this one,but 1927's THE SECOND HUNDRED YEARS.
    8StevePulaski

    The slapstick has finally won me over

    James Parrot's short film The Hoose-Gow opens with Laurel and Hardy being trafficked to prison after being mistaken for involvement in a hold-up. The two spend their days digging ditches, cutting down trees, and doing the hard manual labor in prison with the comedic longevity expected from two of the greatest masterminds in silent/talkie comedy. The two manage to get themselves into enough physical pain and trouble that makes up for their false prison sentence, but the two push on and try to pay their dues, even if it results in grave injury.

    This is one of the first times I've seen where slapstick really works for Laurel and Hardy. The Hoose-Gow doesn't make much of an effort to incorporate a lot of verbal wit, and instead, emphasizes the physical elements. For some reason, perhaps the result of a mood-change or an unconscious desire, I was pleased by the slapstick here, especially during the scenes when Hardy is attempting to cut down a tree and Laurel keeps getting in the way, nearly missing the sharp blade of the pickaxe. Scenes like that provide for slapstick that almost seems improvisational rather than a copout for screen writing.

    One can tell, however, this is an early sound-short because of the lack of formal dialog. The Hoose-Gow could've really been a silent short and simply had the timely luxury of being able to be produced with sound. My only assumption to the lack of real conversation was writers at the time, in this case, H.M. Walker, who wrote most of Laurel and Hardy's short films, was just getting used to screen writing with audible dialog, making the early sound-shorts lack the kind of leisurely- paced dialog that would be present in Laurel and Hardy's later shorts. It's not a particular flaw, just a difficultly in adapting on part of the short's crew, but it would've made for a more witty short.

    Yet The Hoose-Gow accomplishes a feat I never really thought possible with Laurel and Hardy shorts, which is make them more slapstick driven than dialog driven and have them turn out successful. For that, the film deserves a huge plus, and the fact that this is the most active I've seen both men in any project only adheres to their credibility has fantastic physical performers.

    Starring: Stan Laurel and Oliver Hardy. Directed by: James Parrot.

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    Handlung

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    • Wissenswertes
      Oliver Hardy was injured during the filming of the scene in which Stan Laurel keeps nicking him with a pickaxe. A rubber pickaxe was originally to have been used for the scene, but it was decided that it looked too fake, in action, so a real one was substituted. Hardy moved a little too close to Laurel during the latter's backswing and received a very real cut from the pickaxe on his rear.
    • Patzer
      At the end of the film the car backs into the truck, just before the impact two barrels of whitewash tip over.
    • Zitate

      Title Card: Neither Mr. Laurel nor Mr. Hardy had any thoughts of doing wrong - As a matter of fact, they had no thoughts of any kind

    • Alternative Versionen
      There is also a colorized version.
    • Verbindungen
      Featured in The Crazy World of Laurel and Hardy (1966)

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 13. Dezember 1963 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official Site
    • Sprache
      • Englisch
    • Auch bekannt als
      • The Hoose-Gow
    • Drehorte
      • Arnaz Ranch - Robertson Blvd between Beverlywood St. & David Avenue, Rincon de Los Bueyes, Los Angeles, Kalifornien, USA
    • Produktionsfirma
      • Hal Roach Studios
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    Technische Daten

    Ändern
    • Laufzeit
      21 Minuten
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono

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    Oliver Hardy and Stan Laurel in Unschuldig hinter Gittern (1929)
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